| Trust | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1992 | |||
| Genre | Smooth jazz | |||
| Length | 42:53 | |||
| Label | Spindletop Records | |||
| Producer | Paul Brown | |||
| Boney James chronology | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [1] |
Trust is the debut album by American jazz saxophonist Boney James, released in 1992. The album was recorded and released on the independent label Spindletop Records. Followed by the album's success Boney James would sign up to Warner Bros. Records to record future albums.
Studios
The Sun Don't Lie is an album by Marcus Miller, released in 1993 on PRA Records. The album rose to No. 10 on the Billboard Jazz Albums chart. The album "is dedicated to the memory of Miles Davis."
Moonlighting is the debut album by the contemporary jazz ensemble the Rippingtons. It was released in 1986 on the GRP label, and reached number 5 on Billboard's Jazz chart.
This is also the first appearance of the Jazz Cat on the album cover by artist Bill Mayer. The Jazz Cat has since been on the cover of every Rippingtons album.
Little Worlds is the tenth album by Béla Fleck and the Flecktones, released in 2003. The album was released as a 3-disc set. Ten tracks from the set were also released on a single disc called Ten from Little Worlds.
You Can't Do That on Stage Anymore, Vol. 6 is the last of six double disc collection volumes of live performances by Frank Zappa recorded between 1970 and 1988. All of the material on Disc one has a sexual theme. Zappa used the monologue in "Is That Guy Kidding or What?", to ridicule Peter Frampton's album I'm in You with its double entendre title and pop pretensions. Disc two includes performances from Zappa's shows between 1976 and 1981 at the Palladium in New York City, as well as material like "The Illinois Enema Bandit" and "Strictly Genteel" that he frequently used as closing songs at concerts. It was released on October 23, 1992 under the label Rykodisc.
Tom Coster is an American keyboardist, composer, and longtime backing musician for Carlos Santana.
Kilimanjaro is the second album by the American Jazz group The Rippingtons, released in 1988 for Passport Jazz Records, and later reissued under the GRP label. Kilimanjaro reached #3 on Billboard's Jazz chart.
Man-Child is the fifteenth studio album by jazz pianist Herbie Hancock. The record was released on August 22, 1975 by Columbia Records. It was the final studio album to feature The Headhunters, and a number of guest musicians including saxophonist Wayne Shorter, a full brass section, four different guitarists, and Stevie Wonder on harmonica.
On the Cobbles was the final studio album by John Martyn released during his lifetime, released in 2004. The album was recorded at various studios in Ireland, the UK and US including Woolengrange in Ireland; The Toolshed, Chicago USA; Doon The Cellar, Birkenhead; Swan Yard Studios, London; Parr Street Studios, Liverpool; Hornyold Road Studios, Worcestershire and at The Caliope Recorders, Chicago, USA. It features guest appearances from Paul Weller, Nick McCabe, and long-time collaborator Danny Thompson.
Forever, for Always, for Luther, released on July 27, 2004 by GRP Records, is a smooth jazz various artists tribute album, with ten popular songs written by Luther Vandross. The album featured vocal arrangements by Luther, and was produced by Rex Rideout and Bud Harner.
John Zorn's Cobra: Live at the Knitting Factory is an album of a performance of John Zorn's improvisational game piece, Cobra, performed at the Knitting Factory in 1992. The album resembles the missing link between John Zorn's work with Masada and Naked City. It also had a major impact on the electronic scene of New York.
He Had a Hat is a 2007 album by jazz pianist Jeff Lorber. All compositions on this album were original, except for "Grandma's Hands" which was originally composed and performed by Bill Withers.
Curves Ahead is the fifth album by the American Jazz group The Rippingtons, released in 1991 for the GRP label. This album reached #1 on Billboard's contemporary Jazz chart.
Black Diamond is the tenth album by American Jazz group The Rippingtons. Released in 1997, it was their first project for the Windham Hill label.
The album reached #1 on Billboard's contemporary Jazz chart.
Lucky Man is the second studio album of saxophonist Dave Koz. It was released by Capitol Records on June 29, 1993 in NYC, followed by a nationwide release in November 1993 and international release in May 1994. The album peaked at number 2 on Billboard Top Contemporary Jazz Albums chart. The album has sold over 500,000 copies in the United States and has thus been certified gold by the RIAA.
The Dance is the fifth studio album by saxophone player Dave Koz. It was released by Capitol Records on September 28, 1999. The album peaked at number 2 on Billboard Top Contemporary Jazz Albums chart. The album has sold more than 500,000 copies and was certified Gold by the Recording Industry Association of America (RIAA).
Saxophonic is the seventh studio album by saxophone player Dave Koz. It was released by Capitol Records on October 7, 2003. The album peaked at number 2 on Billboard Jazz Albums chart.
Hello Tomorrow is the ninth studio album by saxophone player Dave Koz. It was his first album released by Concord Records on October 19, 2010. Koz himself provided vocals on "This Guy's in Love with You". The album peaked at number 1 on Billboard Jazz Albums chart. on November 30, 2011, the album received a Nomination in 54th Grammy Awards for Best Pop Instrumental Album.
Flipside is the twelfth studio album by Grammy Award-nominated jazz musician Jeff Lorber.
Summer Horns is a collaboration album by Dave Koz, Gerald Albright, Mindi Abair and Richard Elliot. It was released on May 7, 2013 via Concord Records. The album was nominated for Grammy Award for Best Pop Instrumental Album at the 56th Annual Grammy Awards losing to Steppin' Out by Herb Alpert.
Worth Waiting For is the tenth studio album by jazz keyboardist Jeff Lorber, released on Verve Forecast in January 1993. The album topped the U.S. Billboard Contemporary Jazz Albums chart at the end of July 1993. Worth Waiting For is the only album by Lorber to hit number 1 on that chart; five others rose to number 2. The album also hit number 33 on Billboard's Jazz chart, and number 71 on the R&B chart.
 | This 1990s jazz album-related article is a stub. You can help Wikipedia by expanding it. |