Tulse Luper is a fictional character, created by film director Peter Greenaway.
"Born in Newport (Greenaway's own birthplace) in 1911, Luper was, according to Greenaway's introduction to the exhibition catalogue, in Moab, Utah in 1928 when "Uranium was 'discovered' there. He was in Antwerp in 1939 when the Germans invaded Belgium. He was in Rome when the Americans arrived in 1944. He met Raoul Wallenberg in Budapest in 1945 and followed him to Moscow in the 1950s. He was at an East-West German checkpoint in 1963" ( Luper at Compton Verney ). The 92 suitcases thus tell Luper's story from 1928 to the fall of the Berlin Wall in 1989, sketching not so much the biography of one man as the story of a century related through some of its key events." [1]
Tulse Luper is mentioned in Greenaway's early films A Walk Through H: The Reincarnation of an Ornithologist , Vertical Features Remake , The Falls and The Draughtsman's Contract , and appears as the major character in The Tulse Luper Suitcases . In this film, it is suggested that he is a fiction created by Martino Knockavelli, a childhood friend who feels responsible for his death in an accident. His imagined life story was also told in a series of films and multimedia exhibitions called The Tulse Luper Suitcases.
In an interview given with salon.com, Peter Greenaway stated "Tulse Luper is a sort of alter ego created many years ago -- Tulse could be said to rhyme with the pulse in your wrist, and Luper is a corruption of the Latin for wolf. So how about "danger lurking at the very door of your life?"
It has also been mentioned by Greenaway that the construction of Tulse Luper was based on "a cache of old photographs in a trunk" of a gentleman at a car boot sale whose weathered countenance resembled Samuel Beckett. [2] Beckett's literary influence has been reflected in Greenaway's work.
Peter Greenaway, is a Welsh film director, screenwriter and artist. His films are noted for the distinct influence of Renaissance and Baroque painting, and Flemish painting in particular. Common traits in his films are the scenic composition and illumination and the contrasts of costume and nudity, nature and architecture, furniture and people, sexual pleasure and painful death.
92 (ninety-two) is the natural number following 91 and preceding 93.
The Falls is a 1980 film directed by Peter Greenaway. It was Greenaway's first feature-length film after many years making shorts. It does not have a traditional dramatic narrative; it takes the form of a mock documentary in 92 short parts.
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The Tulse Luper Suitcases is a multimedia project by film maker and artist Peter Greenaway, initially intended to comprise four films, a 16-episode TV series, and 92 DVDs, as well as websites, CD-ROMs and books. The project documented the imagined life of a fictional character called Tulse Luper.
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Vertical Features Remake (1978) is a film by Peter Greenaway. It portrays the work of a fictional Institute of Reclamation and Restoration as they attempt to assemble raw footage taken by ornithologist Tulse Luper into a short film, in accordance with his notes and structuralist film theory. The footage consists mostly of vertical landscape features, such as trees and posts, shot in the English landscape. It contains four restoration attempts, each with a documentary-like introduction.
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Compton Verney Art Gallery is an art gallery at Compton Verney, England. It is housed in Compton Verney House, a restored Grade I listed 18th-century mansion surrounded by 120 acres (49 ha) of parkland which was landscaped by Lancelot 'Capability' Brown.
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