Torkwase Dyson | |
---|---|
Born | |
Nationality | American |
Education | Yale University, Virginia Commonwealth University, Tougaloo College |
Known for | Painting, printmaking, conceptual art |
Awards | Joan Mitchell Foundation Painters & Sculptors award, Nancy Graves Grant for Visual Artists |
Torkwase Dyson (born 1973, Chicago, Illinois) is an interdisciplinary artist based in Beacon, New York, United States. [1] Dyson describes the themes of her work as "architecture, infrastructure, environmental justice, and abstract drawing." [2] Her work is informed by her own theory of Black Compositional Thought. This working term considers how spatial networks—paths, throughways, water, architecture, and geographies—are composed by Black bodies as a means of exploring potential networks for Black liberation. She is represented by Pace Gallery and Richard Gray Gallery. [3] [4]
Dyson was born in Chicago, Illinois. She attended Tougaloo College where she earned degrees in sociology and social work. In 1999 she received a BFA from Virginia Commonwealth University. She received her MFA in painting/printmaking from Yale School of Art in 2003. [5] [6]
Studio South Zero (SSZ) was Dyson's mobile solar-powered art studio. [7] In 2016, Dyson and environmental social scientist Danielle Purifoy, traversed post-Bellum black communities in Alamance County, NC and Lowndes County, AL in Studio South Zero, collaborating with community members to create an assemblage of oral histories, artifacts, images, and materials to understand the traditions and nuances of black environmental, cultural, and economic placemaking. In 2017, this assemblage was exhibited in In Conditions of Fresh Water: An Artistic Exploration of Environmental Racism at Duke University Center for Documentary Studies. [8]
From February 24, 2018, to March 11, 2018, Dyson led a two-week series of classes, discussions, and experiments held at the Drawing Center. [9] Named the Wynter-Wells Drawing School for Environmental Justice after Jamaican writer Sylvia Wynter and American civil rights leader Ida B. Wells, "The School presented an experimental curriculum employing techniques culled from the visual arts as well as design theories of geography, infrastructure, engineering, and architecture to initiate dialogue about geography and spatiality in an era of global crisis due to human-induced climate change." [10]
From May 3, 2018, to July 28, 2018, The Graham Foundation for Advanced Studies in the Arts presented an exhibition of Dyson's work building off of her two-week residency at the Drawing Center, Winter Term. The exhibition consisted of new site-specific drawings and a series of programming under the title The Wynter-Wells Drawing School for Environmental Liberation, as part of Dyson's pedagogical approach to art-making, consisting of a series of workshops, lectures, and an open studio where Dyson would actively produce and alter the work on view in front of the public. [11]
Dyson's work has been exhibited in galleries and museums worldwide. Her sculptures, paintings, drawings, and performances have been included in numerous solo exhibitions and installations at institutions, including Pace Gallery, [12] [13] Serpentine Galleries, [14] Hall Art Foundation, [15] New Orleans Museum of Art, [16] Arthur Ross Architecture Gallery at Columbia University, [17] The Irwin S. Chanin School of Architecture at The Cooper Union, [18] Colby Museum of Art at Colby College, [19] Suzanne Lemberg Usdan Gallery at Bennington College, [20] Rhona Hoffman Gallery, [21] Graham Foundation, [22] Davidson Contemporary, The Drawing Center, [23] Landmark Gallery at Texas Tech University, [24] Second Street Gallery, [25] Industry City Gallery/Eyebeam, [26] [27] Hemphill Fine Arts, [28] Schiltkamp Gallery at Clark University, [29] Meat Market Gallery, Ty Stokes Gallery, and Corcoran School of the Arts and Design.
Her work has been included in group exhibitions at Passerelle Centre d'art contemporain, Parrish Art Museum, [30] The Mississippi Museum of Art, [31] Contemporary Art Museum St. Louis, [32] Gladstone Gallery, [33] Gracie Mansion Conservancy, Alexander Gray Associates, [34] California African American Museum, [35] Sharjah at United Arab Emirates, The Studio Museum in Harlem, [36] Socrates Sculpture Park, [37] Whitney Museum Museum of Art, [38] [39] Duke University Center for Documentary Studies, [40] [41] the Harvey B. Gantt Center [42] and more. [43]
Dyson has participated in Performa 19 creating a two-act performance and sculptural instillation titled ICan Drink the Distance: Plantationocene in 2 Acts (2019). Curated by Mark Beasley, the commissioned work was presented from November 19 to November 22, 2019.
In 2023, Torwase Dyson's work is being presented at the São Paulo Art Biennial, in the city of São Paulo, Brazil. [44] Their piece "Liquid a Place" [45] is also being exhibited in Tate Liverpool as part of the 2023 Liverpool Biennial "uMoya".
Dyson's work is included in the collections of the Art Institute of Chicago, Hall Art Foundation, The Long Museum, Mead Art Museum, Mildred Lane Kemper Art Museum, Smith College Museum of Art, Smithsonian National Museum of African American History & Culture and The Studio Museum in Harlem. [46]
In 2016, Dyson was elected to the board of the Architectural League of New York as Vice President of Visual Arts. [47] In 2019, Dyson was awarded the Studio Museum's Joyce Alexander Wein Artist Prize and the Anonymous Was a Woman award for painting. In addition to many other grants, fellowships and residencies, she has been the recipient of The Joan Mitchell Painters and Sculptors Grant, Nancy Graves Grant for Visual Artists, Brooklyn Arts Council grant, Yale University Paul Harper Residency at Vermont Studio Center, Spelman College Art Fellowship, and Yaddo. [48]
In 2017, Dyson was on the faculty of the Skowhegan School of Painting and Sculpture and has been a visiting critic at Yale School of Art. [49] In addition to being a guest lecturer, she has participated in a number of panel discussions, artists talks, readings and performance lectures in collaboration with Black environmentalists, artists, poets, architects, dancers, and musicians.
The Arkansas Museum of Fine Arts (AMFA), formerly known as the Arkansas Arts Center, is an art museum located in MacArthur Park, Little Rock, Arkansas. The museum's most recent expansion and renovation was designed by architecture and urban design practice Studio Gang. During this time, it was closed to the public. It had its grand opening in April 2023.
Wolf Kahn was a German-born American painter.
Tara Donovan is an American sculptor who lives and works in Brooklyn, New York. Her large-scale installations, sculptures, drawings, and prints utilize everyday objects to explore the transformative effects of accumulation and aggregation. Known for her commitment to process, she has earned acclaim for her ability to exploit the inherent physical characteristics of an object in order to transform it into works that generate unique perceptual phenomena and atmospheric effects. Her work has been conceptually linked to an art historical lineage that includes Postminimalism and Process artists such as Eva Hesse, Jackie Winsor, Richard Serra, and Robert Morris, along with Light and Space artists such as Mary Corse, Helen Pashgian, Robert Irwin, and James Turrell.
Inka Essenhigh is an American painter based in New York City. Throughout her career, Essenhigh has had solo exhibitions at galleries such as Deitch Projects, Mary Boone Gallery, 303 Gallery, Stefan Stux Gallery, and Jacob Lewis Gallery in New York, Kotaro Nukaga, Tomio Koyama Gallery in Tokyo, and Il Capricorno in Venice.
Mary Mattingly is an American visual artist living and working in New York City. She is the recipient of a Yale University School of Art Fellowship, and was a resident at Eyebeam Art and Technology Center from 2011 to 2012.
Marilyn Kirsch is an American artist, known for abstract and non-objective paintings often described as Lyrical Abstraction.
Sanford Biggers is an American interdisciplinary artist who works in film and video, installation, sculpture, music, and performance. A Los Angeles native, he has lived and worked in New York City since 1999.
Heather T. Hart is an American visual artist who works in a variety of media including interactive and participatory Installation art, drawing, collage, and painting. She is a co-founder of the Black Lunch Table Project, which includes a Wikipedia initiative focused on addressing diversity representation in the arts on Wikipedia.
Howardena Pindell is an American artist, curator, critic, and educator. She is known as a painter and mixed media artist who uses a wide variety of techniques and materials. She began her long arts career working with the New York Museum of Modern Art, while making work at night. She co-founded the A.I.R. gallery and worked with other groups to advocate for herself and other female artists, Black women in particular. Her work explores texture, color, structures, and the process of making art; it is often political, addressing the intersecting issues of racism, feminism, violence, slavery, and exploitation. She has created abstract paintings, collages, "video drawings," and "process art" and has exhibited around the world.
Hurvin Anderson is a British painter.
Adam Pendleton is an American conceptual artist known for his multi-disciplinary practice, involving painting, silkscreen, collage, video, performance, and word art. His work often involves the investigation of language and the recontextualization of history through appropriated imagery.
Mary Miss is an American artist and designer. Her work has crossed boundaries between architecture, landscape architecture, engineering and urban design. Her installations are collaborative in nature: she has worked with scientists, historians, designers, and public administrators. She is primarily interested in how to engage the public in decoding their surrounding environment.
Jennie C. Jones is an African-American artist living and working in Brooklyn, New York. Her work has been described, by Ken Johnson, as evoking minimalism, and paying tribute to the cross-pollination of different genres of music, especially jazz. As an artist, she connects most of her work between art and sound. Such connections are made with multiple mediums, from paintings to sculptures and paper to audio collages. In 2012, Jones was the recipient of the Joyce Alexander Wien Prize, one of the biggest awards given to an individual artist in the United States. The prize honors one African-American artist who has proven their commitment to innovation and creativity, with an award of 50,000 dollars. In December 2015 a 10-year survey of Jones's work, titled Compilation, opened at the Contemporary Arts Museum in Houston, Texas.
Vivian E. Browne was an American artist. Born in Laurel, Florida, Browne was mostly known for her painting series called Little Men and her Africa series. She is also known for linking abstraction to nature in her tree paintings and in a series of abstract works made with layers of silk that were influenced by her travels to China. She was an activist, professor, and has received multiple awards for her work. According to her mother, Browne died at age 64 from bladder cancer.
Sonia Gomes is a Brazilian contemporary artist who lives and works in São Paulo, Brazil. Gomes frequently employs found objects and textiles in her works, twisting, stretching, and bundling them to fashion wiry or knotty sculptural forms.
Alexandra Bell is an American multidisciplinary artist. She is best known for her series Counternarratives, large scale paste-ups of New York Times articles edited to challenge the presumption of "objectivity" in news media. Using marginalia, annotation, redaction, and revisions to layout and images, Bell exposes racial and gender biases embedded in print news media.
Caitlin Cherry is an African-American painter, sculptor, and educator.
Surrounded Islands, Biscayne Bay, Greater Miami, Florida, 1980–83 was a 1983 environmental artwork in which artists Christo and Jeanne-Claude surrounded an island archipelago in Miami with pink fabric.
Richard Whitten is a painter and sculptor of mixed Asian and American ancestry working in Rhode Island. His early work could loosely be termed geometric abstractions, but he is best known for his later representational paintings that combine an interest in architecture, invented machinery and toys. Whitten is also known for his toy-like sculptures. Whitten was the chair of the art department at Rhode Island College (2016-2018) and continues to teach there as part of the faculty.
Zachary Fabri is a multidisciplinary artist based in Brooklyn, NY.
This article needs additional or more specific categories .(June 2023) |