"Turkey Lurkey Time" is a song-and-dance number from Act 1 of Promises, Promises , the Burt Bacharach/Hal David musical, with a book by Neil Simon. It was originally choreographed for the 1968 Broadway production by Michael Bennett. The dance takes place as part of an office Christmas party scene.
As conceived by Bennett "with stunning energy and inventiveness", [1] "Turkey Lurkey Time" is a dance performed by three secretaries at an office Christmas party. Their infectious singing and gyrations build into a frenetic chorus dance, as the office staff copy the trio, climaxing with some atop the office desks. According to Neil Simon, "we were having some problems at the end of the first act ... the number [Bennett] came up with didn't just solve the problem, it was a sensation." [1]
Some of the dancers later claimed they had needed regular trips to the chiropractor, so severe was the strain of Bennett's relentless head-bopping choreography.[ citation needed ] The secretaries of the original cast were Margo Sappington, Baayork Lee and Donna McKechnie.
The number was televised at the 1969 Tony Awards and also performed in the 2003 movie Camp . The song was also featured in a season four episode of the hit Fox show Glee .
Follies is a musical with music and lyrics by Stephen Sondheim and a book by James Goldman.
Marvin Neil Simon was an American playwright, screenwriter and author. He wrote more than 30 plays and nearly the same number of movie screenplays, mostly film adaptations of his plays. He has received more combined Oscar and Tony Award nominations than any other writer.
Company is a musical with music and lyrics by Stephen Sondheim and book by George Furth. The original 1970 production was nominated for a record-setting 14 Tony Awards, winning six. Company was written in a style without a chronological linear path. Its story depicts the internal observations of its lead character, Robert. Company is a concept musical composed of short vignettes linked by Robert's 35th birthday.
A Chorus Line is a 1975 musical with music by Marvin Hamlisch, lyrics by Edward Kleban, and a book by James Kirkwood Jr. and Nicholas Dante.
Robert Russell Bennett was an American composer and arranger, best known for his orchestration of many well-known Broadway and Hollywood musicals by other composers such as Irving Berlin, George Gershwin, Jerome Kern, Cole Porter, and Richard Rodgers.
Promises, Promises is a musical with music by Burt Bacharach, lyrics by Hal David and a book by Neil Simon. It is based on the 1960 film The Apartment written by Billy Wilder and I. A. L. Diamond. The story concerns a junior executive at an insurance company who seeks to climb the corporate ladder by allowing his apartment to be used by his married superiors for trysts.
Michael Bennett was an American musical theatre director, writer, choreographer, and dancer. He won seven Tony Awards for his choreography and direction of Broadway shows and was nominated for an additional eleven.
Donna McKechnie is an American musical theater dancer, singer, actress, and choreographer. She is known for her professional and personal relationship with choreographer Michael Bennett, with whom she collaborated on her most noted role, the character of Cassie in the musical A Chorus Line. She earned the Tony Award for Best Actress in a Musical for this performance in 1976. She is also known for playing Amanda Harris/Olivia Corey on the Gothic soap opera, Dark Shadows from 1969 to 1970.
Priscilla Lopez is an American singer, dancer, and actress. She is perhaps best known for creating the role of Diana Morales in A Chorus Line. She has had the distinction of appearing in two Broadway landmarks: one of its greatest hits, the highly acclaimed, long-running A Chorus Line, and, as a teenager, in one of its biggest flops, the infamous musical version of Breakfast at Tiffany's, which closed before opening night.
A Chorus Line is a 1985 American musical comedy-drama film directed by Richard Attenborough, and starring Michael Douglas. The screenplay by Arnold Schulman is based on the book of the 1975 stage production of the same name by James Kirkwood Jr. and Nicholas Dante. It is the first film adaptation of the stage production. The songs were composed by Marvin Hamlisch and Edward Kleban. The plot centers on a group of dancers auditioning for a part in a new Broadway musical.
The 42nd Tony Awards ceremony was held on June 5, 1988, at the Minskoff Theatre and broadcast live on CBS, hosted by Angela Lansbury.
Thomas Joseph "Thommie" Walsh III was an American dancer, choreographer, director, and author.
Wayne Louis Cilento is an American director and choreographer. He is best known for originating the role of Mike in the Broadway show A Chorus Line, and later becoming one of Broadway's most prolific choreographers.
Baayork Lee is an American actress, singer, dancer, choreographer, theatre director, and author.
Robert Avedisian, professionally known as Bob Avian, was an American choreographer, theatrical producer and director.
Liliane Montevecchi was a French-Italian actress, dancer, and singer.
Ziegfeld Girl is a 1941 American musical film directed by Robert Z. Leonard and starring James Stewart, Judy Garland, Hedy Lamarr, Lana Turner, Tony Martin, Jackie Cooper, Eve Arden, and Philip Dorn. The film, which features musical numbers by Busby Berkeley, was produced by Metro-Goldwyn-Mayer.
Pamela Blair, known as Pam, is an American actress, singer, and dancer best known for originating the role of "Val" in the musical A Chorus Line and several appearances on American soap operas.
The 23rd Annual Tony Awards was broadcast by NBC television on April 20, 1969, from the Mark Hellinger Theatre in New York City. Hosts were Diahann Carroll and Alan King.
Every Little Step is a 2008 American documentary film produced and directed by James D. Stern and Adam Del Deo. It follows the process of casting the 2006 Broadway revival of A Chorus Line and explores the history of the award-winning musical, beginning with the informal interviews with Broadway dancers conducted by Michael Bennett that served as its basis. Their personal observations and feelings were captured on audiotape, many of which are heard in this film.