Dexys Midnight Runners are an English pop rock band from Birmingham, with soul influences, who achieved major commercial success in the early to mid-1980s. They are best known in the UK for their songs "Come On Eileen" and "Geno", both of which peaked at No. 1 on the UK Singles Chart, as well as six other top-20 singles. "Come On Eileen" also topped the US Billboard Hot 100, and with extensive airplay on MTV they are associated with the Second British Invasion.
Felt were an English jangle pop band, formed in 1979 in Water Orton, England, and led by the mononymous Lawrence. They were active for ten years through the 1980s, releasing ten singles and ten albums. The band's name was inspired by Tom Verlaine's emphasis of the word "felt" in the Television song "Venus".
The Bats are an influential New Zealand rock band formed in 1982 in Christchurch by Paul Kean (bass), Malcolm Grant (drums), Robert Scott and Kaye Woodward. Though primarily a Christchurch band, The Bats have strong links to Dunedin and are usually grouped in with the Dunedin sound musicians that emerged in the early 1980s. The band has retained the same four members from 1982 to the present day.
"Don't Look Back" is a song by American rock band Boston, written by main songwriter, guitarist and bandleader Tom Scholz. It was released as the title track and first single from their second studio album, Don't Look Back (1978). It reached #4 on the Billboard Hot 100, making it one of the band's biggest hits.
The Seventeenth Century is the fifth album by English alternative rock band Felt, released in 1986.
Forever Breathes the Lonely Word is the sixth album by English alternative rock band Felt, released in September 1986. This is the first Felt album with no instrumental tracks. The cover photo subject is keyboardist Martin Duffy.
Ignite the Seven Cannons is the fourth album by English alternative rock band Felt, released in 1985. The album is sometimes referred to as "Ignite the Seven Cannons and Set Sail for the Sun", a phrase which was printed in one place on the original vinyl record.
The Strange Idols Pattern and Other Short Stories is the third album by English alternative rock band Felt, released in 1984 and produced by John Leckie. The album marked a departure from the introspective, guitar-led sound of their first two albums, with Lawrence's vocals becoming much more dominant in the mix along with a greater emphasis on pop melodies. The album also introduced a traditional drum kit to the band's sound, having previously relied on tom drums in the past.
The Splendour of Fear is the second album by English alternative rock band Felt, released in 1984. It is a largely instrumental album based around long guitar passages inspired by classical guitar music, with only tracks 2 and 5 having any lyrics.
Lawrence Hayward, known mononymously as Lawrence, is an English singer, songwriter and guitarist. He is known as the frontman in the English indie pop bands Felt, Denim, and Mozart Estate. He has never used his surname in credits or press for his work.
Maurice Deebank is a classically trained English guitarist. He was the co-founder and lead guitarist of the British indie band Felt from its debut album until 1985, and was responsible for the ornate, atmospheric guitar work found on many of the band's early recordings. During his tenure in Felt he co-wrote most of its material with frontman Lawrence.
Back in Denim is the debut album by British rock band Denim.
All the Stars and Boulevards is the debut album by American rock band Augustana The album was released September 6, 2005, by Epic Records.
"Avenue" is a song by British pop group Saint Etienne, released in October 1992 as the first single from their second album, So Tough (1992). It was originally titled "Lovely Heart" or "Young Heart". The album version is a 7-minute version with lengthy instrumental sequences; it was edited down to around 4 minutes for radio play, though the commercial single contained the full-length version, with the radio edit only released on promotional material. The edit wasn't released commercially until 2005's Travel Edition 1990-2005.
"Join Our Club" is a song by English musical group Saint Etienne, released by Heavenly Records in May 1992 as a double-A side with "People Get Real".
Absolute Classic Masterpieces is the third compilation album by English alternative rock band Felt, released in 1992. It collects tracks from the band's singles and albums recorded for Cherry Red between 1981 and 1985, with two exceptions: "Dance of Deliverance" from guitarist Maurice Deebank's album, Inner Thought Zone; and "Index", a single recorded and released by leader Lawrence before the band formed properly. Tracks 4, 9, 11, 15 and 18 are instrumental.
Stains on a Decade is the fifth compilation album by English alternative rock band Felt, released in 2003. A career-spanning collection, it contains tracks from the band's singles released between 1981 and 1988, with one album-track exception: "Dismantled King Is Off The Throne".
Gold Mine Trash is the first compilation album by English alternative rock band Felt, released in 1987. It collects tracks from the band's singles and albums recorded for Cherry Red between 1981 and 1985. The cover photo shows a detail from the Throne Hall of Neuschwanstein Castle in Germany.
Polygondwanaland is the twelfth studio album by Australian psychedelic rock band King Gizzard & the Lizard Wizard. The album was released under an open source licence—the band uploaded the master tapes online for anyone to freely use. The fourth of five albums released by the band in 2017, it was released on 17 November 2017.
A Touch of the Beat Gets You Up on Your Feet Gets You Out and Then Into the Sun is the fourth studio album by American duo Aly & AJ, released on May 7, 2021. The release marks their first studio album in 14 years, following Insomniatic in 2007. The album was produced by Yves Rothman, and each track holds writing credits from both Michalka sisters. Aly & AJ stated that despite the COVID-19 pandemic, it did not hinder their writing process, as they felt that they were "born to make" this album. They stated that while making the album, they were influenced by 1960s and 1970s music, and that it would differ from their two previous projects, Ten Years (2017) and Sanctuary (2019), which were influenced by 1980s music. The duo also wanted to capture the music of their home state California, and create a body of work that felt "timeless" to listeners. The result was a pop and pop rock record that draws musical influence from disco, soft rock, and country.
