This article contains content that is written like an advertisement .(April 2017) |
Industry | Audio post, Music production |
---|---|
Founded | 1984 |
Founder | Simon Leadley and Geoff Watson |
Headquarters | , |
Number of locations | Camperdown, Moore Park, Sth Melbourne |
Services | audio post, recording and music services |
Website | www |
Trackdown (Trackdown Digital Pty Ltd) is an independent Australian audio post and music services facility for the film, television, music, and multimedia industries. Founded in 1984 by Simon Leadley and Geoff Watson, [1] they provide dedicated music editing services for feature films. [2] Their facilities include an orchestral scoring stage, 5.1 control room, ADR and Foley recording studios, 5.1 film pre-mix rooms, 5.1 mix rooms, and five Pro Tools editing suites. [3] [4] Trackdown is located in The Entertainment Quarter at Moore Park, New South Wales, Australia. [5]
Trackdown began as a rehearsal and 4-track recording business called "The Studio" in Oxford Street, Sydney. It was one of Sydney's first rehearsal/demo studios and clients included INXS, Midnight Oil, Divinyls, Do Re Mi, [6] The Church and Dragon. [2] [7]
In the late 1980s, the studio moved to Bondi Junction, [8] to a couple of small rooms in the basement of Hutching's Keyboards [9] where Simon Leadly created Sydney's first half-inch 16-track recording studio using the Fostex B16 then E16. The business was renamed Trackdown and was the first studio to use Sony's PCM701 digital 2-track system for the final master. Clients have included indie bands such as The Saints, Mental As Anything, [7] Allniters, The Castanet Club, Robyne Dunn, [10] and Electric Pandas.
In 1990, Trackdown built a new studio complex in Camperdown within the Yoram Gross Studio building. At this time, Digidesign's SoundTools software was emerging (later to evolve into Pro Tools). With a traditional Otari 24-track analogue and Dolby SR, and mixing to 2-track SoundTools, Trackdown recorded bands including Icehouse, [11] The Angels, Midnight Oil, and The Saints.
It was here that Simon also introduced digital technology to the animation production company Yoram Gross Films, and Trackdown became the first studio in Australia to use Pro Tools for TV picture post. Their first project was Blinky Bill animated TV Series One. [2] [8]
In 1998 Trackdown was invited to set up a music for film division at Australia's leading feature film audio production house, Soundfirm, at Sydney's Fox Studios. They named it Trackdown Music Services - Australia's first dedicated music editing service for feature films. Music editing credits include Alex Proyas' Dark City, Master & Commander, Happy Feet, [12] The Bank Job and Baz Luhrmann's Moulin Rouge, [13] Australia and The Great Gatsby, [14] for which Trackdown's Supervising Music Editor Tim Ryan and Music Editor Craig Beckett were awarded the 2014 MPSE Golden Reel for "BEST SOUND EDITING IN FEATURE FILM – MUSIC". [15]
The orchestral recording studio, Trackdown Scoring Stage was officially opened on 9 September 2003 by Federal Minister for the Arts Senator Rod Kemp. [16] Trackdown engineered and built the stage in what was formerly The Simpsons Studio in Fox Studios backlot entertainment area – now The Entertainment Quarter. Described as "the missing link in Australia's film production" [17] the room "has become recognized as one of the five best orchestral recording rooms in the World". [2] The main hall consist of a 5.1 Monitoring Control/Mix Room, two separation booths for singers and choirs, drums or non-orchestral elements and a green room for musicians. Before its official opening the scoring stage was "test driven by the Sydney Symphony Orchestra (SSO)" [17] to record music for the Rugby World Cup. [16]
In addition to film scores, it is also used for video game scores, [18] events, recording MusicMAX video sessions, [19] live performances, [20] film screenings, and as a rehearsal space. In 2005 Trackdown recorded both the full score for Happy Feet and also remote sessions for ADR using "Source Connect” technology. [2] Most recently, Mentoring Sessions for The Voice Australia, were recorded in the scoring stage. [21] In October 2010 Trackdown scoring stage was renamed The Simon Leadley Scoring Stage in honour of its co-founder. [1]
Trackdown's Moore Park Studio, Building 125 (adjacent to Fox Studios), houses The Simon Leadley Scoring Stage, Mix one - Trackdown's 5.1 audio edit and music mixing suites – a Theatre, and production suites and offices for hire. Trackdown's recent feature film credits include Happy Feet Two [22] and Australia. Clients and artists who have used the facilities to perform and record include Coldplay, who performed a secret intimate gig in the Scoring Stage, [23] [24] The Saints, [25] Justin Bieber [26] [27] who performed a secret gig in Trackdown in July 2012, Will.I.Am, and One Direction [28] In 2013 the services were expanded with the opening of Theatre One, in partnership with Definition Films, "a 20 seat theatrette with grading, audio post, mixing and 3D screening capabilities". [29] In December 2015 global publisher peermusic announced a strategic partnership with Trackdown, in which Trackdown is to oversee in-house A&R, sync activities and business-related opportunities in Australian and New Zealand. [30]
A click track is a series of audio cues used to synchronize sound recordings, sometimes for synchronization to a moving image. The click track originated in early sound movies, where optical marks were made on the film to indicate precise timings for musical accompaniment. It can also serve a purpose similar to a metronome, as in the music industry, where it is often used during recording sessions and live performances.
Audio mixing is the process by which multiple sounds are combined into one or more audio channels. In the process, a source's volume level, frequency content, dynamics, and panoramic position are manipulated or enhanced. This practical, aesthetic, or otherwise creative treatment is done in order to produce a finished version that is appealing to listeners.
Post-production is part of the process of filmmaking, video production, audio production, and photography. Post-production includes all stages of production occurring after principal photography or recording individual program segments.
A recording studio is a specialized facility for recording and mixing of instrumental or vocal musical performances, spoken words, and other sounds. They range in size from a small in-home project studio large enough to record a single singer-guitarist, to a large building with space for a full orchestra of 100 or more musicians. Ideally, both the recording and monitoring spaces are specially designed by an acoustician or audio engineer to achieve optimum acoustic properties.
A sound editor is a creative professional responsible for selecting and assembling sound recordings in preparation for the final sound mixing or mastering of a television program, motion picture, video game, or any production involving recorded or synthetic sound. The sound editor works with the supervising sound editor. The supervising sound editor often assigns scenes and reels the sound editor based on the editor's strengths and area of expertise. Sound editing developed out of the need to fix the incomplete, undramatic, or technically inferior sound recordings of early talkies, and over the decades has become a respected filmmaking craft, with sound editors implementing the aesthetic goals of motion picture sound design.
Pro Tools is a digital audio workstation (DAW) developed and released by Avid Technology for Microsoft Windows and macOS. It is used for music creation and production, sound for picture and, more generally, sound recording, editing, and mastering processes.
A digital audio workstation is an electronic device or application software used for recording, editing and producing audio files. DAWs come in a wide variety of configurations from a single software program on a laptop, to an integrated stand-alone unit, all the way to a highly complex configuration of numerous components controlled by a central computer. Regardless of configuration, modern DAWs have a central interface that allows the user to alter and mix multiple recordings and tracks into a final produced piece.
Sound design is the art and practice of creating soundtracks for a variety of needs. It involves specifying, acquiring or creating auditory elements using audio production techniques and tools. It is employed in a variety of disciplines including filmmaking, television production, video game development, theatre, sound recording and reproduction, live performance, sound art, post-production, radio, new media and musical instrument development. Sound design commonly involves performing and editing of previously composed or recorded audio, such as sound effects and dialogue for the purposes of the medium, but it can also involve creating sounds from scratch through synthesizers. A sound designer is one who practices sound design.
Digital Performer is a digital audio workstation and music sequencer software package published by Mark of the Unicorn (MOTU) of Cambridge, Massachusetts for the Apple Macintosh and Microsoft Windows platforms.
Avid Audio is an American digital audio technology company. It was founded in 1984 by Peter Gotcher and Evan Brooks. The company began as a project to raise money for the founders' band, selling EPROM chips for drum machines. It is a subsidiary of Avid Technology, and during 2010 the Digidesign brand was phased out. Avid Audio products will continue to be produced and will now carry the Avid brand name.
Full Circle is the first remixed album by Australian rock/synthpop band Icehouse released in December 1994 on Massive Records. It also features a variety of musicians including the Bangarra Dance Company, Elcho Island and guitar virtuoso, Buckethead who would later join Guns N' Roses.
Big Wheel is the seventh and final studio album by the Australian rock synthpop band, Icehouse, released on 25 October 1993 in Australia by dIVA Records – founder Iva Davies' own label – and Massive Records. It was recorded at Davies' home in Whale Beach during 1993 with Davies on vocals, guitar, bass guitar and keyboards, David Chapman on guitar, keyboards and backing vocals, and Paul Wheeler on drums, percussion and backing vocals. Big Wheel peaked at #44 and was their first studio album not to reach the Top Ten on the Australian album charts. The album was digitally remastered by Davies and Ryan Scott with five bonus tracks added for the 2002 re-release by Warner Music Australia.
Stem-mixing is a method of mixing audio material based on creating groups of audio tracks and processing them separately prior to combining them into a final master mix. Stems are also sometimes referred to as submixes, subgroups, or buses.
Brian Wayne Transeau, known by his initials as BT, is an American musician, DJ, singer, songwriter, record producer, composer, and audio engineer. An artist in the electronic music genre, he is credited as a pioneer of the trance and intelligent dance music styles that paved the way for EDM, and for "stretching electronic music to its technical breaking point." In 2010, he was nominated for a Grammy Award for Best Electronic/Dance Album for These Hopeful Machines. He creates music within myriad styles, such as classical, film composition, and bass music.
John Rodd is a freelance music recording, mixing and mastering engineer. He is best known for film score recording and mixing.
Bruce Nazarian was an American funk and rock musician, recording artist and music producer from Detroit, Michigan.
Wylie Stateman is an American sound director, supervising sound editor, sound designer, and post production media entrepreneur. Stateman has supervised over 150 sound projects, resulting in 9 Academy Award nominations, 6 BAFTA Awards, 3 Primetime Emmy Awards, and over 30 Motion Picture Sound Editor Awards. He also received a Science Technology award from the Academy of Motion Picture Arts and Sciences in 1994 for Audio Track’s Advanced Data Encoding (ADE) System. In 2021 he won an Emmy Award for his sound design in Netflix’s original series ‘The Queen’s Gambit’.
Santiago Dobles is a Venezuelan guitarist, songwriter, producer and son of Venezuelan symphonic composer Gustavo Dobles. He is best known as the founding member of tech-prog-fusion metal band Aghora. He has produced with Dan Escuariza, and Neil Kernon. Kernon produced Formless cd. Dan did the self-titled debut cd.
Vienna Symphonic Library GmbH (VSL) is a developer of sample libraries and music production software for classical orchestral music. The company is located in a landmark protected building, called Synchron Stage Vienna based in the Austrian capital's 23rd district.
Mortal Kombat: Original Motion Picture Soundtrack is the score album to the 2021 film Mortal Kombat, based on the video game franchise of the same name and a reboot of the Mortal Kombat film series. Composed by Benjamin Wallfisch, the 24-track album was released on April 16, 2021, by WaterTower Music and is led by two singles: "Techno Syndrome 2021" an experimented track from the eponymous theme song that featured in the video game series' soundtrack by The Immortals was released on April 9, and "I Am Scorpion", a theme for the character Hanzo Hasashi / Scorpion was released on April 15, before the album.