"Torna ai felici dì" ("Return to the happy days") is a tenor aria from act 2 of the 1884 opera, Le Villi by Giacomo Puccini. It is sung by Roberto as he mourns the loss of the days of his youth and his beloved Anna. Anna has been killed by fairies that were conjured by a witch that seduced Roberto when he was away in Mainz. However, he does not find this out until after it happens. [1]
This scene takes place at a town in the Black Forest during spring.
Ecco la casa Dio, che orrenda notte!
Strane voci m'inseguon
Le Villi...Evvia! Son fole!
No, delle Villi me non perseguita la vendetta fatal!
Tu sol m'insegui, rimorso!
Vipera infernal!
Tu sol m'insegui, rimorso!
Vipera dal velno infernal!
Torna ai felici dì dolente il mio pensier,
Ridean del maggio i fior, fioria per me l'amor.
Or tutto si coprì di mister...
Ed io non ho nel cor che tristezza e terror,
Forse ella vive! Bussiam!
Qual brivido mi colse!
Invan di quella soglia tentai
Sul limite levar la man!
Pur d'intender parmi davero un canto lugubre!
O sommo Iddio! Del mio cammino,
O sommo Iddio, del mio destin quest'è la meta...
Fa che il perdono, fa che il perdon
La renda lieta un solo istante e poi morrò!
Pregar non posso! Ah, maledetto il dì
Che andai lontan di qui!
Maledetta sia la tua bellezza, o cortigiana vil...
Maledetta in eterno! Maledetta!
Marco Masini, is an Italian singer-songwriter and musician.
Le Villi is an opera-ballet in two acts composed by Giacomo Puccini to an Italian libretto by Ferdinando Fontana, based on the short story Les Willis by Jean-Baptiste Alphonse Karr. Karr's story was in turn based in the Central European legend of the Vila, also used in the ballet Giselle. The opera, in its original one-act version, was first performed at the Teatro Dal Verme, Milan, on 31 May 1884. Le Villi is Puccini's first stage work. It was written for an 1883 competition of one-act operas by the publisher Sonzogno in his periodical Il teatro illustrato, but did not even earn an honourable mention. According to Mosco Carner, this may have been because it was written in such haste that the score was all but illegible. His supporters, who included Arrigo Boito, funded the first production, whose favorable reception led to publication by Giulio Ricordi. Puccini's mother received the following telegram on the night of premiere at the Teatro dal Verme on 31 May 1884: "Theatre packed, immense success; anticipations exceeded; eighteen calls; finale of first act encored thrice"'. Ricordi urged the composer to expand the work, and Puccini did, producing a new version later that year, which was followed by modifications in 1885, and the final version in 1889. A performance typically lasts 64 minutes.
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