The Manichaean Turpan documents found in Bezeklik Thousand Buddha Caves include many documents and works of Manichaean art found by the German Turfan expeditions.
Many important finds were made by the Turfan expeditions, especially on the second expedition, at a number of sites along the ancient northern route around the Taklamakan desert. They discovered important documents and works of art (including a magnificent wall-painting of a Manichaean bishop [mozhak], previously mistakenly identified as Mani [1] ) and the remains of a Nestorian (Christian) church near ancient Khocho (Qara-khoja or Gaochang), a ruined ancient city, built of mud, 30 km (19 mi) east of Turfan. [2]
Manuscripts include Sogdian-language Manichaean letter. [3] [4]
Visual art includes:
The Arzhang, also known as the Book of Pictures, was one of the holy books of Manichaeism. It was written and illustrated by its prophet, Mani, in Syriac, with later reproductions written in Sogdian. It was unique as a sacred text in that it contained numerous pictures designed to portray Manichaean cosmogony, which were regarded as integral to the text.
The Museum of Asian Art is a part of the Humboldt Forum in Berlin since 2020. Before its relocation it was sited in the neighborhood of the borough of Steglitz-Zehlendorf, Berlin, Germany. It is one of the Berlin State Museums institutions and is funded by the Prussian Cultural Heritage Foundation. It houses some 20,000 Asian artifacts, making it one of the largest museums of ancient Asian art in the world. The museum is located in the same building as the Ethnological Museum of Berlin. The museum houses important collections of Art houses of South, Southeast and Central Asian countries and art from the Indo-Asian cultural area, from the 4th millennium BC to the present. Its geographic reach covers regions in India, Pakistan, Afghanistan, Sri Lanka, Bangladesh, Nepal, the Autonomous Region of Tibet and Xinjiang of the People's Republic of China, the Southeast Asian countries of Myanmar, Thailand, Cambodia, Vietnam, and also the Indonesian Islands or archipelago.
The German Turfan expeditions were conducted between 1902 and 1914. The four expeditions to Turfan in Xinjiang, China, were initiated by Albert Grünwedel, a former director at the Ethnological Museum of Berlin, and organized by Albert von Le Coq. Theodor Bartus, who was a technical member of the museum staff and was in charge of extricating paintings found during the expeditions from cave walls and ruins, accompanied all four expeditions. Both expedition leaders. Grünwedel and Le Coq, returned to Berlin with thousands of paintings and other art objects, as well as more than 40,000 fragments of text. In 1902, the first research team financed largely by Friedrich Krupp, the arms manufacturer, left for Turfan and returned a year later with 46 crates full of treasures. Kaiser Wilhelm II was enthusiastic and helped finance the second expedition along with Krupp. The third was financed by means of the Ministry of Culture. The fourth expedition under Le Coq was dogged by many difficulties and was finally cut short by the outbreak of World War I in 1914.
The Manichaean Diagram of the Universe is a Yuan dynasty silk painting describing the cosmology of Manichaeism, in other words, the structure of universe according to Manichaean vision. The painting in vivid colours on a silk cloth survives in three parts, whose proper relation to one another and digital reconstruction was published by Zsuzsanna Gulácsi.
The Manichaean Painting of the Buddha Jesus (Chinese: 夷數佛幀; pinyin: Yí shù fó zhēn; Wade–Giles: I2-shu4 fo2-chên1; Japanese: キリスト聖像; rōmaji: Kirisuto Sei-zō; "Sacred Image of Christ"), is a Chinese Southern Song dynasty silk hanging scroll preserved at the Seiunji Temple in Kōshū, Yamanashi, Japan. It measures 153.5 cm in height, 58.7 cm in width, dates from the 12th to 13th centuries, and depicts a solitary nimbate figure on a dark-brown medieval Chinese silk. According to the Hungarian historian Zsuzsanna Gulácsi, this painting is one of the six documented Chinese Manichaean hanging scrolls from Zhejiang province from the early 12th century, which titled Yishu fo zhen (lit. "Silk Painting of the Buddha [Prophet] Jesus").
Zsuzsanna Gulácsi is a Hungarian-born American historian, art historian of pan-Asiatic religions. She is a professor of art history, Asian studies, and comparative religious studies at Northern Arizona University (NAU). Her teaching covers Early and Eastern Christian art, Islamic art, with special attention to the medium of the illuminated book; as well as late ancient and mediaeval Buddhist art from South, Central, and East Asia.
The Sogdian-language Manichaean letter is a Sogdian letter written by Shahryâr Zâdag to Mu Wei of the Eastern Diocese, found in Xinjiang Baziklik Thousand-Buddha Caves, selected National Precious Ancient Books. Now in the collection of Turpan Museum, number "81 TB 65:01".
In Manichaeism, Jesus is considered one of the four prophets of the faith, along with Zoroaster, Gautama Buddha and Mani. He is also a "guiding deity" who greets the light bodies of the righteous after their deliverance.
Manichaean Temple Banner Number "MIK Ⅲ 6286" is a Manichaean monastery flag banner collected in Berlin Asian Art Museum, made in the 10th century AD. It was found in Xinjiang Gaochang by a German Turpan expedition team at the beginning of the 20th century. The flag streamer is 45.5 cm long and 16 cm wide, with painted portraits on both sides. It is a funeral streamer dedicated to the deceased Manichae believers.
The Birth of Mani is a Manichean silk cloth color painting painted in the Fujian Zhejiang area during the Yuan period, depicting the founder of the sect Mani The scene of birth, a scholar who specializes in Manichaeism Ma Xiaohe called it "a rare treasure". This picture is now in the collection of Japan Kyushu National Museum. The drawing technique and artistic style are similar to "Mani's Community Established" and "Mani's Parents", "The Birth of Mani" and "Manichean Universe Map". " It was originally part of a large-scale Manichean silk painting, but now the silk painting has been lost, leaving only the birth picture.
Episodes from Mani's Missionary Work is a Manichean silk color painting drawn in the coastal area of southern China during the yuan to ming period. It is now in a private Japanese collection. The whole picture can be roughly divided into five scenes, depicting the missionary process of a Manichean elector. According to Hungary Asian religious art historian Zsuzsanna Gulácsi, this priest is probably the founder of Manichaeism Mani himself. This painting was originally part of a large-scale Manichean silk painting. The drawing technique and artistic style are similar to "Mani's Community Established" and "Mani's Parents", "The Birth of Mani" and "Manichean Universe Map".
Leaf from a Manichaean book MIK III 4959 is a fragment of Manichaean manuscripts collected in Germany Berlin Asian Art Museum, drawn during the 8th-9th centuries, Was discovered in Xinjiang by German Turpan expedition team in the early 20th century. The remaining page is 8.2 cm long and 11.0 cm wide, with slender painting illustrations on both sides.
Leaf from a Manichaean book MIK III 4974 is a fragment of Manichaean manuscripts collected in Germany Berlin Asian Art Museum, drawn in the 10th century, 20 At the beginning of the century, it was discovered by German Turpan expedition team in Xinjiang Gaochang Ancient City. The remaining page is 7.9 cm long and 15.5 cm wide, with an illuminated manuscript illustration drawn in the center of the front. The upper part of the book is written with Middle Persian Benediction The scriptures indicate that this fragment originally belonged to a Manichae Liturgical book.
Leaf from a Manichaean book MIK III 6368 is a fragment of Manichaean manuscripts collected in Germany Berlin Asian Art Museum, drawn during the 8th-9th centuries, Was discovered in Xinjiang by German Turpan expedition team in the early 20th century. The remaining page is 8.2 cm long and 11.0 cm wide, with slender painting illustrations on both sides, and the text is Sogdian.
Mani's Community Established is a Manichaen silk color painting drawn in the coastal area of southern China during the yuan to ming period, depicts the missionary history of Manichaeism and the establishment of its churches in three scenes. The preservation is intact and undamaged. This painting was originally part of a large Manichae silk painting, The drawing technique and artistic style are very similar to "Episodes from Mani's Missionary Work", "The Birth of Mani", "Mani's Parents" and "The Manichean Universe Map". The painting is now in a private collection in Japan.
Mani's Parents is a color painting on silk drawn in the coastal areas of southern China during the late Yuan and early Ming dynasties. It is in the collection of the Asian Art Museum of San Francisco, US, and was donated by Ivory Brendage. The title given on the official website of the museum is "Fragment of a Manichaen Mandala".
Fragment of Manichaean Wall Painting "MIK Ⅲ 6918" is a fragment of a Manichaean mural collected in Germany Berlin Asian Art Museum, painted around the 10th century AD, and was found by the German Turpan expedition team in the ruins of Gaochang, in Xinjiang. The fragment is 88 centimeters long and 168.5 centimeters wide. It depicts a scene of worship in a Manichae church.
The crystal seal of Mani is a crystal stone seal with intaglio busts of three Manichean elect. There is a circle of Syriac writing around the intaglio, which could have been a personal seal used by Mani, the founder of Manichaeism. It is the oldest surviving piece of Manichaean art, and the only piece from Sassanid Mesopotamia. It is now in the collection of the National Library of France in Paris.
Manichaeism has a rich tradition of visual art, starting with Mani himself writing the Book of Pictures.
Leaf from a Manichaean book MIK III 8259 is a fragment of Manichaean manuscripts collected in Germany Berlin Asian Art Museum, drawn during the 8th-9th centuries. It was discovered in Xinjiang by German Turpan expedition team in the early 20th century. It is the largest currently known manuscript fragment, and is also the largest codex fragment with a figural scene, having a large portion of text on the same fragment. There is also text on the reverse of the image.
This fragmentary wall-painting portrays the local Manichean community including a high-ranking elect, who is most likely the "Mozhak of the East" (the head of the community in the region, previously mistakenly identified as Mani), together with rows of male elects, female elects, and laypeople.