Cosmic Slop is the fifth studio album by Funkadelic, released in July 1973 on Westbound Records. While it has been favorably reevaluated by critics long after its original release, the album was a commercial failure, producing no charting singles, and reaching only #112 on the Billboard pop chart and #21 on the R&B chart. The album was re-released on CD in 1991.
Aurora Gory Alice is the first studio album by Letters to Cleo. It was released in 1993 on CherryDisc Records and re-released in 1994 on Giant Records. The first single from the album was "I See," which got little exposure. However, the second single, "Here & Now", received much exposure when it was featured on the Melrose Place soundtrack a year later.
The Pastels are an indie rock group from Glasgow formed in 1981. They were a key act of the Scottish and British independent music scenes of the 1980s, and are specifically credited for the development of an independent and confident music scene in Glasgow. The group have had a number of members, but currently consists of Stephen McRobbie, Katrina Mitchell, Tom Crossley, John Hogarty, Alison Mitchell and Suse Bear.
Talulah Gosh were an English guitar-pop group from Oxford, and one of the leading bands of the indiepop movement, taking their name from the headline of an NME interview with Clare Grogan. They supposedly formed in 1986 when Amelia Fletcher and Elizabeth Price, both wearing Pastels badges, met at a club in Oxford. Their original line-up comprised Amelia Fletcher, her younger brother Mathew Fletcher (drums), Peter Momtchiloff, Rob Pursey (bass) and Elizabeth Price (vocals). Pursey left early on, to be replaced by Chris Scott.
The World Won't Listen is a compilation album by English rock band the Smiths, released on 23 February 1987 by Rough Trade Records. The album is the second of three compilation albums—the others being Hatful of Hollow and Louder Than Bombs—released by the Smiths while they were still an active band. It reached No. 2 on the UK Albums Chart, staying on the charts for 15 weeks. In the United States Louder Than Bombs was released in place of The World Won't Listen.
Retro Active is a compilation album by the English rock band Def Leppard, released in 1993. The album features touched-up versions of B-sides and previously unreleased recordings from the band's recording sessions from 1984 to 1993. The album charted at number 9 on the Billboard 200 and No. 6 on the UK Albums Chart.
Sweet Baby was a pop punk band that originated from Berkeley, California, and was part of the 924 Gilman Street scene. They were signed to Ruby Records.
Shop Assistants were a Scottish indie pop band from Edinburgh, Scotland, formed in 1984, initially as 'Buba & The Shop Assistants'. After achieving success with independent releases they signed to Chrysalis Records sublabel Blue Guitar, releasing their only album in 1986. After splitting in 1987, with singer Alex Taylor moving on to The Motorcycle Boy, they reformed for two further singles in 1990.
"Darlin'" is a song by American rock band the Beach Boys from their 1967 album Wild Honey. Written by Brian Wilson and Mike Love, it was inspired by singer Danny Hutton and was originally intended to be recorded by an early version of Three Dog Night. Carl Wilson ultimately sang the lead vocal.
Up for a Bit with the Pastels is the debut album by the Scottish band the Pastels, released in 1987. It was named the 37th best Scottish album by The Scotsman.
B Stiff is the first EP by American new wave band Devo, released in 1978 by Stiff Records.
Get Fired is the debut album by the Chicago-based pop punk band the Smoking Popes, released in 1993 by Johann's Face Records. It was recorded in 1993 at Sonic Iguana Studios in Lafayette, Indiana with recording engineer Mass Giorgini. The raw production and punk rock sound of the album are in contrast to the higher production values and more pop-leaning sound of the band's later works.
Coffin Break was a hardcore punk band from Seattle, Washington.
Rainbow Bridge is a posthumous album by American musician Jimi Hendrix. It was released in October 1971 through Reprise Records, and was produced by Mitch Mitchell, Eddie Kramer, and John Jansen, with Hendrix receiving a production credit as well. The album was the second released after Hendrix's death to consist primarily of previously unreleased studio material, much of which was intended for a potential fourth studio album.
Suck on the Pastels is a compilation album by The Pastels, released in 1988. It consists of a number of singles and B-sides released by the band between 1983 and 1985, as well as three tracks from a BBC session recorded in 1984. Tracks 4, 6 and 7 come from this session. The Rough Guide to Rock writes that it "served to maintain the band's profile during a largely unproductive 1988."
Hamburger is a compilation album by pop punk band, The Muffs released in 2000 by Sympathy for the Record Industry (SFTRI). It is a collection of singles, compilation appearances, outtakes, demos and covers spanning the band's entire career up to the time of its release.
Artistic Vice is the first studio album by singer-songwriter Daniel Johnston, and his twelfth overall, counting his nine widely distributed demo tapes, two earlier aborted attempts at studio albums,, and collaboration with Jad Fair, It's Spooky. It was his first full-length album recorded after a three-year hiatus. The album is considered more light-hearted than its predecessor, 1990.
U.S. Music with Funkadelic is a self-titled album consisting of tracks recorded in the early 1970s by the band United Soul with input from members of Funkadelic. The album was released by Westbound Records in 2009, and was licensed by Ace Records for its European release.
B-Sides is a compilation album by the Canadian hard rock band Helix. It is their 13th official release and their fourth compilation album. Despite the title, it actually consists of no B-sides. It was released in conjunction with the 25th anniversary of Helix and featured a reunion of surviving members of the "classic" 1980s lineup on three tracks. It also compiled previously unreleased tracks from 1989 to 1998. As a bonus, it included two unreleased songs from the Helix independent years.
Slug was an American noise rock group that formed in Los Angeles in 1988 by DJs from Loyola Marymount University campus radio station KXLU. Originally formed as an experimental noise collage trio utilizing metal percussion, feedback and primitive sound loops created via gouged children's and sound effect records, they subsequently added traditional instrumentation to the mix.
