Up Pompeii | |
---|---|
Directed by | Bob Kellett |
Written by | Sid Colin |
Based on | an idea by Talbot Rothwell |
Produced by | Ned Sherrin |
Starring | Frankie Howerd Michael Hordern Barbara Murray |
Cinematography | Ian Wilson |
Edited by | Al Gell |
Music by | Carl Davis |
Production companies | Anglo-EMI London Associated Films |
Distributed by | MGM-EMI |
Release date |
|
Running time | 90 minutes |
Country | United Kingdom |
Language | English |
Budget | £200,000 [1] |
Up Pompeii is a 1971 British sex comedy film directed by Bob Kellett and starring Frankie Howerd and Michael Hordern. [2] It was written by Sid Colin based on an idea by Talbot Rothwell.
It is based on characters that first appeared in the British television sitcom Up Pompeii! (1969–1975).
Lurcio becomes the inadvertent possessor of a scroll bearing all the names of the proposed assassins of Nero. The conspirators need to recover the scroll fast, but it has fallen into the hands of Lurcio's master, Ludicrus Sextus, who mistakenly reads the contents of the scroll to the Senate. Farcical attempts are made to retrieve the scroll before Pompeii is eventually consumed by the erupting Vesuvius.
Ned Sherrin had produced the successfulcomedies The Virgin Soldiers (1969) and Every Home Should Have One (1970). He and Terry Glinwood formed Virgin Films, which made seven films beginning with this and included its sequels Up the Chastity Belt (1971) and Up the Front (1971), then Rentadick (1972), Girl Stroke Boy (1971), The Alf Garnett Saga (1972) and The National Health (1973).
Franke Howerd's agent Beryl Vertue sold the idea of a film version of Up Pompeii to Nat Cohen. Sherrin wrote Cohen "had spotted the potency of cheap TV spin-offs and was envious of the Boulting brothers’ success with Till Death Us Do Part (1968)." Cohen hired Sherrin to produce. [3]
In May 1970 it was announced the film would be the first in a series of comedies produced by Ned Sherrin for Anglo-EMI, the second of which would be The Last Virgin Left Alive from a script by Eleanor Bron and John Fortune based on the novel Jam Today by Susan Barratt. [4] Anglo-EMI's head Nat Cohen said "I am convinced the key to recapturing large cinema audiences is a good, uproarious comedy." [5] The deal was negotiated by Vertue, a director of London Associated Films Limited with Cohen and Sherrin. [6]
Sherrin felt "Frankie’s unique comic quality had never been captured on the screen. Nor did we, despite the ingenuity of the director, Bob Kellett, really manage to pin it down." [3] Sherrin says this was because Howerd performed best in front of a live audience and struggled without it. "He was often very funny, particularly in the first two films of the series, but still a fraction of his commanding presence on stage." [7]
Talbot Rothwell wrote the scripts to the television series but was busy writing Carry On movies so the screenplay was written by Sid Colin.[ citation needed ]
The Robert Stigwood Organisation had money in the film. [8] In March 1972 Stigwood would buy out Virgin Films. [9]
Filming took place at MGM-EMI Elstree Film Studios, Borehamwood, in August 1970. Billy Walker the boxer was given his first screen role. [10] The producers were able to use left over sets from Julius Caesar (1970) which had just finished filming. [11]
A version was made for American audiences with six minutes of additional footage including a prologue and epilogue and Lurcio setting the scene. [1]
The film was the 10th most popular film at the British box office in 1971. [12] [13] By June 1972 it had earned EMI a profit of £20,000. [14] It led to two sequels.
The Monthly Film Bulletin wrote: "Although the screenplay is credited to Sid Colin, Up Pompeii is distinguishable only by its length from the TV comedy series written by Talbot Rothwell. The jokes are not merely similar but in some cases actually the same; and apart from the clumsily staged eruption of Vesuvius and collapse of Pompeii evidence of an attempt to translate television into cinema is slight. However, the cast is more illustrious than usual, and in addition to Frankie Howerd's asides, fans of the series have an extra treat in Patrick Cargill's accomplished portrayal of boredom in the person of the Emperor Nero." [15]
The Radio Times Guide to Films gave the film 2/5 stars, writing: "Unfortunately, the blatantly obvious Carry On -style formula (the cast even features Carry On regular Bernard Bresslaw) only works sporadically. There's more interest in trying to put names to the plethora of familiar British faces in the cast, among them Patrick Cargill as the Emperor Nero and Michael Hordern as the unfortunate Ludicrus Sextus." [16]
Leslie Halliwell said: "Yawnmaking spinoff of a lively TV comedy series: the jokes just lie there, and die there." [17]
Francis Alick Howard, better known by his stage-name Frankie Howerd, was an English actor and comedian.
Up Pompeii! is a British television comedy series set in ancient Pompeii and broadcast between 1969 and 1970, starring Frankie Howerd. The first series was written by Talbot Rothwell, a scriptwriter for the Carry On films, and the second series by Rothwell and Sid Colin. Two later specials were transmitted in 1975 and 1991 and a film adaptation was released in 1971.
Madeline Smith is an English actress. After working as a model in the late 1960s, she went on to appear in many television series and stage productions, plus comedy and horror films, in the 1970s and 1980s.
John Lancelot Blades Percival, known as Lance Percival, was an English actor, comedian and singer, best known for his appearances in satirical comedy television shows of the early 1960s and his ability to improvise comic calypsos about current news stories. He later became successful as an after-dinner speaker.
Patrick Cargill was an English actor remembered for his lead role in the British television sitcom Father, Dear Father.
Canal+ Image International was a British-French film, television, animation studio and distributor. A former subsidiary of the EMI conglomerate, the corporate name was not used throughout the entire period of EMI's involvement in the film industry, from 1969 to 1986, but the company's brief connection with Metro-Goldwyn-Mayer and Anglo-EMI, the division under Nat Cohen, and the later company as part of the Thorn EMI conglomerate are outlined here.
Talbot Nelson Conn "Tolly" Rothwell, OBE was an English screenwriter.
Sid Colin was an English scriptwriter, working for radio, television and the cinema. He is best remembered for creating the television comedy The Army Game (1957–59) and writing for Up Pompeii! (1969–1970), as well as films including Carry On Spying and Percy's Progress. He occasionally collaborated with regular Carry On series writer Talbot Rothwell. Earlier in his career, he was a musician and occasional lyricist.
Up the Front is a 1972 British comedy film directed by Bob Kellett and starring Frankie Howerd, Bill Fraser, and Hermione Baddeley. It was written by Sid Colin and Eddie Braben. Set during the First World War, it is the third film spin-off from the television series Up Pompeii!. The plot concerns Lurk, a coward who is hypnotised into bravery.
Up the Chastity Belt is a 1971 British comedy film directed by Bob Kellett and starring Frankie Howerd. It was written by Sid Colin, Ray Galton and Alan Simpson.
Beryl Frances Vertue was an English television producer, media executive, and agent. She was founder and chairman of the independent television production company Hartswood Films.
Robert Ryerson Kellett was a British film director, film producer and screenwriter, and one of British cinema’s most prominent comedy directors in the 1970s, working with many of the big names of the era, including Ronnie Barker and Frankie Howerd.
Every Home Should Have One is a 1970 British comedy film directed by Jim Clark and starring Marty Feldman. The screenplay was by Marty Feldman, Barry Took and Denis Norden, based on a story by Herbert Kretzmer and Milton Shulman.
Rentadick is a 1972 British comedy film, directed by Jim Clark and starring James Booth, Richard Briers, Julie Ege, Ronald Fraser and Donald Sinden. It is a spoof spy/detective picture, the plot of which involves attempts to protect a new experimental nerve gas.
A Touch of the Sun is a 1956 British comedy film directed by Gordon Parry and starring Frankie Howerd, Ruby Murray and Dennis Price. It was written by Alfred Shaughnessy.
The Alf Garnett Saga is a 1972 British comedy film directed by Bob Kellett and starring Warren Mitchell, Dandy Nichols, Paul Angelis and Adrienne Posta. The film was the second spin-off from the BBC TV series Till Death Us Do Part (1965–1975). It starts where the first film finished, but with Angelis and Posta now playing Mike and Rita, the roles previously played by Anthony Booth and Una Stubbs.
Girl Stroke Boy is a 1971 British comedy-drama film directed by Bob Kellett and starring Joan Greenwood, Michael Hordern, Clive Francis, and Peter Straker, based on the play Girlfriend by David Percival.
The House in Nightmare Park is a 1973 British comedy horror film directed by Peter Sykes and starring Frankie Howerd, Ray Milland and Hugh Burden. It was one of a number of British comedy films which parodied the successful British horror genre, closely associated with the Hammer Horror films. Its plot follows that of a traditional "Old Dark House" story.
Spiteful Puppet is a British company that produces books, stage plays and audio plays. Among their many releases includes a long running audio series based on Robin of Sherwood alongside many books and audio films.