Untitled V

Last updated

Untitled V is a color photograph made by German photographer Andreas Gursky, in 1997. It had an edition of six prints. The picture follows the usual method of digital manipulation used by Gursky since 1990.

Contents

Description and analysis

It depicts the interior of what appears to be a luxury goods store, with a showcase displaying six rows of about 200 trainers, namely of Nike footwear. The photograph presents, like others of his works, multi-coloured objects in rows, against a white monochrome backgroung, in his personal take on the topics of consumerism and globalization in the modern societies. Each sport footwear is depicted clearly and in a detailed manner. Artistically the work references both the minimalism of authors like Donald Judd, and the pop art tradition of Andy Warhol, in the depiction of high consumerism goods. [1]

Peter Galassi mentions in Gursky's works like the current one, "the solemn majesty of infinite progression (...) into the anesthetic repetitions of the assembly line and the display case". [2]

David Bate states: "The abstract display of shoes focuses exclusively on the "ideal beauty" of a shop display spectacle, offered to the global consumer. In much the way modernist art removed "social context" from its content and environment, Gursky's photograph shows that the space of social consumption does this too." [3]

Art market

A print of the photograph was sold by $1,508,316 at Christie's London, on 15 February 2011. [4]

Public collections

There are prints of this photograph at the Kunstmuseum Wolfsburg, and at the Astrup Fearnley Museum of Modern Art, in Oslo. [5] [6]

Related Research Articles

<span class="mw-page-title-main">Jeff Wall</span> Canadian fine art photographer

Jeffrey Wall, OC, RSA is a Canadian artist best known for his large-scale back-lit Cibachrome photographs and art history writing. Early in his career, he helped define the Vancouver School and he has published essays on the work of his colleagues and fellow Vancouverites Rodney Graham, Ken Lum, and Ian Wallace. His photographic tableaux often take Vancouver's mixture of natural beauty, urban decay, and postmodern and industrial featurelessness as their backdrop.

<span class="mw-page-title-main">Andreas Gursky</span> German artist and photographer

Andreas Gursky is a German photographer and professor at the Kunstakademie Düsseldorf, Germany.

<i>99 Cent II Diptychon</i> Photograph by Andreas Gurksy

99 Cent II Diptychon is a two-part colour photograph made by Andreas Gursky in 2001. It was based on an original photograph called 99 Cent, from 1999, sometimes called "99 cent.1999".

Wade Guyton is an American post-conceptual artist who among other things makes digital paintings on canvas using scanners and digital inkjet technology.

<span class="mw-page-title-main">Astrup Fearnley Museum of Modern Art</span>

The Astrup Fearnley Museum of Modern Art is a privately owned contemporary art gallery in Oslo in Norway. It was founded and opened to the public in 1993. The collection's main focus is the American appropriation artists from the 1980s, but it is currently developing towards the international contemporary art scene, with artists like Jeff Koons, Richard Prince, Cindy Sherman, Matthew Barney, Tom Sachs, Doug Aitken, Olafur Eliasson, and Cai Guo-Qiang. The museum gives 6-7 temporary exhibitions each year. Astrup Fearnley Museum of Modern Art collaborates with international institutions and produces exhibitions that travel worldwide. In 2012 the museum moved to two new buildings designed by Renzo Piano in Tjuvholmen.

<i>Rhein II</i> Photograph by Andreas Gurksy

Rhein II is a colour photograph made by German visual artist Andreas Gursky in 1999. In the image, a river flows horizontally across the field of view, between flat green fields, under an overcast sky. Extraneous details such as dog walkers and a factory building were removed by the artist using digital editing.

<i>The Murder of Andreas Baader</i> 1978 painting by Odd Nerdrum

The Murder of Andreas Baader is a 1978 painting by the Norwegian artist Odd Nerdrum. It depicts the speculative murder of Andreas Baader, one of the leaders of the far-left organisation Red Army Faction, in the Stammheim Prison in 1977.

<span class="mw-page-title-main">Kunstmuseum Wolfsburg</span>

The Kunstmuseum Wolfsburg is an art museum in central Wolfsburg, Lower Saxony, opened 1994. It presents modern and contemporary art and is financed by the Kunststiftung Volkswagen.

Peter Johnston Galassi is an American writer, curator, and art historian working in the field of photography. His principal fields are photography and nineteenth-century French art.

Chicago Board of Trade II is a colour photograph by German artist Andreas Gursky made in 1999. It was created following his usual process of taking several pictures of the same subject and then manipulating and merging the scanned results by computer.

Los Angeles is a colour photograph made by German visual artist Andreas Gursky in 1998. It is an edition of six. The image was manipulated by computer, following the artist usual process. Its one of the largest examples of the artist's work. It depicts Los Angeles, California, at night, under a very dark sky, with the city lights shining through. The cosmic-like vision of the city even gives the impression of showing part of the Earth's curvature. A print of Los Angeles was sold at Sotheby's, London, by $2,900,000 on 27 February 2008. One copy, signed and dated in the reverse: "A Gursky "Los Angeles" 4/6 '98'" sold at a London Auction on 6 October 2017 for £1,689,000.

Paris, Montparnasse is a colour photograph created by German photographer Andreas Gursky in 1993. The large photograph has the overall dimensions of 210 by 395 cm, and had a five copies edition. A print of the photograph was sold by $2,416,475 at the Sotheby's, London, on 17 October 2013.

Rhein, also known as Rhein I, is a colour photograph created by the German photographer Andreas Gursky in 1996. The photograph had a six copies edition. This was the first version of a photograph that become better known with his second version, Rhein II, in 1999.

Untitled Film Still 48 is a black and white photograph taken by Cindy Sherman in 1979. It is part of her Untitled Film Stills photographic series, taken from 1977 to 1980. This picture is also known as The Hitchhiker.

Untitled #93 is a color photograph created by Cindy Sherman in 1981. It is part of her Centerfolds series of 12 photographs made for the Artforum magazine. They were never published there but went to be exhibited publicly the same year, to critical acclaim.

<i>Pyongyang IV</i> Photograph by Andreas Gurksy

Pyongyang IV is a colour photograph created by German photographer Andreas Gursky in 2007. It is part of the series Pyongyang, consisting of seven photographs, digitally executed after his presence at the Arirang Mass Games, that used to be held every year at the Rungrado May Day Stadium, in Pyongyang, the capital of North Korea, in tribute to the late Communist ruler Kim Il Sung.

Frankfurt is a colour photograph created by German photographer Andreas Gursky in 2007. It was created by his usual method of digital manipulation. It has a six copies edition. It depicts a scene taking place at the boarding lounge of the Frankfurt airport, in Germany.

99 Cent is a colour photograph by German photographer Andreas Gursky, created in 1999. It depicts a view of the interior of a 99 cent store in Los Angeles. It was created with the use of digital manipulation, like the artist does for his work since 1990. The photograph was included by Time magazine in the list of the 100 most important photographs ever taken in 1999. Gursky made a new version of this photograph, 99 Cent II Diptychon, in 2001, which would be one of the most expensive ever sold.

San Zaccaria, Venice is a color photograph taken by German photographer Thomas Struth, in 1995. The photograph was taken inside the San Zaccaria church in Venice, and is part of his series Museum Photographs, dedicated to the interior of several museums and monuments across the world. It has a ten prints edition.

References

  1. O. Grosenick (ed.), Andreas Gursky Fotografien 1994-1998, Ostfildern-Ruit 1998, p. 58 (German)
  2. Peter Galassi, Gursky's World, Andreas Gursky, New York. 2001, p. 35
  3. David Bate, Photography after Postmodernism: Barthes, Stieglitz and the Art of Memory, Rutledge, 2022
  4. Untitled V, Christie's
  5. Untitled V, Kunstmuseum Wolfburg
  6. Untitled V, Astrup Fearnley Museum