The Ubud Palace, officially Puri Saren Agung, is a historical building complex situated in Ubud, Gianyar Regency of Bali, Indonesia.
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The palace was the official residence of the royal family of Ubud. It was on his travels that Rsi Markandya received a divine revelation that in Bali he was to bury five precious metals on a mountain slope where the mother temple of Besakih now stands today. Along with a group of followers, Rsi Markandya was magnetically attracted to a destination located in the central foothills of the island that radiated light and energy. This place was Campuhan in Ubud at a junction in the Wos River and it was here that he felt compelled to build a temple by the name of Pura Gunung Lebah.
On subsequent expeditions around Bali, Rsi Markandya built a number of other significant temples and created a shared irrigation system for the terraced landscape that is still practiced by farmers today. The formation of the banjar, which is a village council responsible for community and religious affairs, was also inspired by Rsi Markandya. In essence, it can be said that Rsi Markandya is responsible for the foundation of Balinese Hinduism in its purest form referred to as Agama Tirtha or the religion of holy water.
Since being discovered back in the 8th century, the area of Campuhan has always been highly regarded by the Balinese for its immense spiritual powers. Even the term Ubud is derived from the term ubad, meaning medicine in reference to the traditional healing properties of the array of plants that randomly grow here. Generations of Hindu worshippers have made special pilgrimages to the fork in the Wos River to mediate, bathe and collect holy water for temple ceremonies and cleansing rituals.
There had always been ties between Java and Bali, but it was the disintegration of the once mighty Majapahit Empire in the 15th century that saw a mass exodus of nobles to Bali. A new kingdom on the island's east coast called Gelgel was consequently established and gave sanctuary to many important ruling families. They brought with them an artistic legacy and the principles of the caste system.
By the 17th century Bali invariably experienced a rapid emergence of new kingdoms, including the founding of several royal houses in Ubud. However, this period also saw much conflict between the royal clans with supremacy as the ultimate goal. A prince from Klungkung was sent to create a palace in Sukawati as a centre of great power and aesthetic beauty. Artisans came from all over Bali to help in its construction and once completed many of them chose to stay. Sukawati today is a community that strongly supports all forms of artistry as well as dance and music.
With the successful establishment of a reigning authority in Sukawati, palace retainers were then sent in the late 1700s to secure the area of Ubud. A pair of cousins formed rival communities in Padang Tegal and further north in the area of Taman. Following subsequent fighting between these neighbouring villages the king of Sukawati sent his brothers Tjokorde Ngurah Tabanan to Peliatan and Tjokorde Tangkeban to Sambahan to establish palaces with the notion to control these troubled areas.
The palace, in Balinese architecture, in its present form, was built during the reign of Tjokorda Putu Kandel (1800–1823). [1]
However, after the 1917 earthquake, palace structures suffered significant damage, but since it was the residence of the royal family it was quickly restored, before being opened to foreign guests in 1928.
Many of the stone carvings were made by the prominent local artist I Gusti Nyoman Lempad (1862?–1978). The main pavilion usually hosts dance shows at night. To the north is the pure Marajan Agung, the private temple of the royal family. The enclosure in front of the palace has a magnificent fig tree from Bengal and is also used as a residence for the royal family. [2]
The royal palace of Ubud is, especially known for its traditional Balinese dance shows. The stage of performance has an ornamented angkul-angkul background (traditional doors and guardian statues). The performances are animated with Gamelan percussion orchestras. [1]
Ubud is a town on the Indonesian island of Bali in Ubud District, located amongst rice paddies and steep ravines in the central foothills of the Gianyar regency. Promoted as an arts and culture centre, it has developed a large tourism industry. It forms a northern part of the Greater Denpasar metropolitan area.
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Hotel Tjampuhan & Spa, better known as the Tjampuhan Hotel is a historic hotel in Ubud, on the island of Bali, Indonesia. The Tjampuhan is the second-oldest hotel in Bali, trailing only the Natour Bali Hotel that opened in 1927. It is run and owned by the Tjampuhan Group under Tjokorda Oka Artha Ardhana Sukawati and his family.
The Klungkung Palace, officially Puri Agung Semarapura, is a historical building complex situated in Semarapura, the capital of the Klungkung Regency (kabupaten) on Bali, Indonesia.
Johan Rudolf Bonnet was a Dutch artist who lived much of his life in the town of Ubud on Bali, Indonesia. He was born into a Dutch Huguenot-descended family who had been bakers for many generations. He attended the Rijksakademie van Beeldende Kunsten in Amsterdam.
Anak Agung Gde Sobrat (1912–1992) was a painter in Indonesia.
Puputan is a Balinese term for a mass ritual suicide in preference to facing the humiliation of surrender. It originally seems to have meant a last desperate attack against a numerically superior enemy. Notable puputans in the history of Bali occurred in 1906 and 1908, when the Balinese were being subjugated by the Dutch.
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Gelgel is a village (desa) in the regency (kabupaten) of Klungkung, on Bali, Indonesia. The village, near the coast four kilometers south of the regency capital Semarapura, contains some structures of cultural interest and is known for its pottery and handwoven ceremonial songket cloth. The height of the village's power came during the kingdom of Gelgel, which dominated Bali from around the early 16th century to 1686. There are no traces left today of the old royal palace (puri). The old ancestral shrine of the ruling dynasty, Pura Jero Agung, is still standing in the old palace area. To the east of Pura Jero Agung is another old temple, Pura Dasar, which is a lowland counterpart of the "mother temple" of Bali, Pura Besakih. The village also contains the oldest mosque in Bali, which was built by Javanese retainers of the old kings.
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The Dutch conquest of South Bali in 1906 was a Dutch military intervention in Bali as part of the Dutch colonial conquest of the Indonesian islands, killing an estimated 1,000 people. It was part of the final takeover of the Netherlands East-Indies. The campaign led to the deaths of the Balinese rulers of Badung and Tabanan kingdoms, their wives and children and followers. This conquest weakened the remaining independent kingdoms of Klungkung and Bangli, leading to their invasion two years later. It was the sixth Dutch military intervention in Bali.
A Pura is a Balinese Hindu temple, and the place of worship for adherents of Balinese Hinduism in Indonesia. Puras are built following rules, style, guidance, and rituals found in Balinese architecture. Most puras are found on the island of Bali, where Hinduism is the predominant religion; however many puras exist in other parts of Indonesia where significant numbers of Balinese people reside. Mother Temple of Besakih is the most important, largest, and holiest temple in Bali. Many Puras have been built in Bali, leading it to be titled "the Island of a Thousand Puras".
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