Toni Bentley | |
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| Born | 1958 (age 63–64) Perth, Western Australia |
| Occupation | Writer |
| Period | 1982–present |
| Genre | Non-fiction |
| Notable awards | Guggenheim Fellowship |
Toni Bentley (born 1958) is an Australian-German dancer and writer. Bentley was born in Perth, Western Australia.
Bentley's father, P. J. Bentley, is an Australian biologist and endocrinologist. Her brother, Dr. David Bentley, is a molecular biologist at the University of Colorado Denver. [1] She took her first ballet class at age four in Bristol, England, and entered the School of American Ballet, the official school of New York City Ballet, at age ten. At age seventeen she joined George Balanchine's New York City Ballet where she performed for ten years under his tutelage. She retired from the stage at age 26 owing to a hip injury. [2]
Bentley has written five books. Winter Season, A Dancer's Journal, was published when she was 22 years old by Random House. It is a diary of her life as a corps-de-ballet dancer in the New York City Ballet. It was called "a mini-marvel" by Robert Craft in The New York Review of Books . [3] Her other books include Holding On to the Air: the Autobiography of Suzanne Farrell (co-authored with Farrell, Simon & Schuster, 1990); Costumes by Karinska (Harry N. Abrams, 1995) about Russian costumer designer Barbara Karinska; Sisters of Salome (Yale University Press, 2002), a cultural history of the femme fatale and origins of modern striptease; and The Surrender, An Erotic Memoir (ReganBooks/HarperCollins, 2004). All of her books have been named as Notable Books of the Year by The New York Times . She has written essays and reviews for The New York Times Book Review , [4] [5] [6] Vogue , [7] The New Republic , [8] Bookforum , [9] [10] and CR Fashionbook. [11] [12] Her essay "The Bad Lion", originally published in The New York Review of Books, [13] was selected for The Best American Essays (2010) by editor Christopher Hitchens.
She has given lectures at Harvard University, [14] the Oscar Wilde Society, the Philadelphia Museum of Art, the Zimmerli Art Museum at Rutgers University, the University of North Florida, the Philoctetes Society, and at THiNK 2013. In 2008 she was awarded a Guggenheim Fellowship. [15]
Harper Collins published Bentley's book The Surrender (2004), a memoir of her experiences with heterosexual sodomy and a celebration of female sexual submission. At the time the book caused Bentley considerable notoriety given her perceived status as part of cultured society and the taboo nature of the subject matter. [16] [17] The subject has since received considerable mainstream attention because of the worldwide profile gained by Fifty Shades of Grey . The book has been translated into eighteen languages. A one-woman play adaptation of The Surrender, La Rendición [18] directed by Spanish film director Sigfrid Monleón adapted by Swiss-German actress Isabelle Stoffel had its premiere in Spanish in Madrid at the Microteatro Por Dinero in January 2012. Stoffel starred in the production. It was subsequently produced by the Spanish National Theatre (Centro Dramático Nacional) [19] in January 2013 at the Teatro María Guerrero in Madrid. The play had its English-language world premiere at the Edinburgh Festival Fringe in August 2013, and had its American premiere at the Clurman Theatre in New York City in January 2014. It has also been performed in Buenos Aires, Barcelona, Valencia, and in a German-language version, Die Hingabe in Kiel, Germany, and Bern, Switzerland.[ citation needed ]
A tutu is a dress worn as a costume in a classical ballet performance, often with attached bodice. It may be made of tarlatan, muslin, silk, tulle, gauze, or nylon. Modern tutus have two basic types: the Romantic tutu is soft and bell-shaped, reaching the calf or ankle; the Classical tutu is short and stiff, projecting horizontally from the waist and hip.
Tamara Toumanova was a Georgian-American prima ballerina and actress. A child of exiles in Paris after the Russian Revolution of 1917, she made her debut at the age of 10 at the children's ballet of the Paris Opera.
Elizabeth Marie Tallchief was an American ballerina. She was considered America's first major prima ballerina. She was the first Native American to hold the rank, and is said to have revolutionized ballet.
Suzanne Farrell is an American ballerina and the founder of the Suzanne Farrell Ballet at the Kennedy Center in Washington, D.C.
Darci Kistler is an American ballerina. She is often said to be the last muse for choreographer George Balanchine.
Violette Verdy was a French ballerina, choreographer, teacher, and writer who worked as a dance company director with the Paris Opera Ballet in France and the Boston Ballet in the United States. From 1958 to 1977 she was a principal dancer with the New York City Ballet where she performed in the world premieres of several works created specifically for her by choreographers George Balanchine and Jerome Robbins. She was Distinguished Professor of Music (Ballet) at the Jacobs School of Music, Indiana University, in Bloomington, and the recipient of two medals from the French government.
Varvara Jmoudsky, better known as Barbara Karinska or simply Karinska, was the Oscar-winning costumier of cinema, ballet, musical and dramatic theatre, lyric opera and ice spectacles. Over her 50 year career, that began at age 41, Karinska earned legendary status time and again through her continuing collaborations with stage designers including Christian Bérard, André Derain, Irene Sharaff, Raoul Pêne du Bois and Cecil Beaton; performer-producers Louis Jouvet and Sonja Henie; ballet producers René Blum, Colonel de Basil and Serge Denham. Her longest and most renown collaboration was with choreographer George Balanchine for more than seventy ballets — the first known to be “The Celebrated Popoff Porcelain,” a one act ballet for Nikita Balieff's 1929 La Chauve-Souris with music by Tchaikovsky for which Karinska executed the costumes design by Sergey Tchekhonin. She began to design costumes for Balanchine ballets in 1949 with Emmanuel Chabrier's “Bourrèe Fantasque,” for the newly founded New York City Ballet. Their final collaboration was the 1977 "Vienna Waltzes.” Balanchine and Karinska together developed the American tutu ballet costume[9] which became an international costume standard.
Allegra Kent is an American ballet dancer, actress, children's book author and columnist.
Heather Watts is a ballet dancer, most known for her time with the New York City Ballet.
Tchaikovsky Pas de Deux is a ballet choreographed by George Balanchine to a composition by Pyotr Ilyich Tchaikovsky originally intended for act 3 of Swan Lake. With costumes by Barbara Karinska and lighting by Jack Owen Brown, it was first presented by New York City Ballet at the City Center of Music and Drama, New York, on 29 March 1960. Robert Irving conducted the New York City Ballet Orchestra. The dancers were Violette Verdy and Conrad Ludlow.
Mozartiana is a ballet choreographed by George Balanchine to Tchaikovsky's Orchestral Suite No. 4, Mozartiana. The current version of the ballet was made for New York City Ballet's Tchaikovsky Festival, and premiered on June 4, 1981, at the New York State Theater. It is considered Balanchine's last major work.
Vienna Waltzes is a ballet choreographed by George Balanchine to music by Johann Strauss II, Franz Lehár and Richard Strauss, made as a tribute to Austria. It premiered on June 23, 1977 at the New York State Theater, performed by the New York City Ballet, and was an immediate success among the public.
Who Cares? is a ballet choreographed by George Balanchine to songs by George Gershwin that were orchestrated by Hershy Kay. The ballet is split in two parts, the first danced by an ensemble, and the second focuses on four principal dancers. Who Cares? premiered on February 5, 1970, at the New York State Theater, danced by the New York City Ballet.
Allegro Brillante is a ballet choreographed by George Balanchine to Tchaikovsky's Piano Concerto No. 3. The ballet is danced by a principal couple and a corps de ballet of eight. Balanchine said it "contains everything I knew about classical ballet." Allegro Brillante was made for the New York City Ballet, and premiered on March 1, 1956, at the City Center of Music and Drama, with Maria Tallchief and Nicholas Magallanes originating the two principal roles.
Scotch Symphony is a ballet choreographed by George Balanchine to Mendelssohn's Symphony No. 3, "Scottish". The ballet is inspired by Scotland, and evokes the style of the romantic ballet era, particularly La Sylphide, which is set in Scotland. Scotch Symphony was made for the New York City Ballet, and premiered on November 11, 1952, at the City Center of Music and Drama.
Patricia Wilde was a Canadian-born ballerina and dance instructor. She was a principal ballerina of New York City Ballet, where she danced every major role in the repertoire, many of them created especially for her by George Balanchine. Following her retirement from NYCB, she became a famed ballet mistress and teacher. In 1982, she was appointed artistic director of Pittsburgh Ballet Theatre where she served until 1997. She is a recipient of the Dance Magazine Award and the 56th Inductee into the National Museum of Dance Hall of Fame. Her biography Wilde Times: Patricia Wilde, George Balanchine and the Rise of New York City Ballet, by Joel Lobenthal was published in 2015 by the University Press of New England.
Stephanie Renee Dabney was an American dancer who performed as a prima ballerina with Dance Theatre of Harlem from 1979 through 1994. Dabney is best known for her performances in John Taras' The Firebird, which she performed all over the world, as well as at the opening ceremony of the 1984 Summer Olympics in Los Angeles.
Jennifer A. Homans is an American historian, author, and dance critic. Her book Apollo's Angels: A History of Ballet was a finalist for the National Book Critics Circle Award in 2010.
Charlotte Nebres is an American pre-professional ballet dancer. In 2019, at eleven years old, she become the first Black ballerina to dance the role of Marie in New York City Ballet's production of George Balanchine's The Nutcracker. Later that year, she wrote Charlotte and The Nutcracker, a children's book about her experience.
La Valse is a ballet choreographed by George Balanchine to Maurice Ravel's Valses Nobles et Sentimentales and La Valse. It premiered on February 20, 1951, at the City Center of Music and Drama, performed by the New York City Ballet. The ballet depicts dancers waltzing in a ballroom, during which a woman becomes attracted to a figure of death, and ultimately dies.
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