Felt were an English jangle pop band, formed in 1979 in Water Orton, England, and led by the mononymous Lawrence. They were active for ten years through the 1980s, releasing ten singles and ten albums. The band's name was inspired by Tom Verlaine's emphasis of the word "felt" in the Television song "Venus".
Poem of the River is the seventh album by English alternative rock band Felt, released in 1987.
The Seventeenth Century is the fifth album by English alternative rock band Felt, released in 1986.
Forever Breathes the Lonely Word is the sixth album by English alternative rock band Felt, released in September 1986. This is the first Felt album with no instrumental tracks. The cover photo subject is keyboardist Martin Duffy.
Ignite the Seven Cannons is the fourth album by English alternative rock band Felt, released in 1985. The album is sometimes referred to as "Ignite the Seven Cannons and Set Sail for the Sun", a phrase which was printed in one place on the original vinyl record.
The Strange Idols Pattern and Other Short Stories is the third album by English alternative rock band Felt, released in 1984 and produced by John Leckie. The album marked a departure from the introspective, guitar-led sound of their first two albums, with Lawrence's vocals becoming much more dominant in the mix along with a greater emphasis on pop melodies. The album also introduced a traditional drum kit to the band's sound, having previously relied on tom drums in the past.
The Pictorial Jackson Review is the eighth album by English alternative rock band Felt, released in 1988. The name of the album is a play on the character Pictorial Review Jackson from Jack Kerouac's novel Pic.
Me and a Monkey on the Moon is the tenth and final album by English alternative rock band Felt, released in 1989. It was originally issued on Mike Alway's él label, part of Cherry Red. In a review for Sounds, Roy Wilkinson described it as "perhaps their finest album yet."
Strip-mine is the second studio album by English rock band James. It was released on 26 September 1988, through Sire and Blanco y Negro Records. After minimal touring and lack of success for their debut studio album Stutter (1986), the label was apprehensive about letting them record another album. Sessions for it were held in early 1987 at Rockfield Studios with Hugh Jones producing the majority of the album, except for "Are You Ready", which produced by Steve Power and Steve Lovell. After the recording, the release was delayed a number of times, until it was eventually remixed early the following year at London's Battery Studios. Described as a folk-pop album, the songs on Strip-mine tackled the topics of misinformation, addiction, and human mortality.
Godflesh is the debut EP by English industrial metal band Godflesh. It was originally released in 1988 through Swordfish Records and later saw several reissues on Earache Records with two additional songs. An unexpected underground success, the eponymous EP made it onto the UK Indie Chart and peaked at position 20. Though not supported by any singles or music videos at the time, a fan-made video for "Avalanche Master Song" has since been made official by the band.
The Blue Moods of Spain is the debut studio album by American rock band Spain, released on September 8, 1995, on Restless Records.
Sama Layuca is a studio album by American jazz pianist McCoy Tyner, released in 1974 by Milestone Records. It was recorded on March 26, 27, and 28, 1974, featuring oboist/flautist John Stubblefield, alto saxophonist Gary Bartz, tenor saxophonist Azar Lawrence, vibraphonist Bobby Hutcherson, bassist Buster Williams, drummer Billy Hart and percussionists Guilherme Franco and Mtume.
Absolute Classic Masterpieces is the third compilation album by English alternative rock band Felt, released in 1992. It collects tracks from the band's singles and albums recorded for Cherry Red between 1981 and 1985, with two exceptions: "Dance of Deliverance" from guitarist Maurice Deebank's album, Inner Thought Zone; and "Index", a single recorded and released by leader Lawrence before the band formed properly. Tracks 4, 9, 11, 15 and 18 are instrumental.
Stains on a Decade is the fifth compilation album by English alternative rock band Felt, released in 2003. A career-spanning collection, it contains tracks from the band's singles released between 1981 and 1988, with one album-track exception: "Dismantled King Is Off The Throne".
Gold Mine Trash is the first compilation album by English alternative rock band Felt, released in 1987. It collects tracks from the band's singles and albums recorded for Cherry Red between 1981 and 1985. The cover photo shows a detail from the Throne Hall of Neuschwanstein Castle in Germany.
Bubblegum Perfume is the second compilation album by English alternative rock band Felt, released in 1990. It collects tracks from the band's singles and albums recorded for Creation Records between 1986 and 1988. Tracks 5, 8, 13, 16 and 19 are instrumental.
Absolute Classic Masterpieces Volume II is the fourth compilation album by English alternative rock band Felt, released in 1993. It collects tracks from the band's singles and albums recorded for Creation Records between 1986 and 1988. The album comprises two CDs; the first contains single tracks only and the second contains album tracks. Tracks 3 and 7 of the first disc are instrumental, as are tracks 1-4 and 13-16 of the second disc.
"Tower of Strength" is a song released by the English gothic rock band The Mission in February 1988. It was the first of two singles to be released from their second studio album Children. It peaked at No. 12 on the UK charts on its original release, but has seen re-recorded releases in 1994 and 2020 separately.
The Lilac Time is the debut album by English band the Lilac Time and was released in 1987 by Swordfish Records. The album was partially remixed and re-released by Fontana Records in 1988.
"Goodbye Lucille #1" is a song by English pop band Prefab Sprout, released as a single under the title "Johnny Johnny" by Kitchenware Records in January 1986. It was the final single taken from their album Steve McQueen. The single failed to reach the top 40 of the UK Singles Chart, reaching a peak of number 64 over three weeks on the chart.
