Format | Online magazine |
---|---|
Founded | 2007 |
Country | United States |
Based in | New York City |
Website | www |
Triple Canopy is a New York-based "magazine"[ clarification needed ] and 501(c)(3) nonprofit organization. Issues of the "magazine"[ clarification needed ] are published online over the course of several months. Each issue focuses on specific questions and areas of concern, and features works of art and literature, conversations, performances, exhibitions, and books. Triple Canopy is dedicated to “sustained inquiry, careful reading and viewing, resisting and expanding the present.” In “The Binder and the Server,” [1] a memoir-manifesto published in 2010, the editors proclaimed their intention to “slow down the internet”; subsequently, reflecting on the erosion of the line between “online” and “offline,” they shifted to “slow down the world.” [2] Triple Canopy is certified by Working Artists and the Greater Economy (W.A.G.E.). Triple Canopy’s archive was acquired by the Fales Library and Special Collection at New York University. [3]
Founded as an editorial collective in 2007, Triple Canopy currently consists of a staff of editors, writers, artists, researchers, designers, and web developers based in New York, Los Angeles, San Francisco, Minneapolis, Mexico City, and Berlin. Triple Canopy’s digital platform acts as the hub for publishing activities that occur online, in print, and as events and exhibitions. From the design of the platform to the editing of essays and artworks, Triple Canopy is meant to foster attentive reading, prolonged engagements—in opposition to the incessant distraction that characterizes the attention economy. [4]
Due to the presentation of substantive, carefully edited material that is designed to be read and viewed online, and makes use of the characteristics of the browser, Triple Canopy's work has been referred to as "the sort of stuff people say is not happening on the internet." [5] Triple Canopy draws on the legacy of avant-garde print magazines and journals, but also incorporates the history of new media publications such as the magazine-in-a-box Aspen, the audio cassette magazine Tellus, and the experimental publication Blast. [6] [7]
The central form for Triple Canopy’s publishing activities is the magazine issue. Issues may include digital works of art and literature, public conversations, books, editions, performances, and exhibitions. New issues are devoted to the collaborative production of bodies of knowledge around specific questions and concerns. Issues are published over the course of several months, often concurrently, at a rate of approximately three per year. As of December 2018, Triple Canopy has published twenty-five issues of the magazine and twelve books, and has worked with more than nine hundred contributors.
Triple Canopy has collectively authored works that have been presented by the Whitney Museum of American Art, [8] [9] [10] [11] the Museum of Modern Art (New York), [12] [13] [14] MoMA PS1, [15] [16] [17] [18] MCA Denver, [19] [20] and Kunsthalle Wien, [21] [22] among other institutions. Triple Canopy creates open-source publishing systems that enable the magazine to elucidate relationships between activities that occur on the web, in print, and in person. Triple Canopy has organized numerous public programs and participated in residencies in New York, Los Angeles, [23] [24] Mexico City, [25] Chicago, [26] Tucson, [27] Paris, Berlin, Sarajevo, [28] [29] Turin, [30] and elsewhere. The magazine regularly organizes the Publication Intensive, a free two-week program in the history and contemporary practice of publication.
Triple Canopy’s office and venue is in Chinatown, Manhattan, shared with Electronic Arts Intermix. Until 2017, Triple Canopy shared a space in Greenpoint, Brooklyn, with film and electronic art venue Light Industry [31] and open-source educational program The Public School New York. [32] Triple Canopy's venue regularly hosts performances, lectures, screenings, talks, and other public events. The magazine also maintains an active presence in Berlin and Los Angeles.
The New York Times called Triple Canopy “a multitasking brain trust of a nonprofit that publishes an extremely smart Internet magazine”; [33] in another article, in 2017, the paper declared that Triple Canopy “broke the mold of traditional Web design; instead of scrolling down, readers page left and right, which gives the work a framed look.… Their concept of ‘slowing down the Internet’ has come to seem prescient.” [34] The New Yorker 's Sasha Frere-Jones commented that "Triple Canopy may be a journal of high intellectual resolution, but it is also very easy to read on a computer screen." [35] In a Financial Times article naming the five best art magazines, frieze editorial director Jennifer Higgie wrote that Triple Canopy “lets you watch videos, is not limited by word or page length, and can be read simultaneously by people anywhere in the world. In other words, it’s the future." [36] In a note about David Graeber’s essay on the history of debt in issue 10, Bookforum praised the magazine for integrating the immersion of print with the immediacy of the internet. [37] In 2012, Triple Canopy received the Art Journal Award for the best work to have appeared in Art Journal, published by the College Art Association, in the previous year (Triple Canopy’s contribution was “The Binder and the Server,” essay on the image and value of labor in contemporary publishing practices). [38]
The Museum of Modern Art (MoMA) is an art museum located in Midtown Manhattan, New York City, on 53rd Street between Fifth and Sixth Avenues. The institution was conceived in 1929 by Abby Aldrich Rockefeller, Lillie P. Bliss, and Mary Quinn Sullivan. Initially located in the Heckscher Building on Fifth Avenue, it opened just days after the Wall Street Crash. The museum, America's first devoted exclusively to modern art, was led by A. Conger Goodyear as president and Abby Rockefeller as treasurer, with Alfred H. Barr Jr. as its first director. Under Barr's leadership, the museum's collection rapidly expanded, beginning with an inaugural exhibition of works by European modernists. Despite financial challenges, including opposition from John D. Rockefeller Jr., the museum moved to several temporary locations in its early years, and John D. Rockefeller Jr. eventually donated the land for its permanent site.
Elliott Sharp is an American contemporary classical composer, multi-instrumentalist, performer, author, and visual artist.
MoMA PS1 is a contemporary art institution located in Court Square in the Long Island City neighborhood in the borough of Queens, New York City, United States. In addition to its exhibitions, the institution organizes the Sunday Sessions performance series, the Warm Up summer music series, and the Young Architects Program with the Museum of Modern Art. MoMA PS1 has been affiliated with the Museum of Modern Art since January 2000 and, as of 2013, attracts about 200,000 visitors a year.
Bidoun is a non-profit organization focused on art and culture from the Middle East and its diasporas. Bidoun was founded as a print publication and magazine in 2004 by Lisa Farjam, eventually expanding to online publishing and curatorial projects. The print edition of the magazine was in publication from spring 2004 until spring 2013.
Esopus was a Brooklyn, New York–based annual arts and culture publication founded by Tod Lippy in 2003 and published by the Esopus Foundation Ltd., a 501(c)(3) non-profit organization. Originally a semiannual publication, it switched to an annual format in 2013. Esopus featured content from a wide variety of creative disciplines, including artists' projects, critical writing, fiction, poetry, visual essays, interviews, and music—all presented in an unmediated format, with minimal editorial framing and no advertising. It ceased publication in Fall 2018.
Klaus Biesenbach is a German curator and museum director. He is the Director of the Neue Nationalgalerie, with Berggruen Museum and Scharf-Gerstenberg Collection, as well as the Berlin Museum of Modern Art under construction, Museum des 20. Jahrhunderts.
Bryan Zanisnik is a contemporary artist working in video, performance, photography, and installation. Zanisnik's multidisciplinary practice uses objects en masse to explore American culture, Freudian psychology, and familial relationships. His site-specific installations have addressed diverse subjects, including a crumbling library of Philip Roth novels, an entropic swamp littered with Northern New Jersey waste, and an Americana museum reconstructed in Guangzhou, China. Critic David Duncan commented that Zanisnik "comical impartation of dubious history and catalogue of trivial possessions sidestep sentimentality while conveying a fascination with the type of inherited narrative that gets passed down in close-knit families."
David Horvitz is an American artist who uses art books, photography, performance art, and mail art as media for his work. He is known for his work in the virtual sphere. Horvitz is a graduate from Bard College.
Torbjørn Rødland is a Norwegian photographic artist, whose images are saturated with symbolism, lyricism, and eroticism. His 2017 Serpentine Gallery solo exhibition was titled The Touch That Made You and travelled to the Fondazione Prada in Milan in 2018. His work was shown at the Venice Biennale of 1999. An early retrospective was held at the Astrup Fearnley Museum of Modern Art in Oslo in 2003.
Ariana Reines is an American poet, playwright, performance artist, and translator. Her books of poetry include The Cow (2006), which won the Alberta Prize from Fence Books; Coeur de Lion (2007); Mercury (2011); and Thursday (2012). She has taught at UC Berkeley, Columbia University (2013), The New School (2013), and Tufts University (2014). Reines has been described by Michael Silberblatt of NPR's Bookworm as "one of the crucial voices of her generation." She describes the subject matter of her work as "bearing witness to the search for the sacred in the 21st century."
I'm too sad to tell you (1970–71) is a mixed media artwork by conceptual artist Bas Jan Ader. The work includes a three-minute black-and-white silent film, still photographs and a post card all related to him crying for an unknown reason. The photographs include both a short hair version and a long hair version. The post cards were mailed to his friends with the inscription “I'm too sad to tell you”. There was an original, now lost, version of the film called Cry Claremont. It was shown in the Pomona College Gallery in Claremont, California in 1971-72.
Library of the Printed Web is a physical archive devoted to web-to-print artists’ books, zines and other printout matter. Founded by Paul Soulellis in 2013, the collection was acquired by The Museum of Modern Art Library in January 2017. The project has been described as "web culture articulated as printed artifact," an "archive of archives," characterized as an "accumulation of accumulations," much of it printed on demand. Techniques for appropriating web content used by artists in the collection include grabbing, hunting, scraping and performing, detailed by Soulellis in "Search, Compile, Publish," and later referenced by Alessandro Ludovico.
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Hannah Black is a British visual artist, critic, and writer. Her work spans video, text and performance.
Prema Murthy is an American, multi-disciplinary artist based in New York. Employing aesthetics, gesture, geometry and algorithmic processes, Murthy's work explores the boundaries between embodiment and abstraction, while engaging in issues of culture and politics. Her work has been exhibited nationally and internationally at MoMA PS1, the Whitney Museum of American Art, the New Museum of Contemporary Art, the Reina Sofia Museum, the Generali Foundation in Vienna, and the India Habitat Center-New Delhi.
Ryan Ponder McNamara is an American artist known for fusing dance, theater, and history into situation-specific, collaborative performances. McNamara has held performances and exhibitions at Art Basel, The High Line, Dallas Symphony Orchestra, The Whitney Museum, MoMA P.S.1, and The Kitchen amongst other places.
David Marcel Levine is a theater professor and visual artist, currently a professor of the Practice of Performance, Theater, and Media at Harvard University.
David Graeber was an American anthropologist and social theorist. Unless otherwise noted, all works are authored solely by David Graeber.
Ruba Katrib is a Syrian-American curator of contemporary art. She has served as Curator and Director of Curatorial Affairs at MoMA PS1 since 2017. From 2012 until 2017, Katrib was Curator at SculptureCenter in New York. Prior to this post, she worked first as Assistant Curator and then as Associate Curator at the Museum of Contemporary Art in North Miami. She is best known for exhibitions highlighting women artists and global issues.
Joseph Binder was an Austrian graphic designer and painter. He is recognized as one of the pioneers of the modern poster, noted for his refined, stylized images and high-impact colors. Some of his best known works include posters for the 1939 New York World’s Fair, the U.S. Army Air Corps and the American Red Cross.