I Died a Thousand Times

Last updated
I Died a Thousand Times
Diedaonektimeposter.jpg
Theatrical release poster
Directed by Stuart Heisler
Written by W.R. Burnett
Based onHigh Sierra
1940 novel
by W. R. Burnett
Produced byWillis Goldbeck
Starring Jack Palance
Shelley Winters
Cinematography Ted D. McCord
Edited by Clarence Kolster
Music by David Buttolph
Production
company
Warner Bros.
Distributed by Warner Bros.
Release date
  • November 9, 1955 (1955-11-09)(United States)
Running time
109 minutes
CountryUnited States
LanguageEnglish

I Died a Thousand Times is a 1955 American CinemaScope Warnercolor film noir directed by Stuart Heisler. The drama features Jack Palance as paroled bank robber Roy Earle, with Shelley Winters, Lee Marvin, Earl Holliman, Perry Lopez, Pedro Gonzalez Gonzalez, and Lon Chaney Jr. [1]

Contents

I Died a Thousand Times is a scene-by-scene remake of High Sierra (1941), which was based upon a novel by W.R. Burnett and starred Humphrey Bogart as Earle. The same story had also been transformed into the Western Colorado Territory (1949), with Joel McCrea.

Plot

Roy "Mad Dog" Earle (Jack Palance), an aging bank robber, intends to pull off one last heist before retiring.

Sprung from prison by crime boss Big Mac (Lon Chaney Jr.), Earle agrees to plan the robbery of a resort hotel. His partners include the hotheaded Babe (Lee Marvin), easy-going Red (Earl Holliman), and an "inside man" at the hotel, Louis Mendoza (Perry Lopez). Along for the ride is Marie (Shelley Winters), a dance-hall girl whom Babe recently met.

Marie falls in love with Earle, but he is more interested in Velma (Lori Nelson), the club-footed granddaughter of a farmer (Ralph Moody) whom Earle earlier befriended.

Intending to use his share of the loot to pay for Velma's needed operation, Earle goes through with the robbery, only to be thwarted by the ineptitude of his gang, the treachery of the late Big Mac's successors, and the fickle Velma.

With the still faithful Marie by his side, Earle makes a desperate escape into the Sierra Nevada, where a police sniper shoots him down.

Cast

Background

The stereotypical, comedy-relief character played by black actor Willie Best in the original film was replaced by a Mexican stereotype played by Pedro Gonzalez Gonzalez. The film marks the second motion picture appearance of Dennis Hopper's six-decade career, and Nick Adams makes an uncredited appearance as a bellhop.

Reception

Bosley Crowther of The New York Times did not like the remake, specifically the screenplay and its inadvertent message, and wrote "Somehow it isn't quite as touching as it was fourteen years ago. Not by a lot-—and the trouble is not wholly Mr. Palance...But the reason this film is not so touching is because it is antique and absurd—-the kind of glorification of the gunman that was obsolescent when High Sierra was made. It is an insult to social institutions and to public intelligence to pull this old mythological hero out of the archives and set him on a mountain top again. The pretense is so blunt and sentimental that it makes the whole thing a total cliché. And the acting does not greatly improve it...It is obvious that High Sierra has come to pretty low ground." [2]

In 2004, film critic Dennis Schwartz wrote "It's a remake that was hardly needed, but at least it keeps things the same as the novel and gives the viewer a chance to observe Jack Palance in the role Bogie made classic and Shelley Winters in Ida Lupino's role. Though both actors acquit themselves well, there's still no comparison with the original legendary actors. I have a thing about remakes of classics, believing there's no point to make them...I had no problems with the pic, in fact it works rather well. If it weren't an unnecessary remake I would think more highly of it." [3]

Has been shown on the Turner Classic Movies show 'Noir Alley' with Eddie Muller.

See also

Related Research Articles

<span class="mw-page-title-main">Lon Chaney Jr.</span> American actor (1906–1974)

Creighton Tull Chaney, known by his stage name Lon Chaney Jr., was an American actor known for playing Larry Talbot in the film The Wolf Man (1941) and its various crossovers, Count Alucard in Son of Dracula, Frankenstein's monster in The Ghost of Frankenstein (1942), the Mummy in three pictures, and various other roles in many Universal horror films, including six films in their 1940s Inner Sanctum series, making him a horror icon. He also portrayed Lennie Small in Of Mice and Men (1939) and supporting parts in dozens of mainstream movies, including High Noon (1952), The Defiant Ones (1958), and numerous Westerns, musicals, comedies and dramas.

The year 1914 in film involved some significant events, including the debut of Cecil B. DeMille as a director.

1913 was a particularly fruitful year for film as an art form, and is often cited one of the years in the decade which contributed to the medium the most, along with 1917. The year was one where filmmakers of several countries made great artistic advancements, producing notable pioneering masterpieces such as The Student of Prague, Suspense, Atlantis, Raja Harischandra, Juve contre Fantomas, Quo Vadis?, Ingeborg Holm, The Mothering Heart, Ma l’amor mio non muore!, L’enfant de Paris and Twilight of a Woman's Soul.

<span class="mw-page-title-main">Lon Chaney</span> American actor (1883–1930)

Leonidas Frank "Lon" Chaney was an American actor and makeup artist. He is regarded as one of the most versatile and powerful actors of cinema, renowned for his characterizations of tortured, often grotesque and afflicted, characters and for his groundbreaking artistry with makeup. Chaney was known for his starring roles in such silent horror films as The Hunchback of Notre Dame (1923) and The Phantom of the Opera (1925). His ability to transform himself using makeup techniques that he developed earned him the nickname "The Man of a Thousand Faces".

<i>High Sierra</i> (film) 1941 film by Raoul Walsh

High Sierra is a 1941 American film noir directed by Raoul Walsh, written by William R. Burnett and John Huston from the novel by Burnett, and starring Ida Lupino and Humphrey Bogart. Its plot follows a career criminal who becomes involved in a jewel heist in a resort town in California's Sierra Nevada, along with a young former taxi dancer (Lupino).

<span class="mw-page-title-main">W. R. Burnett</span> American novelist

William Riley Burnett was an American novelist and screenwriter. He is best known for the crime novel Little Caesar, the film adaptation of which is considered the first of the classic American gangster movies.

<span class="mw-page-title-main">Earl Holliman</span> American actor (born 1928)


Henry Earl Holliman is an American actor, animal-rights activist, and singer known for his many character roles in films, mostly Westerns and dramas, in the 1950s and 1960s. He won a Golden Globe Award for the film The Rainmaker (1956) and portrayed Sergeant Bill Crowley on the television police drama Police Woman throughout its 1974–1978 run.

<i>The Hunchback of Notre Dame</i> (1923 film) 1923 film

The Hunchback of Notre Dame is a 1923 American drama film starring Lon Chaney, directed by Wallace Worsley, and produced by Carl Laemmle and Irving Thalberg. The supporting cast includes Patsy Ruth Miller, Norman Kerry, Nigel de Brulier, and Brandon Hurst. Distributed by Universal Pictures, the film was the studio's "Super Jewel" of 1923 and was their most successful silent film, grossing $3.5 million. The film premiered on September 2, 1923 at the Astor Theatre in New York, New York, then went into release on September 6.

<i>The Alligator People</i> 1959 film

The Alligator People is a 1959 American CinemaScope science-fiction horror film directed by Roy Del Ruth. It stars Beverly Garland, Bruce Bennett, and Lon Chaney Jr. This film was the penultimate feature directed by Del Ruth, and quite different from those of his days at Warner Bros.

<i>He Who Gets Slapped</i> (film) 1924 film

He Who Gets Slapped is a 1924 American silent psychological thriller film starring Lon Chaney, Norma Shearer, and John Gilbert, and directed by Victor Sjöström. The film was written by Victor Seastrom and Carey Wilson, based on the Russian play He Who Gets Slapped by playwright Leonid Andreyev, which was completed by Andreyev in August 1915, two months before its world premiere at the Moscow Art Theatre on October 27, 1915. A critically successful Broadway production, using an English language translation of the original Russian by Gregory Zilboorg, was staged in 1922, premiering at the Garrick Theatre on January 9, 1922, with Richard Bennett (actor) playing the "HE" role on stage. The Russian original was made into a Russian movie in 1916.

<i>The Shock</i> (film) 1923 film

The Shock is a 1923 American silent drama film directed by Lambert Hillyer and starring Lon Chaney as a disabled man named Wilse Dilling. The film was written by Arthur Statter and Charles Kenyon, based on a magazine story by William Dudley Pelley. This is one of the rare Lon Chaney films where he gets the girl. The film is readily available on DVD.

Man of a Thousand Faces is a 1957 American dark dramatic film detailing the life of silent film actor Lon Chaney, played by James Cagney.

<i>West of Zanzibar</i> (1928 film) 1928 film by Tod Browning

West of Zanzibar is a 1928 American synchronized sound film directed by Tod Browning. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process. The screenplay concerns a vengeful stage magician named Phroso who becomes paralyzed in a brawl with a rival. The supporting cast includes Mary Nolan and Warner Baxter. The screenplay was written by Elliott J. Clawson, based on the 1926 play Kongo by Charles de Vonde and Kilbourn Gordon. Walter Huston starred in the stage play and later played Phroso again in the 1932 sound film remake of the same story which was also called Kongo.

<i>The Unholy Three</i> (1925 film) 1925 American silent film

The Unholy Three is a 1925 American silent crime melodrama film involving a trio of circus conmen, directed by Tod Browning and starring Lon Chaney. The supporting cast features Mae Busch, Matt Moore, Victor McLaglen, and Harry Earles. The Unholy Three marks the establishment of the notable artistic alliance between director Browning and actor Chaney that would deliver eight films to M-G-M studios during the late silent film era.

<i>The Unholy Three</i> (1930 film) 1930 American melodrama film

The Unholy Three is a 1930 American Pre-Code melodrama directed by Jack Conway and starring Lon Chaney. Its plot involves a crime spree. The film is a sound remake of the silent 1925 film of the same name, with both films based on the novel The Unholy Three, by Tod Robbins.

<i>Outside the Law</i> (1920 film) 1920 film

Outside the Law is a 1920 American pre-Code crime film produced, directed and co-written by Tod Browning and starring Priscilla Dean, Lon Chaney and Wheeler Oakman.

<i>The Road to Mandalay</i> (1926 film) 1926 American film

The Road to Mandalay is a 1926 American silent drama film directed by Tod Browning and starring Lon Chaney, Owen Moore, and Lois Moran. It was written by Elliott Clawson, based on a story idea by Tod Browning and Herman Mankiewicz. The script's original shooting title was Singapore. The film took 28 days to complete at a cost of $209,000. The worldwide box office gross was $724,000. Some stills exist showing Chaney's makeup as Singapore Joe.

<i>Bobbie of the Ballet</i> 1916 film

Bobbie of the Ballet is a 1916 American silent drama film directed by Joe De Grasse and starring Lon Chaney, Louise Lovely, Gretchen Lederer and Jay Belasco. It was written by Ida May Park, based on a story by Grant Carpenter.

<i>While Paris Sleeps</i> 1923 film by Maurice Tourneur

While Paris Sleeps, aka The Glory of Love, is a 1923 American silent drama film based on the novel The Glory of Love by Leslie Beresford, directed by Maurice Tourneur, and starring Lon Chaney and John Gilbert. Whoever wrote the screenplay adaptation went uncredited, but some sources claim it was Wyndham Gittens. Special effects were by Floyd Mueller.

<i>The Old Corral</i> 1936 film

The Old Corral is a 1936 American Western film directed by Joseph Kane and starring Gene Autry, Smiley Burnette, and Irene Manning. Based on a story by Bernard McConville, the film is about a sheriff of a small western town who sings his way into a relationship with a singer from a Chicago nightclub who earlier witnessed a murder. The supporting cast features Lon Chaney Jr. and Roy Rogers.

References

  1. I Died a Thousand Times at the AFI Catalog of Feature Films .
  2. Crowther, Bosley. The New York Times, "Total Cliche; I Died a Thousand Times' at Globe," film review, November 10, 1955. Accessed: January 29, 2008.
  3. Schwartz, Dennis. Archived 2016-03-04 at the Wayback Machine Ozus' World Movie Reviews, film review, December 23, 2004. Accessed: December 1, 2009.