Unbelievable Adventures of Italians in Russia | |
---|---|
Directed by | Eldar Ryazanov Franco Prosperi |
Written by | Emil Braginsky Franco Castellano Giuseppe Moccia Eldar Ryazanov |
Produced by | Dino De Laurentiis Luigi De Laurentiis |
Starring | Andrei Mironov Ninetto Davoli Antonia Santilli Alighiero Noschese Tano Cimarosa Yevgeniy Yevstigneyev Olga Aroseva |
Cinematography | Mikhail Bitz Gábor Pogány |
Edited by | A. Stepanov |
Music by | Carlo Rustichelli |
Distributed by | Mosfilm |
Release date |
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Running time | 100 minutes |
Countries | Soviet Union Italy |
Languages | Russian, Italian |
Budget | 49,200,000 Rbls |
Unbelievable Adventures of Italians in Russia ( ‹See Tfd› Russian : Невероятные приключения итальянцев в России, translit. Neveroyatnye Priklyucheniya Italyantsev v Rossii) or A Crazy, Crazy, Crazy Race in Russia (Italian : Una matta, matta, matta corsa in Russia) is a 1974 Soviet-Italian comedy film directed by Eldar Ryazanov and Franco Prosperi. The plot is about a group of Italian treasure hunters who set on a journey to find long-forgotten treasure in Leningrad.
In a hospital in Rome, a poor 92-year-old white Russian émigré lies on her deathbed. She reveals to her granddaughter Olga there is a treasure worth 9 billion Italian lire buried "underneath a lion" in Leningrad. However, the story is overheard by the woman's attending physician, two male nurses named Antonio and Giuseppe, a mafioso named Rosario, and a patient with a broken leg. All six of the characters fly to Leningrad to hunt for the treasure.
The mafioso steals the doctor's passport who is forced to make round trips from Russia to Italy since neither country will accept him. Antonio and Giuseppe are soon joined by Andrei, an undercover captain of the Soviet militsiya who poses as a tour guide for Antonio, who purports to grant Antonio free tours on the basis that he is "the millionth Italian visitor". Olga doesn't plan to share her treasure with anyone and runs away, but agrees to join forces with Andrei, while Rosario the mafioso continues his attempts to eliminate the competition. They start digging up lion statues all over Leningrad, which is a city well known for its many lion monuments. [1]
They eventually find the treasure hidden underneath a lion cage at a zoo, but the lion starts chasing them through Leningrad. After making a successful escape they are confronted by the police who confiscate the treasure, which belongs to the state under the Soviet law. Nonetheless, they are awarded 25% of the value of the treasure as a reward for finding it. The now-wealthy adventurers part their ways and return to Italy, but Olga decides to stay with Andrei in the end.
Eldar Ryazanov dreamed of working with Italian filmmakers and in 1970 wrote a pitch for a comedy Spaghetti Russian-style with Emil Braginsky, but Goskino officials didn't like it as they found the Italian characters too stereotypical. Same year Sergei Bondarchuk finished Waterloo co-produced by Mosfilm and Dino De Laurentiis who ended owning Mosfilm a lot of money and suggested to return it by producing a light cheap comedy. This is when Ryazanov and Braginsky were contacted. [2]
They were joined by Franco Castellano and Giuseppe Moccia to finish the script. As Ryazonov wrote, he originally planned something in the vein of Cops and Robbers and his own Beware of the Car , with Alberto Sordi as a small Italian fraud and Innokenty Smoktunovsky as a Russian policeman attached, but Italian co-authors saw this idea as old-fashioned and sentimental and asked for a fast-paced commercial comedy. [3] In two months Braginsky and Ryazonov finished a new screenplay, only this time Dino De Laurentiis didn't like it and asked them to rewrite everything except for the scenes with a living lion. The final script was inspired by the comedy It's a Mad, Mad, Mad, Mad World which Ryazanov watched the same night at the hotel. [2]
It was Ryazanov's original intention to make a stunt-based comedy completely avoiding compositing, thus only practical effects were used. [3] The episode with a plane landing on a M1 highway among passing cars which parodied a scene from The Sicilian Clan was the hardest to make. It had to be shot at the Ulyanovsk Baratayevka Airport disguised as a highway since no road surface was hard enough for such task. The stunt was performed by a pilot and a deputy chief of the Ulyanovsk Institute of Civil Aviation Ivan Tarashan. [2] [3]
The episodes with the VAZ-2103 driven by Olga chased by the Moskvich 412 driven by Andrei with Italians onboard parodied the Henri Verneuil's movie "Le Casse". [3]
Another episode with a filling station blowing up and various station and car parts flying in the air parodied Michelangelo Antonioni's Zabriskie Point and was also shot without chroma key or miniature effects, although the station itself was a mere replica empty from inside. [3]
Most of the stunts during the car chasing scenes were performed by the acclaimed Italian racer and stuntman Sergio Mioni. [4] Actors Andrei Mironov and Ninetto Davoli did a number of risky tricks by themselves, including the scene with a moveable bridge where Davoli made a long jump with a suitcase in his hand while Mironov had to hang for awhile holding tight into one part of the bridge to pose for a close-up. [2]
For a real lion Ryazanov called Lev Berberov, a Baku engineer famous for raising several wild animals in his flat including a lion named King. Berberov insisted that more scenes and tricks with King should be added to the script. Yet it turned out the lion was hardly capable of even simplest tasks and didn't pay attention to anyone. Ryazanov described it as "untrained, ignorant and dull as it seemed" and the whole experience — as exhausting; during the first scene King scratched Ninetto Davoli which left all actors terrified. [3] [5] Mikhail Kozlov, a leading research fellow of the Zoological Institute of the Russian Academy of Sciences, also wasn't complementary about the lion: "During the close-ups the lush mane disguised paws bowed by rickets, curved back, flabby muscles, but in motion all those problems showed up." [6]
Some sources wrongly state that during the filming King ran away and was shot by a police officer. [7] In fact by that time all scenes with the lion had been completed and the Berberov family moved to Moscow where King was temporarily kept in a gym of a secondary school № 74 near Mosfilm. [3] [8] At one point it jumped through a window and attacked a student who had climbed over a school fence to get his dog ("to tease the lion" as the Berberovs would claim). His girlfriend started screaming, someone called the police, and Alexander Gurov — then a simple lieutenant — quickly arrived and shot King dead. As Gurov later recalled, the Berberovs didn't care for the student covered in blood, instead they started insulting him and later used their friendship with Sergey Obraztsov to reach the Minister of Internal Affairs Nikolai Shchelokov who also shouted at him until he heard the full story. [8] The family soon got a new lion, King II, who grew up and in 1980 killed their own son. [5] [9]
In the Soviet Union the movie was seen by 49.2 million people, becoming one of the leaders of the 1974 Soviet box office. [10]
The cinema of the Soviet Union includes films produced by the constituent republics of the Soviet Union reflecting elements of their pre-Soviet culture, language and history, albeit they were all regulated by the central government in Moscow. Most prolific in their republican films, after the Russian Soviet Federative Socialist Republic, were Armenia, Azerbaijan, Georgia, Ukraine, and, to a lesser degree, Lithuania, Belarus and Moldavia. At the same time, the nation's film industry, which was fully nationalized throughout most of the country's history, was guided by philosophies and laws propounded by the monopoly Soviet Communist Party which introduced a new view on the cinema, socialist realism, which was different from the one before or after the existence of the Soviet Union.
Mosfilm is a film studio which is among the largest and oldest in the Russian Federation and in Europe. Founded in 1924 in the USSR as a production unit of that nation's film monopoly, its output includes most of the more widely acclaimed Soviet-era films, ranging from works by Andrei Tarkovsky and Sergei Eisenstein, to Red Westerns, to the Akira Kurosawa co-production Dersu Uzala and War and Peace.
The Irony of Fate, or Enjoy Your Bath!, usually shortened to The Irony of Fate, is a 1976 Soviet romantic comedy television film directed by Eldar Ryazanov and starring Andrey Myagkov, Barbara Brylska, Yury Yakovlev and Lyubov Dobrzhanskaya. The screenplay was written by Emil Braginsky and Ryazanov, loosely based on the director's 1971 play, Once on New Year's Eve.
Andrei Aleksandrovich Mironov was a Soviet and Russian stage and film actor who played lead roles in some of the most popular Soviet films, such as The Diamond Arm, Beware of the Car and Twelve Chairs. Mironov was also a popular singer.
Anatoli Dmitriyevich Papanov was a Soviet and Russian actor, drama teacher, and theatre director at the Moscow Satire Theatre where he served for almost 40 years. A prominent character actor, Papanov is mostly remembered for his comedy roles in a duo with his friend Andrei Mironov, although he had many dramatic roles as well. As a voice actor, he contributed to over one hundred cartoons. He was named People's Artist of the USSR in 1973 and awarded the USSR State Prize posthumously.
Eldar Aleksandrovich Ryazanov was a Soviet and Russian film director, screenwriter, poet, actor and pedagogue whose popular comedies, satirizing the daily life of the Soviet Union and Russia, are celebrated throughout the former Soviet Union and former Warsaw Pact countries.
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Emil (Emmanuel) Veniaminovich Braginsky was a Soviet/Russian screenwriter and an Honored Art Worker of the RSFSR (1976) and recipient of USSR State Prize (1977).
Old Robbers is a 1972 Soviet crime comedy-drama by Eldar Ryazanov, filmed on Mosfilm. The movie title resembles the name of a Russian children's traditional yard game Cossacks-Robbers.
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Giovanni "Ninetto" Davoli is an Italian actor who appeared in several of Pier Paolo Pasolini's films.
Igor Matveyevich Kostolevsky is a Soviet and Russian stage and film actor. He has received the People's Artist of Russia title in 1995. Kostolevsky is best known for starring in the films Teheran 43 and The Captivating Star of Happiness.
Andrey Vasilyevich Myagkov was a Soviet and Russian stage and film actor, theater director and writer. He is best known for his roles in famous films directed by Eldar Ryazanov, such as The Irony of Fate (1975), Office Romance (1977), The Garage (1979) and A Cruel Romance (1984).
The Garage is a Soviet 1979 comedy-drama film directed by Eldar Ryazanov, based on a screenplay by Emil Braginsky.
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Say a Word for the Poor Hussar, translit. O bednom gusare zamolvite slovo. Literary “Put a good word for a poor hussar”) is a 1981 Soviet film directed by Eldar Ryazanov, shot in the style of a historical tragicomedy.
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