Trapeze | ||||
---|---|---|---|---|
Studio album by | ||||
Released | May 1970 | |||
Recorded | 1969 | |||
Studio | Morgan Studios and Decca Studios (London, England) | |||
Genre | ||||
Length | 40:11 | |||
Label | Threshold | |||
Producer | John Lodge | |||
Trapeze chronology | ||||
| ||||
Singles from Trapeze | ||||
|
Trapeze is the debut studio album by British rock band Trapeze. Recorded in 1969 at Morgan Studios and Decca Studios, it was produced by the Moody Blues bassist John Lodge and released in May 1970 as the second album on Threshold Records, a record label founded by Lodge's band. Trapeze is the band's only album to feature founding member John Jones (vocals, trumpet); both he and Terry Rowley (organ, piano, flute) left shortly after its release. (Rowley rejoined in 1974.)
Contrary to the band's later material, which was primarily categorised as blues and hard rock, Trapeze has been described by commentators as a progressive or psychedelic rock album, owing partly to the presence of brass instruments and keyboards on the album. Songwriting was typically led by Jones, Galley and Hughes, with Rowley also co-writing two tracks. "Send Me No More Letters" was released as the only single from the album in 1969, backed with fellow album track "Another Day".
Trapeze was formed in March 1969 by former The Montanas members John Jones (vocals, trumpet) and Terry Rowley (organ, guitar, piano, flute), along with former Finders Keepers members Mel Galley (guitar, vocals), Glenn Hughes (bass, piano, vocals) and Dave Holland (drums). [1] The five-piece recorded their self-titled debut album later in the year at London's Morgan Studios and Decca Studios. [2] The recordings were produced by John Lodge, whose band the Moody Blues had earlier signed Trapeze as the first act to their new record label Threshold Records. [3] "Send Me No More Letters" was released as a single in 1969, [4] and Trapeze was released in May 1970. [5] The album was the band's only release to feature Jones and Rowley, both of whom left shortly after its release to return to The Montanas. [6]
The material featured on Trapeze was primarily written by Galley, Hughes and Jones – Galley was credited on seven tracks, Hughes and Jones on five each, and Rowley on two. [4] Despite being the band's primary vocalist, Jones was only credited with trumpet on the album, with Hughes being credited for all vocals on the release. [4] The style of the album has been described by commentators as a mix between progressive rock, psychedelic rock and pop rock, [4] with AllMusic's Bruce Eder claiming that "Those listeners who only know the subsequent albums by Trapeze may be surprised by this debut effort" due to their later hard rock style. [2] The album was compared stylistically to the work of other British rock acts of the period, including Lodge's band the Moody Blues and Hughes's future group Deep Purple (particularly the first three albums). [2] [7] In the liner notes for a 2004 reissue of the album by Lemon Recordings, journalist Nigel Williamson described Trapeze as "a classic period example of English prog, mixing pastoral whimsy, swirling psychedelia, rock guitars and pop harmonies". [4] Similarly, Eder identified that the album featured an array of "lush choruses, psychedelic interludes, and hook-laden romantic ballads", amounting to "high-energy music within the context of psychedelic pop/rock". [2]
Review scores | |
---|---|
Source | Rating |
AllMusic | [2] |
Media response to Trapeze was generally positive. Eder praised the performances of the "core trio" of Galley, Hughes and Holland, who he claimed "[found] a good compromise with Rowley and Jones' more lyrical, psychedelic pop sensibilities", but noted that "it's clear that three of these musicians are holding back to one degree or another in these surroundings". [2] He also highlighted "Fairytale" and "Am I" as the album's standout songs, which he claimed "[pointed] the way to [the band's] future sound" following their reduction to the aforementioned trio. [2] Billboard hailed Trapeze as "a candidate for big chart action", praising the performance in particular of Hughes, highlighting "Send Me No More Letters" and "Fairytale", and praising the band's "strong rock personality" on the record. [7]
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "It's Only a Dream" | Mel Galley | 0:42 |
2. | "The Giant's Dead Hoorah!" | Glenn Hughes | 3:32 |
3. | "Over" |
| 3:36 |
4. | "Nancy Gray" | Hughes | 2:47 |
5. | "Fairytale/Verily Verily/Fairytale" |
| 7:39 |
6. | "It's My Life" |
| 2:47 |
7. | "Am I" | Hughes | 3:07 |
8. | "Suicide" |
| 4:49 |
9. | "Wings" |
| 3:28 |
10. | "Another Day" |
| 2:35 |
11. | "Send Me No More Letters" | Rowley | 4:32 |
12. | "It's Only a Dream" (reprise) | Galley | 0:37 |
The Moody Blues are an English rock band formed in Birmingham in 1964, initially consisting of keyboardist Mike Pinder, multi-instrumentalist Ray Thomas, guitarist Denny Laine, drummer Graeme Edge, and bassist Clint Warwick. The group came to prominence playing rhythm and blues music. They made some changes in musicians but settled on a line-up of Pinder, Thomas, Edge, guitarist Justin Hayward, and bassist John Lodge, who stayed together for most of the band's "classic era" into the early 1970s.
Trapeze were an English rock band from Cannock, Staffordshire. Formed in 1969, the band originally featured former The Montanas members John Jones and Terry Rowley (keyboards), and former Finders Keepers members Glenn Hughes, Mel Galley and Dave Holland (drums). Jones and Rowley left the band following the release of their self-titled debut album in 1970, with the lineup of Hughes, Galley and Holland continuing as a trio. After the release of Medusa later in 1970 and You Are the Music... We're Just the Band in 1972, Hughes left Trapeze in 1973 to join Deep Purple.
Medusa is the second studio album by British rock band Trapeze. Recorded in 1970 at Morgan Studios, it was produced by The Moody Blues bassist John Lodge and released in November 1970 by Threshold Records. The album was preceded by the release of the single "Black Cloud" in 1970.
Days of Future Passed is the second album and first concept album by English prog rock band The Moody Blues, released in November 1967 by Deram Records. With its fusion of orchestral and rock elements, it has been cited as one of the first examples of progressive rock.
David Holland was an English heavy metal drummer born in Northampton, England. Holland is best remembered for his time with the bands Trapeze from 1969 to 1979 and Judas Priest from 1979 to 1989.
The Clovers are an American rhythm and blues/doo-wop vocal group who became one of the biggest selling acts of the 1950s. They had a top 30 US hit in 1959 with the Leiber and Stoller song "Love Potion No. 9".
In Search of the Lost Chord is the third album by The Moody Blues, released in July 1968 on the Deram label.
Octave is the ninth album by The Moody Blues, released in 1978, and their first release after a substantial hiatus following the success of the best-selling Seventh Sojourn in 1972. The album proved to be the last for the group with keyboardist Mike Pinder, who left during the album's sessions and declined an offer to tour with the group. He had just started a new family in California, and found that he was not getting along with his bandmates as he previously had. Pinder would be replaced by former Yes keyboardist Patrick Moraz in time for their 1979 tour, beginning a new era in the band's history. Octave would also be the final studio album from the band produced by Tony Clarke.
Every Good Boy Deserves Favour is the seventh album by The Moody Blues, released in 1971.
Long Distance Voyager is the tenth album by the Moody Blues, first released in May 1981 on the group's Threshold record label. It was the group's first album featuring keyboardist Patrick Moraz in place of co-founder Mike Pinder, who left after Octave in 1978.
Threshold Records was a record label created by the rock music group the Moody Blues. The name of the label came from their 1969 album On the Threshold of a Dream.
Blue Jays is a 1975 album by Justin Hayward and John Lodge. It was recorded and released during the Moody Blues' five-year hiatus.
The Other Side of Life is the twelfth studio album by English progressive rock band the Moody Blues, released in 1986 by Polydor Records.
From Elvis in Memphis is the tenth studio album by American rock and roll singer Elvis Presley. It was released by RCA Records on June 17, 1969. It was recorded at American Sound Studio in Memphis in January and February 1969 under the direction of producer Chips Moman and backed by its house band, informally known as "The Memphis Boys". Following the success of Presley's TV special Elvis and its soundtrack, the album marked Presley's return to non-soundtrack albums after the completion of his film contract with Paramount Pictures.
You Are the Music...We're Just the Band is the third studio album by British rock band Trapeze. Recorded with producer Neil Slaven, it was released in 1972 by Threshold Records. The album was preceded by the release of the single "Coast to Coast" in 1972.
Hot Wire is the fourth studio album by English hard rock band Trapeze. Recorded with producer Neil Slaven at Island Studios, London and Lee Sound Studios, Birmingham, it was released in 1974 by Warner Bros. Records.
Keys of the Kingdom is the fourteenth album by the rock band the Moody Blues, released in 1991. Although some of the tracks recall the songwriting on Sur la Mer, the failure of Keys of the Kingdom to produce any major hit singles would mark the beginning of the Moodies' decline in popularity with mainstream audiences after their success in the MTV video generation.
Play Me Out is the first solo record by former Deep Purple and Trapeze bassist/vocalist Glenn Hughes. It was first released in July 1977. The album marked a definite change in style to Hughes’ hard rock albums with Deep Purple, moving into a funk and soul inspired direction. The album was reissued in 2010 as a special on-demand release, with the audio remastered from the original quarter inch tapes.
Blue Gardenia is the twenty-fifth studio album by Etta James, released through the record label Private Music. It was produced by John Snyder, who had worked with James on five of her previous studio albums. Blue Gardenia contains thirteen jazz standards from the 1930s, 1940s and 1950s. All of the standards were arranged by pianist Cedar Walton, with the exception of "Love Letters", which was arranged by Josh Sklair. Between November 2000 and February 2001, Snyder and Walton assembled musicians to record tracks while James was recovering from a flu; her vocals were added following her recovery. In addition to Walton, artists appearing on the album included Red Holloway on tenor saxophone and Dorothy Hawkins, James' mother, who provided vocals on the title track. Hawkins died in May 2002, less than a year after the album's release.