The Star | |
---|---|
Directed by | Stuart Heisler |
Screenplay by | Dale Eunson Katherine Albert |
Produced by | Bert E. Friedlob |
Starring | Bette Davis Sterling Hayden Natalie Wood |
Cinematography | Ernest Laszlo |
Edited by | Otto Ludwig |
Music by | Victor Young |
Production company | Bert E. Friedlob Productions |
Distributed by | 20th Century Fox |
Release date |
|
Running time | 90 minutes |
Country | United States |
Language | English |
Box office | $1 million (US) [1] |
The Star is a 1952 American drama film directed by Stuart Heisler and starring Bette Davis, Sterling Hayden and Natalie Wood. The plot tells the story of an aging, washed-up actress who is desperate to restart her career. Even though the film was a critical and commercial failure, Bette Davis received an Academy Award nomination for Best Actress.
Oscar-winning star Margaret "Maggie" Elliot (Bette Davis) is a broke actress struggling to accept her new, non-wealthy reality. She is in denial, and confident she somehow can re-launch her career to its earlier brilliance. After suffering another big disappointment while vainly striving to get one good role, she gets drunk, gets arrested for DUI, and spends a night in jail. She is bailed out by Jim Johannsen (Sterling Hayden), a younger former actor whom she had helped in the past. Jim, now comfortably settled as the owner of a boatyard, admits that he has loved her ever since those days, and helped by Margaret's daughter Gretchen (Natalie Wood), tries to help Margaret see that her days as a famous actress are already over. She reluctantly tries to work as a saleswoman in an upscale department store, but gossip from two customers wounds her pride and she runs out. Her old agent manages to get her a screen test for a role in a film she'd always wanted to play. She takes the screen test for a supporting role, believing that if she plays that character as a sexy younger woman, rather than the middle-aged frump she is seen as by the studio, she might be able to win the more coveted lead role. It does not work.
At a Hollywood party thrown by her agent, she is offered a role in a new film about a fallen star who can't face the fact that it's all over. This new script is dedicated to washed-up actors and actresses who are obsessed by their former glory, by what they used to look like, what kind of an impression they’d make to stay on top, and how they behaved; demanding, bribing, power-hungry. It would be a story about those who can't look down and can't accept that their moment of glory is over and that the world has passed them by. Hearing the pitch delivered right to her face, and that she'd be the perfect actress to play the role, seems to have finally helped Margaret realize the cold truth about her future. She realizes that her film career is over, and she flees the party to the open arms of Jim and the love and acceptance of her daughter, from whom Margaret desperately tried to shield her failing career.
Katherine Albert and her husband Dale Eunson reportedly based the Margaret Elliot character on Joan Crawford, whose long friendship with the couple was ending as production began. Although it is sometimes said that she turned the role down, it never was offered to her. Bette Davis, who publicly disdained Crawford, thus eagerly took it. [2]
Crawford retaliated after the Eunsons sent their daughter, starlet Joan Evans, Crawford's god-daughter, to the actress in the hope that Crawford would talk her out of marrying at age 17. Instead, Crawford arranged the wedding, held it in her house, and called the Eunsons afterward to tell them about it. "She set the whole thing up behind our backs", Albert complained. "She called the judge and the press. She didn't invite us to our own daughter's wedding." [2]
All About Eve is a 1950 American drama film written and directed by Joseph L. Mankiewicz, and produced by Darryl F. Zanuck. It is based on the 1946 short story "The Wisdom of Eve" by Mary Orr, although Orr does not receive a screen credit.
Joan Crawford was an American actress. She started her career as a dancer in traveling theatrical companies before debuting on Broadway. Crawford was signed to a motion picture contract by Metro-Goldwyn-Mayer in 1925. Initially frustrated by the size and quality of her parts, Crawford launched a publicity campaign and built an image as a nationally known flapper by the end of the 1920s. By the 1930s, Crawford's fame rivaled MGM colleagues Norma Shearer and Greta Garbo. Crawford often played hardworking young women who find romance and financial success. These "rags-to-riches" stories were well received by Depression-era audiences and were popular with women. Crawford became one of Hollywood's most prominent movie stars and one of the highest paid women in the United States, but her films began losing money. By the end of the 1930s, she was labeled "box office poison".
Ruth Elizabeth "Bette" Davis was an American actress of film, television, and theater. Regarded as one of the greatest actresses in Hollywood history, she was noted for her willingness to play unsympathetic, sardonic characters and was known for her performances in a range of film genres, from contemporary crime melodramas to historical and period films and occasional comedies, although her greatest successes were her roles in romantic dramas. She won the Academy Award for Best Actress twice, was the first person to accrue ten Academy Award nominations for acting, and was the first woman to receive a Lifetime Achievement Award from the American Film Institute. In 1999, Davis was placed second on the American Film Institute's list of the greatest female stars of classic Hollywood cinema.
Natalie Wood was an American actress who began her career in film as a child and successfully transitioned to young adult roles.
Dangerous is a 1935 American drama film directed by Alfred E. Green and starring Bette Davis in her first Oscar-winning role. The screenplay by Laird Doyle is based on his story Hard Luck Dame.
Margaret Brooke Sullavan was an American stage and film actress.
Loretta Young was an American actress. Starting as a child, she had a long and varied career in film from 1917 to 1953. She received numerous honors including an Academy Award, two Golden Globe Awards, and three Primetime Emmy Awards as well as two stars on the Hollywood Walk of Fame for her work in film and television.
The Whales of August is a 1987 American drama film directed by Lindsay Anderson and starring Bette Davis and Lillian Gish as elderly sisters. Also in the cast were Ann Sothern as one of their friends, and Vincent Price as a peripheral member of the former Russian aristocracy. The story is based on the play of the same title by David Berry.
Sterling Walter Hayden was an American actor, author, sailor, model and Marine. A leading man for most of his career, he specialized in Westerns and film noir throughout the 1950s, in films such as John Huston's The Asphalt Jungle (1950), Nicholas Ray's Johnny Guitar (1954), and Stanley Kubrick's The Killing (1956). He became noted for supporting roles in the 1960s, perhaps most memorably as General Jack D. Ripper in Kubrick's Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964).
Johnny Guitar is a 1954 American Western film directed by Nicholas Ray and starring Joan Crawford, Sterling Hayden, Mercedes McCambridge, Ernest Borgnine and Scott Brady. It was produced and distributed by Republic Pictures. The screenplay was adapted from a novel of the same name by Roy Chanslor.
Hush...Hush, Sweet Charlotte is a 1964 American psychological horror thriller film directed and produced by Robert Aldrich, and starring Bette Davis, Olivia de Havilland, Joseph Cotten, Agnes Moorehead and Mary Astor in her final film role. It follows a middle-aged Southern woman, suspected in the unsolved murder of her lover from decades before, who is plagued by bizarre occurrences after summoning her cousin to help challenge the local government's impending demolition of her home. The screenplay was adapted by Henry Farrell and Lukas Heller, from Farrell's unpublished short story "What Ever Happened to Cousin Charlotte?"
What Ever Happened to Baby Jane? is a 1962 American psychological horror thriller film directed and produced by Robert Aldrich, from a screenplay by Lukas Heller, based on the 1960 novel of the same name by Henry Farrell. The film stars Bette Davis and Joan Crawford, and features the major film debut of Victor Buono. It follows an aging former child star tormenting her paraplegic sister, a former film star, in an old Hollywood mansion.
Joan Evans was an American film actress known for Roseanna McCoy, Skirts Ahoy! and co-starred with Audie Murphy in the movie, Column South. She was married to Kirby Weatherly in August 1952.
The Joan Crawford filmography lists the film appearances of American actress Joan Crawford, who starred in numerous feature films throughout a lengthy career that spanned nearly five decades.
The 35th Academy Awards, honoring the best in film for 1962, were held on April 8, 1963, at the Santa Monica Civic Auditorium in Santa Monica, California, hosted by Frank Sinatra.
Ernest Jacob HallerASC, sometimes known as Ernie J. Haller, was an American cinematographer.
Bordertown is a 1935 American drama film directed by Archie Mayo and starring Paul Muni and Bette Davis. The screenplay by Laird Doyle and Wallace Smith is based on Robert Lord's adaptation of the 1934 novel Border Town by Carroll Graham. The supporting cast features Margaret Lindsay, Eugene Pallette and Robert Barrat. Although the films They Drive by Night (1940) and Blowing Wild (1953) are not specifically remakes of Bordertown, they include many of its plot elements and similar scenes.
The Mystery of Natalie Wood is a two-part 2004 made-for-TV biographical film directed by Peter Bogdanovich. Partly based on the biographies Natasha: the Biography of Natalie Wood written by Suzanne Finstad and Natalie & R.J. written by Warren G. Harris, the film chronicles the life and career of actress Natalie Wood from her early childhood in the 1943 until her death in 1981.
Feud is an American anthology drama television series created by Ryan Murphy, Jaffe Cohen, and Michael Zam, which premiered on FX on March 5, 2017. Conceived as an anthology series, Feud's first season, Bette and Joan, chronicles the well-documented rivalry between Hollywood actresses Joan Crawford and Bette Davis during and after the production of their psychological horror thriller film What Ever Happened to Baby Jane? (1962). Jessica Lange and Susan Sarandon star as Crawford and Davis, respectively. Judy Davis, Jackie Hoffman, Alfred Molina, Stanley Tucci, and Alison Wright feature in supporting roles. Academy Award–winning actresses Catherine Zeta-Jones and Kathy Bates also appear. Critically acclaimed, with major praise for Lange and Sarandon's performances, the first season garnered several accolades. It received 18 nominations at the 69th Primetime Emmy Awards and won two, including Outstanding Hairstyling and Makeup (Non-Prosthetic). Bette and Joan also received six Critics' Choice Awards, four Golden Globe Awards, two Screen Actors Guild Awards, and three Television Critics Association Awards nominations.
Katherine Albert was an American screenwriter, playwright, and TV writer.