Sudden Fear

Last updated
Sudden Fear
Sudden fear-1.jpg
Theatrical release poster
Directed by David Miller
Screenplay by Lenore J. Coffee
Robert Smith
Based onSudden Fear
1948 novel
by Edna Sherry
Produced by Joseph Kaufman
Starring Joan Crawford
Jack Palance
Gloria Grahame
Cinematography Charles Lang
Edited byLeon Barsha
Music by Elmer Bernstein
Color process Black and white
Production
company
Joseph Kaufmann Productions
Distributed by RKO Radio Pictures
Release date
Running time
110 minutes
CountryUnited States
LanguageEnglish
Budget$600,000 [1]
Box office$1.65 million
(USA rentals) [2]

Sudden Fear is a 1952 American film noir thriller film starring Joan Crawford and Jack Palance in a tale about a successful woman who marries a murderous man. Directed by David Miller, the screenplay by Lenore J. Coffee and Robert Smith was based upon the novel of the same name by Edna Sherry. [3]

Contents

Plot

Myra Hudson (Crawford) is a successful Broadway playwright who rejects Lester Blaine (Palance) as the lead in her new play. Later, she meets him on a train bound for San Francisco, is swept off her feet and, after a brief courtship, marries him.

Lester is unaware that Myra is making changes to her will which will ensure he will inherit everything. She has begun dictating them into her personal dictating machine but is interrupted when guests begin to arrive for the evening. She forgets to turn the machine off and, later, when Lester and his long-time lover, Irene Neves (Grahame), are in Myra's study, they find the original will, which stipulates that the bulk of her fortune be left to a foundation. Irene suggests Myra's murder; unknown to the couple, their subsequent plotting is recorded.

Myra hears the recording, and is devastated. In her haste to take the incriminating record to others, she drops and breaks it. Frantically trying to think how to proceed, she suddenly concocts a scheme of her own to kill Lester and place the blame on Irene.

Using her writing skills, she sets out a plan, but the complex timing — and her alibi — begins to unravel. She fakes a message to Irene from Lester to get her out of the way. While hiding in Irene's apartment waiting for Lester, Myra catches her reflection in a mirror and is horrified at the sight of herself holding a gun. She decides to abandon the plan, but it's too late; Lester has learned of her intentions and, after life-and-death shifts in everybody's murderous aims, ultimately ends up chasing Myra in his car through the streets of San Francisco. On foot, Myra is able to avoid him, although he gets out of the car in pursuit, and she has to hide. He returns to the car and drives around looking for her.

Unbeknownst to him, Irene is returning to her house, wondering why he hasn't turned up. He eventually mistakes Irene for Myra, and aims the car at her. Myra, seeing this at the last minute, shouts to stop him but it is too late. Lester crashes, killing both himself and Irene. Myra breathes a sigh of relief as she walks safely off into the night.

Cast

Reception

Critical response

When the film was released, the film critic for The New York Times , A. H. Weiler, reviewed the film favorably: "Joan Crawford should be credited with a truly professional performance in Sudden Fear ... The entire production has been mounted in excellent taste and, it must be pointed out, that San Francisco and Los Angeles, Bunker Hill area, in which most of the action takes place, is an excitingly photogenic area. David Miller, the director, has taken full advantage of the city's steep streets and panoramic views. And, in his climactic scenes in a darkened apartment and a chase through its precipitous dark alleys and backyards he has managed to project an authentically doom-filled atmosphere." [4]

Otis L. Guernsey Jr., also wrote a positive review in the New York Herald Tribune . He wrote: "The scenario...is designed to allow Miss Crawford a wide range of quivering reactions to vicious events, as she passes through the stage of starry-eyed love, terrible disillusionment, fear, hatred, and finally hysteria. With her wide eyes and forceful bearing, she is the woman for the job." [5]

Village Voice reviewer Melissa Anderson wrote in 2016 that Sudden Fear "fits into and defies different genres, its convention-scrambling partly the result of the fact that the film looks both forward and back." [6] Dennis Schwartz liked the film, but questioned some of the film's plot points, saying that "David Miller stylishly directs this disturbing psychological gargoyle thriller ... [Yet] ... the suspense is marred by plot devices that don't hold up to further scrutiny. Joan Crawford has a chance to act out on her hysteria after her happy marriage is unmasked as a charade, and does a fine job of trying to remain calm while knowing her hubby and [his] girlfriend are planning to kill her ... The film is grandly topped off by Charles B. Lang Jr. and his remarkably glossy black-and-white photography." [7]

In 1984, film noir historian Spencer Selby noted, "Undoubtedly one of the most stylish and refined woman-in-distress noirs." [8]

Accolades

Joan Crawford received her third and final Oscar nomination for this film, the only time she competed against arch-rival Bette Davis for Best Actress, who was nominated (for the tenth time) for The Star . Neither actress won (Shirley Booth took home the award for Come Back, Little Sheba ).

AwardCategoryNominee(s)ResultRef.
Academy Awards Best Actress Joan Crawford Nominated [9]
Best Supporting Actor Jack Palance Nominated
Best Cinematography – Black-and-White Charles Lang Nominated
Best Costume Design – Black-and-White Sheila O'Brien Nominated
Golden Globe Awards Best Actress in a Motion Picture – Drama Joan CrawfordNominated [10]
Laurel Awards Best Female Dramatic PerformanceWon
Photoplay Awards Most Popular Female StarWon

Home media

Sudden Fear was first released on VHS by Kino Video. Kino also released the film on Region 1 DVD in 2003. In 2006, the film was also released as part of Film Noir - The Dark Side of Hollywood DVD box set by Kino Video. In 2016, the film was released on Blu-ray by Cohen Film Collection.

Related Research Articles

<span class="mw-page-title-main">Joan Crawford</span> American actress (1900s-1977)

Joan Crawford was an American actress. She started her career as a dancer in traveling theatrical companies before debuting on Broadway. Crawford was signed to a motion picture contract by Metro-Goldwyn-Mayer in 1925. Initially frustrated by the size and quality of her parts, Crawford launched a publicity campaign and built an image as a nationally known flapper by the end of the 1920s. By the 1930s, Crawford's fame rivaled MGM colleagues Norma Shearer and Greta Garbo. Crawford often played hardworking young women who find romance and financial success. These "rags-to-riches" stories were well received by Depression-era audiences and were popular with women. Crawford became one of Hollywood's most prominent movie stars and one of the highest paid women in the United States, but her films began losing money. By the end of the 1930s, she was labeled "box office poison".

<i>The American Friend</i> 1977 West Germany film

The American Friend is a 1977 neo-noir film written and directed by Wim Wenders, adapted from the 1974 novel Ripley's Game by Patricia Highsmith. It stars Dennis Hopper as career-criminal Tom Ripley and Bruno Ganz as Jonathan Zimmermann, a terminally ill picture framer whom Ripley coaxes into becoming an assassin. The film uses an unusual "natural" language concept: Zimmermann speaks German with his family and his doctor, but English with Ripley and while visiting Paris.

<i>The Hot Spot</i> 1990 film by Dennis Hopper

The Hot Spot is a 1990 American neo-noir romantic thriller film directed by Dennis Hopper, based on the 1953 novel Hell Hath No Fury by Charles Williams, who also co-wrote the screenplay. It stars Don Johnson, Virginia Madsen, and Jennifer Connelly, and features a score by Jack Nitzsche played by John Lee Hooker, Miles Davis, Taj Mahal, Roy Rogers, Tim Drummond, and drummer Earl Palmer.

<span class="mw-page-title-main">Gloria Grahame</span> American actress (1923–1981)

Gloria Grahame was an American actress. She began her acting career in theater, and in 1944 made her first film for MGM. Many biographies indicated she was born Gloria Grahame Hallward but she adopted the surname Grahame, her mother's acting name, as her professional name. She was raised a Methodist.

<i>The Grifters</i> (film) 1990 film by Stephen Frears

The Grifters is a 1990 American neo-noir crime thriller film directed by Stephen Frears, produced by Martin Scorsese, and starring John Cusack, Anjelica Huston, and Annette Bening. The screenplay was written by Donald E. Westlake, based on Jim Thompson's 1963 novel. The film won the Independent Spirit Award for Best Film and was declared one of the Top 10 films of 1990 by The National Board of Review of Motion Pictures.

<i>The Big Heat</i> 1953 American film noir crime film by Fritz Lang

The Big Heat is a 1953 American film noir crime film directed by Fritz Lang starring Glenn Ford, Gloria Grahame, and Jocelyn Brando about a cop who takes on the crime syndicate that controls his city.

<i>Human Desire</i> 1954 film by Fritz Lang

Human Desire is a 1954 American film noir drama starring Glenn Ford, Gloria Grahame and Broderick Crawford directed by Fritz Lang. It is loosely based on Émile Zola's 1890 novel La Bête humaine. The story had been filmed twice before: La Bête humaine (1938), directed by Jean Renoir, and Die Bestie im Menschen, starring Ilka Grüning (1920).

<i>The Chase</i> (1946 film) 1946 American film noir directed by Arthur Ripley

The Chase is a 1946 American film noir directed by Arthur Ripley. The screenplay by Philip Yordan is based on Cornell Woolrich's 1944 novel The Black Path of Fear. It stars Robert Cummings as Chuck Scott, a veteran who suffers from hallucinations. When he returns a lost wallet to violent mobster Eddie Roman, Eddie offers to hire him as a chauffeur. Chuck becomes mixed up in a plot to help Eddie's wife Lorna run off to Havana to escape her cruel husband.

<span class="mw-page-title-main">Virginia Huston</span> American actress (1925–1981)

Virginia Huston was an American actress.

<i>High Wall</i> 1947 film by Curtis Bernhardt

High Wall is a 1947 American film noir starring Robert Taylor, Audrey Totter and Herbert Marshall. It was directed by Curtis Bernhardt from a screenplay by Sydney Boehm and Lester Cole, based on a play by Alan R. Clark and Bradbury Foote.

<span class="mw-page-title-main">Joan Crawford filmography</span> List of film appearances of American actress Joan Crawford

The Joan Crawford filmography lists the film appearances of American actress Joan Crawford, who starred in numerous feature films throughout a lengthy career that spanned nearly five decades.

<i>Mildred Pierce</i> (film) 1945 American melodrama/film noir film by Michael Curtiz

Mildred Pierce is a 1945 American melodrama/film noir directed by Michael Curtiz and starring Joan Crawford, Jack Carson, and Zachary Scott, also featuring Eve Arden, Ann Blyth, and Bruce Bennett. Based on the 1941 novel by James M. Cain, this was Crawford's first starring role for Warner Bros., after leaving Metro-Goldwyn-Mayer, and she won the Academy Award for Best Actress. In 1996, Mildred Pierce was deemed "culturally, historically, or aesthetically significant" and selected for preservation in the United States Library of Congress National Film Registry.

David Miller was an American film director who directed varied films such as Billy the Kid (1941) with Robert Taylor and Brian Donlevy, Flying Tigers (1943) with John Wayne, and Love Happy (1949) with the Marx Brothers.

<i>Thunder on the Hill</i> 1951 film by Douglas Sirk

Thunder on the Hill is a 1951 American film noir crime film directed by Douglas Sirk and starring Claudette Colbert and Ann Blyth. The picture was made by Universal-International Pictures and produced by Michael Kraike from a screenplay by Oscar Saul and Andrew Solt, based on the play Bonaventure by Charlotte Hastings. The music score was by Hans J. Salter and the cinematography by William H. Daniels.

<i>This Woman Is Dangerous</i> 1952 film by Felix E. Feist

This Woman Is Dangerous is a 1952 American film noir and crime drama by Warner Bros. starring Joan Crawford, David Brian, and Dennis Morgan in a story about a gun moll's romances with two different men against the background of her impending blindness. The screenplay by Geoffrey Homes and George Worthing Yates was based on a story by Bernard Girard. The film was directed by Felix E. Feist and produced by Robert Sisk.

<i>Dance, Fools, Dance</i> 1931 film

Dance, Fools, Dance is a 1931 pre-Code Metro-Goldwyn-Mayer drama film starring Joan Crawford, Clark Gable, and Lester Vail in a story about a reporter investigating the murder of a colleague. Story and dialogue were created by Aurania Rouverol, and the film was directed by Harry Beaumont. Dance, Fools, Dance was the first of eight movies featuring Crawford and Gable.

<i>The Woman on the Beach</i> 1947 film by Jean Renoir

The Woman on the Beach is a 1947 American film noir directed by Jean Renoir and starring Joan Bennett, Robert Ryan, and Charles Bickford. It was released by RKO Radio Pictures. The film is a love triangle drama about Scott, a conflicted U.S. Coast Guard officer (Ryan), and his pursuit of Peggy, a married woman (Bennett). Peggy is married to Tod, a blind former artist (Bickford).

<i>Mirage</i> (1965 film) 1965 American thriller film directed by Edward Dmytryk

Mirage is a 1965 American neo noir thriller film starring Gregory Peck and Diane Baker, and released by Universal Pictures. Directed by Edward Dmytryk from a screenplay by Peter Stone, it is based on the 1952 novel Fallen Angel, written by Howard Fast under the pseudonym Walter Ericson; the novel is not credited by title onscreen. Walter Matthau, George Kennedy, Leif Erickson and Kevin McCarthy appear in support.

<i>The Night Walker</i> (film) 1964 film by William Castle

The Night Walker is a 1964 American psychological horror film directed and produced by William Castle, written by Robert Bloch, and starring Robert Taylor, Judith Meredith, Lloyd Bochner and Barbara Stanwyck in her final theatrical film role. It follows the wife of a wealthy inventor who is plagued by increasingly disturbing nightmares, which escalate after her husband's death. It was the final black and white film made by Universal Pictures.

<i>Lightning Strikes Twice</i> (1951 film) 1951 film

Lightning Strikes Twice is a 1951 Warner Bros-produced crime melodrama starring Ruth Roman and Richard Todd, and directed by King Vidor.

References

  1. "Joan Crawford Maps Indie Firm with Joe Kaufman". Variety. 21 May 1952. p. 7.
  2. "Top Box-Office Hits of 1952", Variety, January 7, 1953.
  3. Sudden Fear at the TCM Movie Database.
  4. Wiler, A.H. The New York Times , film review, "Sudden Fear, Cleverly Turned Melodrama, Is New Bill at Loew's State", August 8, 1952. Accessed: July 14, 2013.
  5. Quirk, Lawrence J.. The Films of Joan Crawford. The Citadel Press, 1968.
  6. Anderson, Melissa. The Village Voice, film review, August 10, 2016. Accessed: August 9, 2017.
  7. Schwartz, Dennis. Ozus' World Movie Reviews, film review, February 12, 2005. Accessed: July 14, 2013.
  8. Spencer Selby (1984). Dark City: The Film Noir . McFarland Classic. ISBN   0-7864-0478-7.
  9. "The 25th Academy Awards (1953) Nominees and Winners". Academy of Motion Picture Arts and Sciences. Archived from the original on July 6, 2011. Retrieved August 20, 2011.
  10. "Sudden Fear". Golden Globe Awards . Retrieved December 16, 2024.