The Story of Esther Costello | |
---|---|
Directed by | David Miller |
Written by | Charles Kaufman |
Based on | The Story of Esther Costello 1952 novel by Nicholas Monsarrat |
Produced by | Jack Clayton David Miller |
Starring | Joan Crawford Rossano Brazzi Heather Sears |
Cinematography | Robert Krasker |
Edited by | Ralph Kemplen |
Music by | Lambert Williamson |
Production company | |
Distributed by | Columbia Pictures |
Release date |
|
Running time | 127 minutes |
Country | United Kingdom |
Language | English |
Box office | $1,075,000 (US rentals) [1] |
The Story of Esther Costello is a 1957 British drama film directed by David Miller and starring Joan Crawford, Rossano Brazzi and Heather Sears. [2] It was produced by Miller and Jack Clayton. The screenplay by Charles Kaufman was based on the 1952 novel by Nicholas Monsarrat. It was distributed by Columbia Pictures. The film is a story of large-scale fundraising.
With her marriage to womaniser Carlo Landi in ashes, wealthy and childless Margaret Landi finds an emotional outlet in patronizing a 15-year-old deaf, mute, and blind Irish girl named Esther Costello. Esther's disabilities are the result of a childhood trauma and are psychosomatic rather than physical. As Costello makes progress with Braille and sign language, she is seen as an example of triumph over adversity. Carlo gets wind of Margaret's new life and re-enters the scene. He views Esther as a source of cheap financial gain and arranges a series of exploitative tours for her under a mercenary manager Frank Wenzel. One day when Margaret is absent from the Landi apartment, Carlo rapes the now 16-year-old Esther. The shock restores the girl's sight and hearing. When Margaret learns of her husband's business duplicities and the rape, she consigns Esther to the care of a priest and a young reporter who loves her. Margaret then kills Carlo and herself.
The film is based on a book by Nicholas Monsarrat that nearly had Helen Keller's co-workers suing for libel due to perceived parallels between Helen's story and Esther's. [3] In particular, the book seemed to slur the character of Anne Sullivan's husband, writer-publicist John Macy, who was close to Keller's age. A relationship between Macy and Keller has long been a subject of speculation. [4] Esther's reporter friend was reminiscent of Keller's highly publicised attempt to elope with reporter-secretary Peter Fagan. [5]
The novel focuses mainly on the falsehoods behind large-scale charities and the self-serving natures of those involved. When Esther recovers her sight and hearing, her promoters worry that this will put an end to the Costello Fund. They convince her that the rape was her fault, and that to reveal that she is healed would bring shame and ruin to Margaret. She is actually coached to continue acting as deaf-blind, and does so for about a year; however, in that time she makes several slips (some deliberate). Esther's reporter friend discerns the truth and meets Esther privately, whereupon she tells him everything. He plans to write up the story, then take Esther away and marry her. But a few hours later, as he completes the story at the newspaper office, word comes to him that Esther has suddenly died. The official story is that she mistook a bottle of very strong sedatives for mild sleeping pills. When Harry confronts Margaret she reveals she knew of the meeting as he had left his handkerchief behind. She maintains she did not kill Esther, and continues the charade. The story can never be printed because Margaret and the charity managers command extreme wealth to fund a coverup. Even if the story were printed and people believed it, it would smear Esther's name and disillusion the people who believe in the Costello charity, and other, honest charities, and their message of hope. The novel closes with Margaret, robed in black, giving an impassioned speech at a convention, as millions of attendees open their wallets.
A key support role went to Ron Randell. [6]
The film was the 11th most popular film at the British box office in 1957. [7] [8]
According to Kinematograph Weekly the film was "in the money" at the British box office in 1957. [9]
The Monthly Film Bulletin wrote: "The fascinations of mass hypnosis, at the huge Esther Costello rallies in America, are suavely indulged by David Miller's Iuxuriating direction. Indeed, this scene – very reminiscent of the Communist rally in Trial – hits the only true note to be found in this florid Crawford vehicle." [10]
The New York Times noted, "Miss Crawford, Mr. Brazzi, and Mr. Patterson and all the minor players are professional throughout."
William K. Zinsser in the New York Herald Tribune wrote, "It wouldn't be a Joan Crawford picture without plenty of anguish...And her fans will have their usual good time...this plot enables Miss Crawford to run a full-course dinner of dramatic moods, from loneliness to mother love, from pride in the girl to passion with her husband, and finally to smouldering rage...Somehow she pulls it off. This may not be your kind of movie but it is many women's kind of movie and our Joan is queen of the art form." [11]
The Story of Esther Costello was released on DVD by Turner Classics (under license from Sony Pictures Home Entertainment) on 25 November 2014, as part of the "Joan Crawford in the 1950s" collection.
Helen Adams Keller was an American author, disability rights advocate, political activist and lecturer. Born in West Tuscumbia, Alabama, she lost her sight and her hearing after a bout of illness when she was 19 months old. She then communicated primarily using home signs until the age of seven, when she met her first teacher and life-long companion Anne Sullivan. Sullivan taught Keller language, including reading and writing. After an education at both specialist and mainstream schools, Keller attended Radcliffe College of Harvard University and became the first deafblind person in the United States to earn a Bachelor of Arts degree.
Joan Crawford was an American actress. She started her career as a dancer in traveling theatrical companies before debuting on Broadway. Crawford was signed to a motion picture contract by Metro-Goldwyn-Mayer in 1925. Initially frustrated by the size and quality of her parts, Crawford launched a publicity campaign and built an image as a nationally known flapper by the end of the 1920s. By the 1930s, Crawford's fame rivaled MGM colleagues Norma Shearer and Greta Garbo. Crawford often played hardworking young women who find romance and financial success. These "rags-to-riches" stories were well received by Depression-era audiences and were popular with women. Crawford became one of Hollywood's most prominent movie stars and one of the highest paid women in the United States, but her films began losing money. By the end of the 1930s, she was labeled "box office poison".
Anne Sullivan Macy was an American teacher best known for being the instructor and lifelong companion of Helen Keller.
Lieutenant Commander Nicholas John Turney Monsarrat FRSL RNVR was a British novelist known for his sea stories, particularly The Cruel Sea (1951) and Three Corvettes (1942–1945), but perhaps known best internationally for his novels, The Tribe That Lost Its Head and its sequel, Richer Than All His Tribe.
Joan Evans was an American film actress known for Roseanna McCoy, Skirts Ahoy! and co-starred with Audie Murphy in the movie, Column South. She was married to Kirby Weatherly in August 1952.
Rossano Brazzi was an Italian actor. He moved to Hollywood in 1948 and was propelled to international fame with his role in the English-language film Three Coins in the Fountain (1954), followed by the leading male role in David Lean's Summertime (1955), opposite Katharine Hepburn. In 1958, he played the lead as Frenchman Emile De Becque in the Rodgers and Hammerstein musical South Pacific. His other notable English-language films include The Barefoot Contessa (1954), The Story of Esther Costello (1957), opposite Joan Crawford, Count Your Blessings (1959), Light in the Piazza (1962), and The Italian Job (1969).
Sadie McKee is a 1934 American pre-Code, romantic-drama film directed by Clarence Brown, starring Joan Crawford, and featuring Gene Raymond, Franchot Tone, Edward Arnold, and Esther Ralston. The film is based on the 1933 short story "Pretty Sadie McKee", by Viña Delmar. Crawford plays the title character, from young working girl through poverty, a marriage into enormous wealth and finally a (seemingly) settled life on her own terms.
Geraldine Brooks was an American actress whose three-decade career on stage as well as in films and on television was noted with nominations for an Emmy in 1962 and a Tony in 1970. She was married to author Budd Schulberg.
"The Frost King" is a short story about King Jack Frost written by Helen Keller, then 11. Keller's teacher, Anne Sullivan, had mentioned that the autumn leaves were "painted ruby, emerald, gold, crimson, and brown," and Keller, by her own account, imagined fairies doing the work. Keller wrote a story about how a cask of jewels, being transported by fairy servants, had melted in the sun and covered the leaves.
Heather Christine Sears was a British stage and screen actress.
Loser Takes All is a 1955 novella by British author Graham Greene. In his dedication Greene said he had not written "this little story" to encourage "adultery, the use of pyjama tops, or registry office weddings. Nor is it meant to discourage gambling".
Helen Keller in Her Story is a 1954 American biographical documentary about Helen Keller.
The Light in the Piazza is a 1960 novella by writer Elizabeth Spencer.
Dance, Fools, Dance is a 1931 pre-Code Metro-Goldwyn-Mayer drama film starring Joan Crawford, Clark Gable, and Lester Vail in a story about a reporter investigating the murder of a colleague. Story and dialogue were created by Aurania Rouverol, and the film was directed by Harry Beaumont. Dance, Fools, Dance was the first of eight movies featuring Crawford and Gable.
I Live My Life is a 1935 American comedy-drama film starring Joan Crawford, Brian Aherne and Frank Morgan. It is based on the story "Claustrophobia" by A. Carter Goodloe.
Loser Takes All is a 1956 British comedy film directed by Ken Annakin, starring Glynis Johns, Rossano Brazzi and Robert Morley. The screenplay was by Graham Greene based on his 1955 novella of the same name.
A Certain Smile is a 1958 American drama film directed by Jean Negulesco, based on the book of the same name by Françoise Sagan.
Follow the Boys is a 1963 American comedy film directed by Richard Thorpe and starring Connie Francis, Paula Prentiss, and Janis Paige, released by Metro-Goldwyn-Mayer. Shot on location on the French and Italian Riviera, Follow the Boys was MGM's second film vehicle for top recording artist Francis following Where the Boys Are (1960). While Francis' role in the earlier film had been somewhat secondary, she had a distinctly central role in Follow the Boys playing Bonnie Pulaski, a newlywed traveling the Riviera.
Sally Smith is a British actress born in Godalming, Surrey. Although primarily a star of both dramatic and musical theatre she appeared in several films and dozens of television shows.
Ida Gomes, stage name of Ita Szafran was a Polish–born Brazilian actress.