Emo is a music genre characterized by emotional, often confessional lyrics. It emerged as a style of hardcore punk and post-hardcore from the mid-1980s Washington, D.C. hardcore scene, where it was known as emotional hardcore or emocore. The bands Rites of Spring and Embrace, among others, pioneered the genre. In the early-to-mid 1990s, emo was adopted and reinvented by alternative rock, indie rock, punk rock, and pop-punk bands, including Sunny Day Real Estate, Jawbreaker, Cap'n Jazz, and Jimmy Eat World. By the mid-1990s, Braid, the Promise Ring, and the Get Up Kids emerged from Midwest emo, and several independent record labels began to specialize in the genre. Meanwhile, screamo, a more aggressive style of emo using screamed vocals, also emerged, pioneered by the San Diego bands Heroin and Antioch Arrow. Screamo achieved mainstream success in the 2000s with bands like Hawthorne Heights, Silverstein, Story of the Year, Thursday, the Used, and Underoath.
The U.S. state of Washington has been home to many popular musicians and several major hotbeds of musical innovation throughout its history. The largest city in the state, Seattle, is known for being the birthplace of grunge as well as a major contributor to the evolution of punk rock, indie music, folk, and hip hop. Nearby Tacoma and Olympia have also been centers of influence on popular music.
Moss Icon is an American post-hardcore band formed in late 1986 in Annapolis, Maryland, United States. Its original lineup comprised vocalist Jonathan Vance, guitarist Tonie Joy, bassist Monica DiGialleonardo, and drummer Mark Laurence. Alex Badertscher joined as second guitarist in 1990. Moss Icon is considered to be an early influence on the hardcore punk splinter genre known as post-hardcore, as well as on the eventual development of emo, although the band members themselves have repeatedly denied knowingly contributing to the latter genre in any way.
Screamo is an subgenre of emo that emerged in the early 1990s and emphasizes "willfully experimental dissonance and dynamics". San Diego–based bands Heroin and Antioch Arrow pioneered the genre in the early 1990s, and it was developed in the late 1990s mainly by bands from the East Coast of the United States such as Pg. 99, Orchid, Saetia, and I Hate Myself. Screamo is strongly influenced by hardcore punk and characterized by the use of screamed vocals. Lyrical themes usually include emotional pain, death, romance, and human rights. The term "screamo" has frequently been mistaken as referring to any music with screaming.
Born Against was an American hardcore punk band from New York active between 1989 and 1993. Though Born Against received little media exposure while still together, they have since been described as "legendary" by the Chicago Reader and the LA Weekly.
Post-hardcore is a punk rock music genre that maintains the aggression and intensity of hardcore punk but emphasizes a greater degree of creative expression. Like the term "post-punk", the term "post-hardcore" has been applied to a broad constellation of groups. Initially taking inspiration from post-punk and noise rock, post-hardcore began in the 1980s with bands like Hüsker Dü and Minutemen. The genre expanded in the 1980s and 1990s with releases by bands from cities that had established hardcore scenes, such as Fugazi from Washington, D.C. as well as groups such as Big Black, Jawbox, Quicksand, and Shellac that stuck closer to post-hardcore's noise rock roots. Dischord Records became a major nexus of post-hardcore during this period.
Antioch Arrow was an American punk rock band from San Diego, California, that formed in 1992. Most of their discography was released through the San Diego independent label Gravity Records. The label was responsible raising San Diego's profile in the underground music scene of the mid-1990s. The band, breaking up in 1994 and releasing one final studio album posthumously in 1995, are now considered to be one of the most influential bands of the early 1990s that shaped emo and post-hardcore music of the late 1990s and early 2000s.
Melodic hardcore is a broadly defined subgenre of hardcore punk with a strong emphasis on melody in its guitar work. It generally incorporates fast rhythms, melodic and often distorted guitar riffs, and vocal styles tending towards shouting and screaming. Nevertheless, the genre has been very diverse, with different bands showcasing very different styles. Many pioneering melodic hardcore bands, have proven influential across the spectrum of punk rock, as well as rock music more generally.
Typecast is a Filipino emo band from the Philippines. Originally an underground act, they surfaced on the mainstream Philippine music scene, while managing to hold on to their underground roots.
Men's Recovery Project was an American experimental noise rock band formed by Sam McPheeters and Neil Burke in Richmond, Virginia, active from 1993–2002. The group's post-modern absurdist musical attitude resulted in a diverse and consistently obtuse output, with varied material touching on electronic, avant garde, comedy and spoken word motifs that often alluded to their roots in hardcore punk.
Universal Order of Armageddon was an American hardcore band, active from 1992 to 1994 and reformed in 2010.
The Great Unraveling was an American post-punk rock band from Baltimore, Maryland. The band was fronted by Tonie Joy of Moss Icon, Universal Order of Armageddon, and Born Against. They were active from 1995 to 1997.
Punk jazz is a genre of music that combines elements of jazz, especially improvisation, with the instrumentation and performance style of punk rock. The term was first used to describe James Chance and the Contortions' 1979 album Buy. Punk jazz is closely related to free jazz, no wave, and loft jazz, and has since significantly inspired post-hardcore and alternative hip hop.
The Convocation is an American psychedelic rock band from Baltimore, Maryland.
Brooks Headley is an American musician and chef, best known as the drummer in several hardcore punk and indie rock bands.
The emo revival, or fourth wave emo, was an underground emo movement which began in the late 2000s and flourished until the mid-to-late 2010s. The movement began towards the end of the 2000s third-wave emo, with Pennsylvania-based groups such as Tigers Jaw, Algernon Cadwallader and Snowing eschewing that era's mainstream sensibilities in favor of influence from 1990s Midwest emo. Acts like Touché Amoré, La Dispute and Defeater drew from 1990s emo and especially its heavier counterparts, such as screamo and post-hardcore.
Drug Church is an American post-hardcore band from Albany, New York, United States. The band has released five albums, as well as several EPs.
Midwest emo refers to the emo scene and/or subgenre that developed in the 1990s Midwestern United States. Employing unconventional vocal stylings, distinct guitar riffs and arpeggiated melodies, Midwest emo bands shifted away from the genre's hardcore punk roots and drew on indie rock and math rock approaches. According to the author and critic Andy Greenwald, "this was the period when emo earned many, if not all, of the stereotypes that have lasted to this day: boy-driven, glasses-wearing, overly sensitive, overly brainy, chiming-guitar-driven college music." Midwest emo is sometimes used interchangeably with second-wave emo. Although implied by the name, Midwest emo does not solely refer to bands and artists from the Midwestern United States, and the style is played by outfits across the United States and internationally.
