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The Squire of Alsatia is a 1688 comedy play by the English writer Thomas Shadwell. Alsatia was a nickname for the Whitefriars area of London, deriving from Alsace in northeastern France. A restoration comedy, it was performed at the Drury Lane Theatre by the United Company following on from John Crowne's Darius, King of Persia. One of the best-remembered roles, that of the shrewish Mrs. Termagant was first performed by Elizabeth Boutell. It was revived numerous times during the eighteenth century.
The Richmond Heiress is a 1693 comedy play by the English writer Thomas D'Urfey.
The Married Beau or The Curious Impertinent is a 1694 comedy play by the English writer John Crowne. It is inspired by a passage from Miguel de Cervantes's Don Quixote. Incidental music was composed by Henry Purcell.
The Marriage-Hater Matched is a comedy play by the English writer Thomas D'Urfey. It was first staged by the United Company at the Theatre Royal, Drury Lane in January 1692. The original cast included John Bowman as Brainless, William Mountfort as Sir Philip Freewit, Samuel Sandford as Limber, John Hodgson as Darewell, Anthony Leigh as Myn Here Van Grin, George Bright as Bias, Thomas Doggett as Solon, William Bowen as Callow, Colley Cibber as Splutter, Elizabeth Barry as Lady Subtle, Katherine Corey as Lady Bumfiddle, Anne Bracegirdle as Phoebe, Charlotte Butler as La Pupsey and Abigail Lawson as Margery.
Sir Anthony Love; Or, The Rambling Lady is a 1690 comedy play by the Irish writer Thomas Southerne. It was originally staged by the United Company at the Theatre Royal, Drury Lane with a cast that included Susanna Mountfort in a breeches role as Sir Anthony Love, William Mountfort as Valentine, Joseph Williams as Ilford, William Bowen as Sir Gentle Golding, Anthony Leigh as An Abbe, John Hodgson as Count Canaile, Samuel Sandford as Count Verole, George Bright as Waitwell, Colley Cibber as Servant to Sir Gentle, Charlotte Butler as Floriante, Anne Bracegirdle as Charlote and Frances Maria Knight as Volante. The play's incidental music was composed by Henry Purcell.
Love For Money; Or, The Boarding School is a 1691 comedy play by the English writer Thomas D'Urfey. It was originally staged at the Theatre Royal, Drury Lane by the United Company. In 1733 it was adapted into a ballad opera The Boarding School by Charles Coffey.
A Commonwealth of Women is a 1685 comedy play by the English writer Thomas D'Urfey. Originally performed by the United Company as the Theatre Royal, Drury Lane the cast included Joseph Williams as Captain Marine, Philip Griffin as Du Pier, Thomas Percival as Boldsprite, Thomas Jevon as Franvil, Anthony Leigh as Frugal, Joseph Haines as Hazard, Thomas Gillow as Don Sebastian, John Bowman as Nicusa, Henry Norris as La Mure, Joseph Harris as Bourcher, Katherine Corey as Roselia, Mary Lee as Clarinda, Margaret Osborne as Ariadne, Sarah Cooke as Aminta, Emily Price as Hippolita, and Frances Maria Knight as Aglaura.
The Maid's Last Prayer: Or, Any Rather Than Fail is a 1693 comedy play by the Irish writer Thomas Southerne. It was first staged at the Theatre Royal, Drury Lane by the United Company.
Love Triumphant; Or, Nature Will Prevail is a 1694 tragicomedy by the English writer John Dryden. It was Dryden's final stage play.
Sir Barnaby Whigg; Or, No Wit Like A Womans is a 1681 comedy play by the English writer Thomas D'Urfey. It was first staged by the King's Company at the Theatre Royal, Drury Lane. A song for the play was composed by Henry Purcell.
Mithridates, King of Pontus is a 1678 tragedy by the English writer Nathaniel Lee. It was first performed at the Theatre Royal, Drury Lane in London by the King's Company. John Dryden wrote the play's epilogue.
The Rambling Justice; Or, The Jealous Husbands is a 1678 comedy play by the English writer John Leanerd. It was first staged at the Theatre Royal, Drury Lane by the King's Company.
The Country Innocence; Or, The Chamber-maid Turn'd Quaker is a 1677 comedy play by the English writer John Leanerd. It was originally performed by the King's Company at the Theatre Royal, Drury Lane in London. It borrowed very heavily from the 1647 work The Countrie Girl by Thomas Brewer.
Carey Perin was an English stage actor of the seventeenth century. He was a long-standing member of the King's Company based at the Theatre Royal, Drury Lane. He then joined the merged United Company in 1682. His last known role was in Thomas Southerne's The Maid's Last Prayer.
Love in a Wood; Or, St James's Park is a 1671 comedy play by the English writer William Wycherley. His debut play, it was first staged at the Theatre Royal, Drury Lane by the King's Company.
Mary Corbett was an English stage actress of the seventeenth century. She was a member of the King's Company, based at the Theatre Royal, Drury Lane. She appears to have left the company around the time of the merger creating the new United Company. Her name is sometimes written as Mary Corbet.
The Unhappy Favourite; Or, The Earl Of Essex is a 1681 tragedy by the English writer John Banks. It was originally staged by the King's Company at the Theatre Royal, Drury Lane in London. It portrays the downfall of the Earl of Essex, favourite of Elizabeth I, and his subsequent execution following Essex's Rebellion.
John Coysh was an English stage actor of the seventeenth century. He was a member of the King's Company, based at the Theatre Royal, Drury Lane.
Cleomenes, the Spartan Hero or Cleomenes, The Spartan Heroe: A Tragedy is a 1692 tragedy by the English writer John Dryden. It was first staged at the Theatre Royal, Drury Lane by the United Company. It portrays the reign of Cleomenes, the King of Sparta, inspired by Plutarch's history of the period. Dryden's version is strongly Jacobite in drawing parallels from his overthrow to the recent Glorious Revolution in England. Because of this it was temporarily banned by the authority of Queen Mary.
The Campaigners; Or, The Pleasant Adventures At Brussels is a 1698 comedy play by the English writer Thomas D'Urfey. It was first staged at the Theatre Royal, Drury Lane by Christopher Rich's Company.
References
- ↑ Van Lennep p.261
