Tranquility | ||||
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Studio album by | ||||
Released | 1968 | |||
Recorded | 1968 | |||
Genre | Jazz | |||
Length | 38:22 | |||
Label | ABC ABCS 660 | |||
Producer | Bob Thiele | |||
Ahmad Jamal chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | [1] |
Tranquility is an album by American jazz pianist Ahmad Jamal featuring performances recorded in 1968 and originally released on ABC-Paramount and rereleased on the Impulse! label in 1973. [2]
Allmusic awarded the album 3 stars stating "While not to be ranked amongst his greatest works, Tranquility is a very fine recording and any opportunity to hear this master should not be missed". [1]
All compositions by Ahmad Jamal except where noted.
The Look of Love is an album by jazz saxophonist Stanley Turrentine recorded for the Blue Note label in 1968 and arranged by Duke Pearson and Thad Jones.
Johnny Mathis Sings is an album by American pop singer Johnny Mathis that was released by Mercury Records on March 10, 1967 and was the last of his 11 studio projects for the label. Eight of the twelve tracks were recorded since the completion of his previous LP, So Nice, while four of the tracks were leftovers from the recording sessions for previous Mercury albums. The finished product included a number from Broadway's The Roar of the Greasepaint—the Smell of the Crowd, a cover of the Beatles hit "Eleanor Rigby", two offerings from songwriters Burt Bacharach and Hal David, and three cuts that originated in film scores but had lyrics added later: the melody for "Strangers in the Night" was written for A Man Could Get Killed; "Somewhere My Love" began as "Lara's Theme" from Doctor Zhivago; and "Lovers in New York" started out as the instrumental title track from Breakfast at Tiffany's.
Love Is Blue is an album by American pop singer Johnny Mathis that was released on March 6, 1968, by Columbia Records and adhered even more strictly to the concept of the "cover" album of recent hits than its predecessor in that five of the 10 songs selected for the project were chart hits for the original artists within the previous year and another three had charted within the previous decade. Even the two remaining selections that did not bring chart success to the original artists were by the hit songwriting teams of Burt Bacharach and Hal David and John Lennon and Paul McCartney and left no room for the usual inclusion of some original songs or material from Broadway.
Johnny Mathis Sings the Music of Bacharach & Kaempfert is an album by American pop singer Johnny Mathis that was released in the fall of 1970 by Columbia Records. While one half of the two-record set was a compilation of tracks from his previous albums that were composed by Burt Bacharach, the other consisted of new recordings of songs composed by Bert Kaempfert, including a new version of "Strangers in the Night", which Mathis had already recorded in 1966 for his LP Johnny Mathis Sings. Although the Kaempfert tribute was similar to recent Mathis albums in that he was mainly covering songs made popular by other singers, it was absent of hits from the 12 months previous to its release that had become the pattern of his output at this point. The latest US chartings of any of the Kaempfert compositions as of this album's debut came from 1967 recordings of "Lady" by Jack Jones and "The Lady Smiles" by Matt Monro.
On a Clear Day is an album by American jazz organist Shirley Scott recorded in 1966 for the Impulse! label.
Ahmad Jamal at the Top: Poinciana Revisited is a live album by American jazz pianist Ahmad Jamal featuring performances recorded at The Village Gate in 1968 and released on the Impulse! label.
The Bright, the Blue and the Beautiful is an album by American jazz pianist Ahmad Jamal featuring performances recorded in 1968 and released on the Cadet label.
Rhapsody is an album by American jazz pianist Ahmad Jamal featuring performances recorded in 1965 and released in 1966 on the Cadet label.
The Roar of the Greasepaint is an album by American jazz pianist Ahmad Jamal featuring performances of tunes from the musical, The Roar of the Greasepaint – The Smell of the Crowd recorded in 1965 and released on the Argo label.
Ahmad Jamal at the Blackhawk is a live album by American jazz pianist Ahmad Jamal featuring performances recorded in San Francisco in 1962 and released on the Argo label.
Complete Live at the Spotlite Club 1958 is a live album by American jazz pianist Ahmad Jamal featuring performances recorded at the Spotlight club in Washington D.C. in 1958, some of which were originally released on the albums Ahmad Jamal Trio Volume IV and Portfolio of Ahmad Jamal on the Argo label.
The Ahmad Jamal Trio is an album by American jazz pianist Ahmad Jamal. It was released on the Epic label.
Genetic Walk is an album by American jazz pianist Ahmad Jamal featuring performances recorded in 1975 and released on the 20th Century label.
Digital Works is an album by American jazz pianist Ahmad Jamal featuring performances digitally recorded in 1985 and released on the Atlantic label.
Live in Paris 1992 is a live album by American jazz pianist Ahmad Jamal featuring performances recorded in Colombes in 1992 and released on the Birdology label.
Nature: The Essence Part Three is an album by the American jazz pianist Ahmad Jamal, recorded in France in 1997 and released on the Birdology label.
All About Love is an album by American pop singer Johnny Mathis that was released on May 7, 1996, by Columbia Records and pairs him with producer Phil Ramone for his first venture into contemporary material since 1985's Right from the Heart. The two albums share the fact that they do not include covers of songs associated with other artists, which makes them unique entries in the Mathis catalog.
The Hits of Johnny Mathis is a compilation album by American pop singer Johnny Mathis that was released in the UK in 1995 by Columbia Records and has three of his UK singles chart entries. This collection, however, focuses primarily on his covers of hits from the late 1960s through the 1970s.
Marrakesh Express is an album by saxophonist Stan Getz and orchestra arranged and conducted by Richard Hewson which was released on the MGM label in 1970.
Portfolio of Ahmad Jamal is a live album by American jazz pianist Ahmad Jamal featuring performances recorded live on location at the Spotlite Club in Washington, DC on September 5–6, 1958 and released on Argo in 1959. It includes additional selections from the engagement where Ahmad Jamal Trio Volume IV was recorded, and the complete recordings from these shows were released on 2007's Complete Live at the Spotlight Club 1958 on the Gambit label. The original release was a 2-LP set. Pianist Keith Jarrett has said this album changed his life.