| Part of a series on the |
| Culture of Turkmenistan |
|---|
 |
| History |
| Cuisine |
| Festivals |
| Religion |
| Literature |
| Music |
Turkmen jewelry is a type of jewelry originating among the various Turkmen cultures of Western and Central Asia. [1] The jewelry was crafted both for cosmetic and spiritual reasons, and the amount of jewelry an individual adorned themselves with was equated to the person's rank in society. [2]
A semi-nomadic people, the various Turkmen tribes often came into contact with urban population centers in the Middle East. [1] Turkmen jewelers benefited from these exchanges, which allowed knowledge of jewel-crafting to spread to the Turkmen. Turkmen Jewelry is not homogeneous, as major variations existed between the artisans of the different Turkmen tribes. [3] Silver set with precious stones became the most widely produced variant of Turkmen Jewelry. [2] Turkmen tradition holds that precious stones are beneficial to human health, and many Turkmen tribes believed jewels to possess magical powers. [2] The subjects depicted on the jewelry varied; some pieces depicted animals and floral patterns, while others displayed images of mountains sacred to the Turkmen or geometrical patterns. [1] Different gems were thought to have different effects on their wearers. Carnelians and silver were worn to ward off death and disease, while turquoise was worn as a symbol of purity. [2] [1]
Jewelry was used as a way to establish one's rank in Turkmen society. According to art historian Layla Diba, Turkmen jewelry was created for and worn by all ranks of Turkmen society, from Khans to those at "subsistence level." [3] It was believed that, by wearing jewelry set with precious stones early in her life, a young woman could increase her fertility. After giving birth, a woman would then slowly decrease the amount of jewelry she wore as she aged. [1] Dresses were also made with patterns designed to complement the style of the wearer's jewelry. [2]
The industry of making Turkmen jewelry remains in place today. [2] Due to the cost of precious metals and gemstones, some Turkmen jewelry substitutes glass beads for gems. [1]
Costume or fashion jewelry includes a range of decorative items worn for personal adornment that are manufactured as less expensive ornamentation to complement a particular fashionable outfit or garment as opposed to "real" (fine) jewelry, which is more costly and which may be regarded primarily as collectibles, keepsakes, or investments. From the outset, costume jewelry — also known as fashion jewelry — paralleled the styles of its more precious fine counterparts.
Jewellery consists of decorative items worn for personal adornment, such as brooches, rings, necklaces, earrings, pendants, bracelets, and cufflinks. Jewellery may be attached to the body or the clothes. From a western perspective, the term is restricted to durable ornaments, excluding flowers for example. For many centuries metal such as gold often combined with gemstones, has been the normal material for jewellery, but other materials such as glass, shells and other plant materials may be used.
A tiara is a jeweled head ornament. Its origins date back to ancient Iran, which was then adapted by Greco-Romans. In the late 18th century, the tiara came into fashion in Europe as a prestigious piece of jewelry to be worn by women at formal occasions. The basic shape of the modern tiara is a (semi-)circle, usually made of silver, gold or platinum and richly decorated with precious stones, pearls or cameos.
A necklace is an article of jewellery that is worn around the neck. Necklaces may have been one of the earliest types of adornment worn by humans. They often serve ceremonial, religious, magical, or funerary purposes and are also used as symbols of wealth and status, given that they are commonly made of precious metals and stones.
A brooch is a decorative jewellery item designed to be attached to garments, often to fasten them together. It is usually made of metal, often silver or gold or some other material. Brooches are frequently decorated with enamel or with gemstones and may be solely for ornament or serve a practical function as a clothes fastener. The earliest known brooches are from the Bronze Age. As fashions in brooches changed rather quickly, they are important chronological indicators. In archaeology, ancient European brooches are usually referred to by the Latin term fibula.
A medal or medallion is a small portable artistic object, a thin disc, normally of metal, carrying a design, usually on both sides. They typically have a commemorative purpose of some kind, and many are presented as awards. They may be intended to be worn, suspended from clothing or jewellery in some way, although this has not always been the case. They may be struck like a coin by dies or die-cast in a mould.
The Turkmen people have traditionally been nomads and equestrians, and even today after the fall of the USSR attempts to urbanize the Turkmens have not been very successful. They never really formed a coherent nation or ethnic group until they were forged into one by Joseph Stalin in the 1930s. Rather they are divided into clans, and each clan has its own dialect and style of dress. Turkmens are famous for making knotted Turkmen carpets, often mistakenly called "Bukhara rugs" in the West. These are elaborate and colorful hand-knotted carpets, and these too help indicate the distinctions among the various Turkmen clans.
The fashioning of jewelry and the usage of precious jewels and metals under the Ming Dynasty was conducted by a select number of people in the occupation of jeweler. Typically born into the profession, jewelers worked in workshops and, using a myriad of techniques, creating many beautiful objects. They were primarily commissioned by the Royal Family and Royal court, although occasionally they created pieces for other members of the nobility or for Buddhist and Taoist temples. Adapting the system from the previous Yuan Dynasty, the Ming Dynasty mandated all artisanal professions, such as that of a jeweler, hereditary and binding from generation to generation. Beginning under the first Ming Emperor, the Hongwu Emperor, a complex system revolving around artisan craftsmanship developed in order to both fulfill the quotas imposed by the Ming Court as well as to protect the rights of the individual artisan and his family. Guilds and other partnerships also developed in order to protect the different artisans themselves. Within the Royal Court, there was also the Imperial Jewelry Service, which meant that there was both always some sort of official oversight over the jeweler profession as well as a steady demand for the labor of a jeweler.
Art jewelry is one of the names given to jewelry created by studio craftspeople. As the name suggests, art jewelry emphasizes creative expression and design, and is characterized by the use of a variety of materials, often commonplace or of low economic value. In this sense, it forms a counterbalance to the use of "precious materials" in conventional or fine jewelry, where the value of the object is tied to the value of the materials from which it is made. Art jewelry is related to studio craft in other media such as glass, wood, plastics and clay; it shares beliefs and values, education and training, circumstances of production, and networks of distribution and publicity with the wider field of studio craft. Art jewelry also has links to fine art and design.
Jewellery design is the art or profession of designing and creating jewellery. It is one of civilization's earliest forms of decoration, dating back at least 7,000 years to the oldest-known human societies in Indus Valley Civilization, Mesopotamia and Egypt. The art has taken many forms throughout the centuries, from the simple beadwork of ancient times to the sophisticated metalworking and gem-cutting known in the modern day.
Hairwork, or jewelry or artwork made of human hair, has appeared throughout the history of craft work, particularly to be used for private worship or mourning. From the Middle Ages through the early twentieth century, memorial hair jewelry remained common. Hair, considered to be a remnant off the person it was cut from, also has often played a part in myths and legends; in a Swedish book of proverbs, one can read that “rings and bracelets of hair increase love”. One example can be found in Denmark, at Rosensborg’s palace, which is a bracelet of precious metal with a simple braided lock of hair - a gift from King Christian IV (1577-1648) to his queen. Another example would be the rings commemorating the execution of King Charles I of England (1600-1649), which circulated among his faithful supporters. Other famous people who owned hair jewelry include Napoleon, Admiral Nelson, Queen Victoria and her large family, Christina Nilsson and Jenny Lind.
Iranian handicrafts are handicraft or handmade crafted works originating from Iran.
Ancient Egyptian clothes refers to clothing worn in ancient Egypt from the end of the Neolithic period to the collapse of the Ptolemaic Kingdom with the death of Cleopatra in 30 BC. Egyptian clothing was filled with a variety of colors. Adorned with precious gems and jewels, the fashions of the ancient Egyptians were made for not only beauty but also comfort. Egyptian fashion was created to keep cool while in the hot desert.
The Middle Ages was a period that spanned approximately 1000 years and is normally restricted to Europe and the Byzantine Empire. The material remains we have from that time, including jewelry, can vary greatly depending on the place and time of their creation, especially as Christianity discouraged the burial of jewellery as grave goods, except for royalty and important clerics, who were often buried in their best clothes and wearing jewels. The main material used for jewellery design in antiquity and leading into the Middle Ages was gold. Many different techniques were used to create working surfaces and add decoration to those surfaces to produce the jewellery, including soldering, plating and gilding, repoussé, chasing, inlay, enamelling, filigree and granulation, stamping, striking and casting. Major stylistic phases include barbarian, Byzantine, Carolingian and Ottonian, Viking, and the Late Middle Ages, when Western European styles became relatively similar.
Mughal clothing refers to clothing adhered by the Mughals in the 16th, 17th and 18th centuries throughout the extent of their empire. Much of them were already being used in the past centuries before their arrival in Indian subcontinent. It was characterized by luxurious styles and was made with muslin, silk, velvet and brocade. Elaborate patterns including dots, checks, and waves were used with colors from various dyes including cochineal, sulfate of iron, sulfate of copper and sulfate of antimony were used.
Ancient Roman jewelry was characterized by an interest in colored gemstones and glass, in contrast with their Greek predecessors who focused primarily on the production of high-quality metalwork by practiced artisans. Extensive control of Mediterranean territories provided an abundance of natural resources to utilize in jewelry making. Participation in trade allowed access to both semi-precious and precious stones that traveled down the Persian Silk Road from the East.
Victorian jewellery originated in England. Victorian jewellery was produced during the reign of Queen Victoria, whose reign lasted from 1837 to 1901. Queen Victoria was an influential figure who established the different trends in Victorian jewellery. The amount of jewellery acquired throughout the Victorian era established a person’s identity and status. Within the Victorian period, jewellery consisted of a diverse variety of styles and fashions. These periods can be categorised into three distinct timeframes: The Romantic period, the Grand period and the Aesthetic period.
Layla Soudavar Diba is an Iranian-American independent scholar and curator, specializing in 18th/19th-century and contemporary Persian art and the Qajar period. She has curated various exhibitions, such as the Royal Persian Paintings: The Qajar Epoch 1783-1925 exhibition at the Brooklyn Museum, and co-curated Iran Modern (2013) at New York City's Asia Society.
Khmer jewellery originated in the Khmer Empire. Khmer jewellery has been produced since the 6th or 7th century. Jayavarman VII, while he was an influential figure who established the different trends in Khmer jewellery, is famously represented without any at all in the seated position. The amount of jewellery acquired in Cambodia traditionally established a person's identity and status. Khmer jewellery consists of a diverse variety of styles and fashions. These styles can be categorised into three distinct groups: royal jewellery, wedding jewellery and the jewellery for the Cambodian Royal Ballet.
Most Sudanese wear either traditional or western attire. A traditional garb widely worn by Sudanese men is the jalabiya, which is a loose-fitting, long-sleeved, collarless ankle-length garment also common to Egypt. The jalabiya is often accompanied by a large turban and a scarf, and the garment may be white, coloured, striped, and made of fabric varying in thickness, depending on the season of the year and personal preferences.
{{cite web}}: |first= has generic name (help)