Total Control | |
---|---|
Genre | Political drama Political thriller |
Written by |
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Directed by | Rachel Perkins (s1) Wayne Blair (s2&3) Jub Clerc (s3) |
Starring | |
Country of origin | Australia |
Original language | English |
No. of series | 3 |
No. of episodes | 18 |
Production | |
Executive producers |
|
Producers | |
Running time | 60 minutes |
Production company | Blackfella Films |
Original release | |
Network | ABC |
Release | 13 October 2019 – 18 February 2024 |
Total Control is an Australian television political drama series first screened on ABC TV in October 2019. Its working title was Black Bitch, but that was deemed too controversial and the series was renamed. Season 2 began airing on 7 November 2021, and the final season premiered on the ABC on 14 January 2024.
Rachel Anderson is the embattled but cunning Prime Minister of Australia. Alex Irving is a charismatic Indigenous woman who finds herself the centre of media attention following her admirable actions in a high-risk situation. Rachel wants to use Alex to boost her popularity and further her own agenda, and recruits her as a senator. [1]
The government in the series appears to represent the Liberal-National coalition, with various factions and other parties mimicking current ones in Australia. There are several storylines and characters, including Alex's son, her mother, an ex-lover and rival clans in Winton, Queensland, her activist brother in the city, various other players in the Canberra political and office sphere, and a young woman who has escaped youth detention with some footage which could severely damage the government, or in particular the right-wing faction.
No. in series | Title | Directed by | Written by | Original air date | Australia viewers (millions) | |
---|---|---|---|---|---|---|
1 | "Episode 1" | Rachel Perkins | Stuart Page | 13 October 2019 | 0.722 [2] | |
Following a stand-off with a gunman outside a local courthouse, Alex Irving becomes a household name overnight and is offered a casual vacancy in the Senate of Australia by the Prime Minister, Rachel Anderson, who has her own motivations for wanting Alex in her ranks. Meanwhile, Jess Clarke, a young Indigenous girl escapes from a youth detention centre after her friend, Marcie, is murdered by a prison guard. | ||||||
2 | "Episode 2" | Rachel Perkins | Kim Wilson & Rachel Perkins | 20 October 2019 | 0.641 [3] | |
Alex is tasked by Rachel with negotiating a deal between the native title holders of Winton and the Federal Government after the United States requests the construction of a new military base in the region. Meanwhile, Jess hitch-hikes across the country in an effort to reach Alex in Canberra. | ||||||
3 | "Episode 3" | Rachel Perkins | Pip Karmel | 27 October 2019 | 0.679 [4] | |
As Alex works around the clock to get the community's deal before the Senate, there is opposition within the party and a coup threatens Rachel's leadership. Jess arrives in Canberra, but Alex is faced with simultaneous betrayal in Canberra and a tragedy in Winton before they can meet. | ||||||
4 | "Episode 4" | Rachel Perkins | Angela Betzien | 3 November 2019 | 0.712 [5] | |
Following the death of her mother, Alex is struck low by grief and anger after the betrayal of her and the community. When she discovers the extent of the Rachel's deception, she resolves to return to Canberra - planning to burn everything to the ground. | ||||||
5 | "Episode 5" | Rachel Perkins | Stuart Page | 10 November 2019 | 0.683 [6] | |
Returning to Canberra, Alex and Rachel embark on a game of political cat and mouse. Alex knows the only person who can help her now is Jess, but when they finally arrange to meet in Sydney, Jess gets spooked when police suddenly arrive and runs - leading to tragedy. | ||||||
6 | "Episode 6" | Rachel Perkins | Stuart Page | 17 November 2019 | 0.712 [7] | |
In pursuit of justice for Jess and Marcie, Alex declares war on her own party. Faced again with Rachel's double dealing, she engineers a plan that could have catastrophic consequences for the government. |
No. in series | Title | Directed by | Written by | Original air date [8] | Australia viewers (millions) | |
---|---|---|---|---|---|---|
7 | "Episode 1" | Wayne Blair | Stuart Page | 7 November 2021 | N/A | |
Far from home, Alex Irving faces the reality of her alliances with Damien Bauer, who is now the Prime Minister, and with Laurie Martin and begins to question her future in her new party. Still reeling from the coup, Rachel plans her next move. | ||||||
8 | "Episode 2" | Wayne Blair | Pip Karmel | 14 November 2021 | N/A | |
Alex returns home to Winton, determined to get her grassroots campaign off the ground. Rachel makes a surprise announcement that sees her facing off with Alex on live television. After the show, Rachel makes Alex an interesting offer. | ||||||
9 | "Episode 3" | Wayne Blair | Larissa Behrendt | 21 November 2021 | N/A | |
Alex's success on the campaign trail has caught the attention of popular incumbent Jack Ramsay and he's not going down without a fight. Rachel's bid for re-election gets a boost when she attends a rival's campaign event. | ||||||
10 | "Episode 4" | Wayne Blair | Angela Betzien | 28 November 2021 | N/A | |
It's the day of the election, and Alex and her team make a final push to win over the voters of Freeman, but a family emergency sends the campaign into chaos. Meanwhile, Rachel prepares to face off against Damien. | ||||||
11 | "Episode 5" | Wayne Blair | Nakkiah Lui | 5 December 2021 | N/A | |
Following the election, the high stakes horse-trading begins in Canberra as Alex and a small group of independent MPs meet to decide the future of the nation. With bigger threats looming, Alex and Rachel will need to find a way to trust each other. | ||||||
12 | "Episode 6" | Wayne Blair | Stuart Page | 12 December 2021 | N/A | |
Alex is on the cusp of rewriting history when the forces of violence and reaction make one last bloody attempt to stop her. |
No. in series | Title | Directed by | Written by | Original air date | Australia viewers (millions) | |
---|---|---|---|---|---|---|
13 | "Episode 1" | Wayne Blair | Stuart Page | 14 January 2024 | 0.278 [9] | |
Two years on since the explosive events of the second season, outsider turned kingmaker, Alex Irving, is now completely at home in the nation's capital. She's at the centre of power, holding the Government on a short leash, but it's taking a toll. | ||||||
14 | "Episode 2" | Wayne Blair | Stuart Page | 21 January 2024 | 0.235 [10] | |
Alex receives a health diagnosis which threatens to derail her political ambitions. Rachel learns some shocking news about her campaign finance from journalist Marion Beaumont. | ||||||
15 | "Episode 3" | Jub Clerc | Julia Moriarty | 28 January 2024 | 0.353 [11] | |
At a Parliamentary event, Rachel gathers the numbers for her alliance, while a serious health scare throws Alex's entire future into jeopardy. | ||||||
16 | "Episode 4" | Jub Clerc | Meyne Wyatt | 4 February 2024 | 0.408 [12] | |
Alex makes an unsavoury deal with a political rival on a nation-changing piece of legislation. Charlie reaches breaking point | ||||||
17 | "Episode 5" | Jub Clerc | Pip Karmel | 11 February 2024 | 0.420 [13] | |
Determined to reform youth justice, Alex pushes forward with her radical plan in the House of Representatives. Rachel seizes the opportunity for her own advantage. | ||||||
18 | "Episode 6" | Wayne Blair | Stuart Page | 18 February 2024 | 0.414 [14] | |
The fate of Alex and Rachel's political careers becomes clear in a final power play which will shape the future of Australia's democracy. |
The working title of the series was Black Bitch; however, it was changed after complaints that the title was a racial slur. [15] The first season was written by Stuart Page, Angela Betzien, Pip Karmel and directed by Rachel Perkins. It was produced by Darren Dale and Miranda Dear for Blackfella Films with Rachel Griffiths, Kelrick Martin and Sally Riley as executive producers. [16] The six-part first season was filmed in Canberra, Sydney, and Winton in Central West Queensland. [17] New music was written and recorded by Missy Higgins and featured in the series. [18]
Season 2 was directed by cast member Wayne Blair, while writing credits include Stuart Page, Larissa Behrendt, Angela Betzien, Pip Karmel, and Nakkiah Lui. [19] [20] Some scenes were filmed on location in Parliament House, Canberra as well as Sydney and Broken Hill. [21]
Production for the third and final series was announced on 31 May 2023. [22] [23] Wayne Blair co-directed with Jub Clerc.
In advance of the broadcast premiere of Season 1 on ABC TV in October 2019, several episodes of the series received a preview screening in the Primetime program of the 2019 Toronto International Film Festival. [24]
Season 2 aired from 7 November 2021. [25] [26]
The final season premiered on the ABC on 14 January 2024. [27] The final episode aired on the ABC on 18 February 2024. [28]
The first season received mixed to positive reviews from critics. The dialogue, writing, relationships between the characters, and Alex's characterisation were widely praised, but recurring criticisms were that the series lacked action and the storytelling was too meek and subdued despite its intense subject matter. However, the cast's performances received critical acclaim, especially Deborah Mailman's.
The series has an approval rating of 100% percent for its first season on the review aggregator website Rotten Tomatoes indicating critical acclaim. [29]
Craig Mathieson of The Sydney Morning Herald wrote "It's hard to remember the last time an Australian drama had dialogue as biting, juicy, and telling as the lines that ricochet back and forth – simultaneously revealing power and defining personalities" and that Mailman gives a "full-tilt and full-bodied performance". [30] Luke Buckmaster of The Guardian said "There are times when it feels like we may be in store for a Bulworth-style spectacle, revolving around a shoot-from-the-hips political newbie with nothing to lose. However, the drama in Total Control is meeker than that, and the stakes feel surprisingly low, given several hot-button issues explored". Buckmaster praised the performances of both Mailman and Trisha Morton-Thomas. He declared Mailman's performance to be "superb" and said that she was the series' "one unquestionably outstanding element". [31]
Chris Boyd from Screenhub wrote: "As an action drama, Total Control is unconvincing and poorly executed. As a political thriller, it's sketchy and forced. The Canberra intrigue is shallow to the point of parody." However he praised the performances of both Mailman and Rob Collins. When it comes to Mailman's performance he said "Increasingly blunt, and foul-mouthed, Mailman is electrifying. Tectonic. Unforgettable." [32] Laura Brodnik from Mamamia gave the series a positive review saying "with a cutting and topical script, this is a series that secures a spot as one of the best Australian offerings of the year". Brodnik praised most of the cast but singled out Mailman and Shantae Barnes Cowan for the most praise. She called Mailman's performance a "stand out". And said Barnes Cowan "delivers some of the shows most emotional moments in scenes that are light on dialogue, so it's left up to her facial expressions to convey the gravity of what is really going on". [33]
Dorothy Rabinowitz of The Wall Street Journal wrote a glowing review, saying this about the series "It's an enterprise mightily enlarged by its merciless focus on political combat, its depiction of longtime trusted alliances, its biting vision of the prevailing codes, and what passes for right and wrong in political society." [34] James Croot from Stuff NZ wrote: "Total Control offers a scathing examination of Australian politics [and] a clarion call for social justice." He went on to praise the series' music, saying it was "a magnificent showcase for the songwriting and singing skills of Missy Higgins", Alex's characterisation ("Her character is a compelling, complex and charismatic presence, a woman passionate about representing her community, but still traumatised by the event that made her public property") and Rachel Griffiths' performance ("Griffiths is impressive as the embattled Prime Minister, struggling to keep her party (and herself) in power – two goals that aren’t necessarily the same thing."). [35] Joel Keller from Decider praised the writing of the series, saying "The writing in all of those scenes, is sharp and intelligent, not giving in to cliché or tropes" and that "the writing is smart enough to give its audience credit for having some brain cells to process the story". He added "after the ace performances by Mailman and Griffiths, we're looking forward to seeing what direction Total Control goes in". [36]
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