Uzma Rizvi | |
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Occupation | Archaeologist |
Academic background | |
Alma mater | |
Academic work | |
Institutions | Pratt Institute |
Uzma Z. Rizvi is an American archaeologist and associate professor of Anthropology and Urban Studies at Pratt Institute and a visiting scholar at Shah Abdul Latif University,Khairpur,Pakistan,where she teaches decolonial archaeology,ancient urbanism,critical heritage studies,new materialism,and the postcolonial critique. Her primary research centers on Ancient Pakistan and the United Arab Emirates during the third millennium BCE.
Rizvi graduated with a Bachelor of Arts (BA) degree in Classical and Near Eastern Archaeology from Bryn Mawr College in 1995 and received her Doctor of Philosophy (PhD) degree in Anthropology from the Department of Anthropology,University of Pennsylvania in 2007. [1] Her Doctoral Dissertation was based on her 2000 and 2003 survey work in Rajasthan. [2]
Rizvi's research centers on third millennium BCE Ancient Pakistan and the United Arab Emirates with a primary focus of ancient subjectivity,intimate architecture,critical heritage studies at the intersections of contemporary art and history,and epistemological critiques of the discipline in the service of decolonization. [3] Her work critiques archaeological epistemologies and methodologies,and argues for a changed praxis based on decolonized principles and participatory ethics. [4]
Her research has been supported by Fulbright–Hays DDRA,the George F. Dales Foundation,the American Institute of Pakistan Studies (AIPS),and the Mellon Foundation,among others. [5]
From 2006-2008,Rizvi was an adjunct professor at Pratt Institute in the department of Social Science and Cultural Studies. She was a Postdoctoral Fellow at Stanford University from 2008–2009, [6] after which she returned to Pratt as an assistant professor. [7] From 2014-2019 she was a visiting scholar at the American University of Sharjah,UAE, [8] and a lead tutor for Campus Art Dubai from 2014–2020. [9] In 2015,she became an associate professor at Pratt.
Rizvi was the Anthropology chair for the New York Academy of Sciences from 2019–2021. [10] In 2022 she was awarded a year-long Archaeological Institute of America Joukowsky Lectureship. [11]
Since 2022,Rizvi has served as the President of the Pratt Institute Academic Senate. [12]
Beginning in 1997,Rizvi was a trench supervisor for projects across Pakistan,India,Syria,and Pennsylvania. In 2000 she was the Principal Investigator (PI) of the Ganeshwar Jodhpura Cultural Complex Survey in Rajasthan,India,a role she returned to in 2003. [2]
In 2009,Rizvi embarked on a visit to Iraq,an experience she credits with making her an archaeologist. When told government checkpoint locations were in constant flux as a military strategy to prevent attacks and reshape urban dynamics by “fracturing”the neighborhood,she began to generate a mental archaeological survey as a protective measure. She recalled “I looked at the post holes,because each of these tents leave very deep marks…I looked at the kerosene lamps [and] kerosene marks on the ground:the darker the ash,the more recent the movement. In order to take care of my body,I became an archeologist.” [13]
Rizvi was the PI for the 2012 Eastern UAE:Archaeological Reconnaissance project,as well as the 2013 Eastern UAE:Cultural Reconnaissance project. From 2016-2019,Rizvi was PI of The UAE Coastal Archaeological and Heritage Project (UAE-CAHP). [14]
Rizvi is the Director of the Laboratory of Integrated Archaeological Visualization and Heritage (LIAVH),an interdisciplinary institution that forges connections between technology;archaeological data management;and heritage practice. She founded LIAVH to utilize non-invasive forms of data collection in order to develop data visualization tools that enable spatial and temporal research. The research she oversees is intentionally feminist,anticolonial,and antiracist;with the goal of correcting the colonial lens with new archaeological data interpretation. [15]
M-LAB is Rizvi's inaugural project under LIAVH,connecting multidimensional archaeological data to detailed 3D site models for the 3rd millennium BCE,UNESCO World Heritage Site of Mohenjo-daro,Pakistan. This project utilizes technologies like GIS and photogrammetry that allows for visualization of multiple strata,artifacts,and architecture through time,enabling researchers to analyze ancient cities from an urban planning perspective. [16]
Alongside artist and curator Amal Khalaf,Rizvi co-directed the 2016 Art Dubai Global Art Forum 10,which mediated on the theme "The Future Was." The forum explored the ways in which artists,writers,technologists,historians,musicians and thinkers have imagined,and are shaping,the future. The event included performance,music,commissioned research and projects alongside live talks. [17]
Rizvi taught a contingent of students for the cognate Campus Art Dubai program,a school for artists,curators,writers,architects,designers and cultural producers based in the UAE. The Core Program took on the theme “Turbulent Waters,Shifting Sands.”Course material,workshops,lectures,critiques and seminars explored what it means to exist in the fluid geographies and topographies of the region,while challenging participants’fixed notions of borders,identity,architecture,urban development and trade. The course culminated with Art Dubai Global Art Forum 10. [18]
Rizvi was the Director of "The Department of Mapping Margins" at the 2018 inaugural Fikra Graphic Design Biennale in which she evoked the future of critical design while providing strategies to decenter and decolonize disciplinary lines of control. By focusing on the margins,the department illustrated the ways by which there is a fluidity,openness and criticality to the ways by which contemporary graphic designers test and realign those lines. This took place as a series of communal feasts,conversations,and pedagogical experiments which included a pop-up shop and musical performances. [19]
Alongside Murtaza Vali,Rizvi curated the National Pavilion of Saudi Arabia at the 17th Venice Architecture Biennale,featuring Studio Bound architects Hussam Dakkak,Basmah Kaki,and Hessa AlBader. [20] Entitled Accommodations,this exhibition reflected on the theme of "How Will We Live Together?" through the lens of historical and contemporary quarantine during the COVID-19 pandemic. [21] The Pavilion was presented as an experiential exhibition rooted in archival research. Envisioned as several spaces within a space,the three-part exhibition invited visitors into the realms of quarantine through which they could explore the intertwining relationship between inclusion and exclusion. The exhibition examined the evolution of enclosures as they respond to external contexts,derive new meanings from novel situations,and redefine the relationship between the individual,the community and the other. [22]
In 2007,Rizvi directed the documentary "Telling Stories,Constructing Narratives:Gender Equity in Archaeology." [1] She was featured in the 2018 PBS documentary miniseries,First Civilizations,speaking about Mohenjo-daro and urban planning. [23]
Harappa is an archaeological site in Punjab,Pakistan,about 24 kilometres west of Sahiwal. The Bronze Age Harappan civilisation,now more often called the Indus Valley Civilisation,is named after the site,which takes its name from a modern village near the former course of the Ravi River,which now runs eight kilometres to the north. The core of the Harappan civilisation extended over a large area,from Gujarat in the south,across Sindh and Rajasthan and extending into Punjab and Haryana. Numerous sites have been found outside the core area,including some as far east as Uttar Pradesh and as far west as Sutkagen-dor on the Makran coast of Balochistan,not far from Iran.
The Indus Valley Civilisation (IVC),also known as the Indus Civilisation,was a Bronze Age civilisation in the northwestern regions of South Asia,lasting from 3300 BCE to 1300 BCE,and in its mature form from 2600 BCE to 1900 BCE. Together with ancient Egypt and Mesopotamia,it was one of three early civilisations of the Near East and South Asia,and of the three,the most widespread,its sites spanning an area including much of modern day Pakistan,northwestern India and northeast Afghanistan. The civilisation flourished both in the alluvial plain of the Indus River,which flows through the length of Pakistan,and along a system of perennial monsoon-fed rivers that once coursed in the vicinity of the Ghaggar-Hakra,a seasonal river in northwest India and eastern Pakistan.
Mohenjo-daro is an archaeological site in Larkana District,Sindh,Pakistan. Built c. 2500 BCE,it was the largest settlement of the ancient Indus Valley Civilisation,and one of the world's earliest major cities,contemporaneous with the civilizations of ancient Egypt,Mesopotamia,Minoan Crete,and Norte Chico.
Mohenjo Daro is a 2016 Indian Hindi-language period action-adventure film written and directed by Ashutosh Gowariker. It was produced by Siddharth Roy Kapur for UTV Motion Pictures and The Walt Disney Company India and Sunita Gowariker for Ashutosh Gowariker Productions (AGPPL),and stars Hrithik Roshan and Pooja Hegde. It is based on the ancient Indus Valley civilization,and is set in the city of Mohenjo-daro,a UNESCO World Heritage Site. This film marked Pooja Hegde's debut in Hindi cinema.
Near Eastern archaeology is a regional branch of the wider,global discipline of archaeology. It refers generally to the excavation and study of artifacts and material culture of the Near East from antiquity to the recent past.
Jonathan Mark Kenoyer is an American archaeologist and George F. Dales Jr. &Barbara A. Dales Professor of Anthropology at the University of Wisconsin–Madison. He earned his Bachelor of Arts,Master's,and Doctorate degrees at the University of California,Berkeley,finishing in 1983. Kenoyer is president of the Society of Bead Researchers.
Muhammad Rafiq Mugal is a Pakistani archaeologist,engaged in investigating of ethnoarchaeological research in Chitral,northern Pakistan. He has been responsible for the direction,technical support and supervision for restoration and conservation of more than thirty monuments and excavated remains of the Islamic,Buddhist and Proto-historic periods,in Punjab,Khyber-Pakhtunkhwa and Gilgit-Baltistan of Pakistan. He served as a professor of archaeology and heritage management and the director of undergraduate studies at Boston University. He is now Professor Emeritus of Archaeology at Boston University.
Huma Mulji is a Pakistani contemporary artist. Her works are in the collections of the Saatchi Gallery,London and the Asia Society Museum. She received the Abraaj Capital Art Prize in 2013.
Institute of Sindhology is a resource for knowledge of the Sindh region in present-day Pakistan.
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Hugh Trevor Lambrick CIE was a British archaeologist,historian and administrator.
Yannis Hamilakis is a Greek archaeologist and writer who is the Joukowsky Family Professor of Archaeology and Professor of Modern Greek Studies at Brown University. He specialises in archaeology of the prehistoric Aegean as well as historical archaeology,including ethnography and anthropology. His research interests include nationalism,postcolonialism,and migration studies.
Archaeology in India is mainly done under the supervision of the Archaeological Survey of India.
Asma Ibrahim is a Pakistani archaeologist,museologist,and conservationist who is the founding director of the Museum,Archives and Art Gallery Department for the State Bank of Pakistan. Ibrahim has previously served as the curator and director of the National Museum of Pakistan.
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