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Animation is a filmmaking technique by which still images are manipulated to create moving images. In traditional animation, images are drawn or painted by hand on transparent celluloid sheets (cels) to be photographed and exhibited on film. Animation has been recognized as an artistic medium, specifically within the entertainment industry. Many animations are computer animations made with computer-generated imagery (CGI). Stop motion animation, in particular claymation, has continued to exist alongside these other forms.
Autodesk Maya, commonly shortened to just Maya, is a 3D computer graphics application that runs on Windows, macOS, and Linux, originally developed by Alias and currently owned and developed by Autodesk. It is used to create assets for interactive 3D applications, animated films, TV series, and visual effects.
Digital art refers to any artistic work or practice that uses digital technology as part of the creative or presentation process. It can also refer to computational art that uses and engages with digital media.
Industrial Light & Magic (ILM) is an American motion picture visual effects company that was founded on May 26, 1975 by George Lucas. It is a division of the film production company Lucasfilm, which Lucas founded, and was created when he began production on the original Star Wars, now the fourth episode of the Skywalker Saga.
Visual effects is the process by which imagery is created or manipulated outside the context of a live-action shot in filmmaking and video production. The integration of live-action footage and other live-action footage or CGI elements to create realistic imagery is called VFX.
LightWave 3D is a 3D computer graphics program developed by LightWave Digital. It has been used in films, television, motion graphics, digital matte painting, visual effects, video game development, product design, architectural visualizations, virtual production, music videos, pre-visualizations and advertising.
ACM SIGGRAPH is the international Association for Computing Machinery's Special Interest Group on Computer Graphics and Interactive Techniques based in New York. It was founded in 1969 by Andy van Dam.
John Alan Lasseter is an American film director, producer, and animator. He has served as the Head of Animation at Skydance Animation since 2019. Previously, he acted as the chief creative officer of Pixar Animation Studios, Walt Disney Animation Studios, and Disneytoon Studios, as well as the Principal Creative Advisor for Walt Disney Imagineering.
Animal Logic is an Australian animation and visual effects digital studio based at Disney Studios in Sydney, New South Wales in Australia, Vancouver in Canada, and Rideback Ranch in Los Angeles, California. Established in 1991, Animal Logic has produced visual effects and animation for feature films such as the Academy Award-winning Happy Feet, Legend of the Guardians: The Owls of Ga'Hoole, Walking with Dinosaurs 3D,The Lego Movie andPeter Rabbit. The company was also recognised for its work as lead visual effects vendor on Baz Luhrmann's The Great Gatsby, which won Outstanding Achievement in Visual Effects at the 3rd AACTA Awards ceremony. In 2018, Peter Rabbit was presented with a range of accolades, including the AACTA Award for Best Visual Effects or Animation, and Australian Production Design Guild Awards (APDG) in Visual Effects Design and Drawing, Concept Illustration & Concept Models for Screen. Most recently, the company has produced work for the Warner Animation Group's The Lego Movie 2: The Second Part and Marvel Studios' Captain Marvel. It is a subsidiary of Netflix.
Virtual cinematography is the set of cinematographic techniques performed in a computer graphics environment. It includes a wide variety of subjects like photographing real objects, often with stereo or multi-camera setup, for the purpose of recreating them as three-dimensional objects and algorithms for the automated creation of real and simulated camera angles. Virtual cinematography can be used to shoot scenes from otherwise impossible camera angles, create the photography of animated films, and manipulate the appearance of computer-generated effects.
Digital puppetry is the manipulation and performance of digitally animated 2D or 3D figures and objects in a virtual environment that are rendered in real-time by computers. It is most commonly used in filmmaking and television production but has also been used in interactive theme park attractions and live theatre.
DNEG is a British visual effects, computer animation and stereo conversion studio that was founded in 1998 in London, and rebranded as DNEG in 2014 after a merger with Indian VFX company Prime Focus; it was named after the letters "D" and "Neg" from their former name.
Judson Rosebush is a director and producer of multimedia products and computer animation, an author, artist and media theorist. He is the founder of Digital Effects Inc. and the Judson Rosebush Company. He is the former editor of Pixel Vision magazine, the serialized Pixel Handbook, and a columnist for CD-ROM Professional magazine. He has worked in radio and TV, film and video, sound, print, and hypermedia, including CD-ROM and the Internet. He has been an ACM National Lecturer since the late 1980s and is a recipient of its Distinguished Speaker Award.
3D computer graphics, sometimes called CGI, 3-D-CGI or three-dimensional computer graphics, are graphics that use a three-dimensional representation of geometric data that is stored in the computer for the purposes of performing calculations and rendering digital images, usually 2D images but sometimes 3D images. The resulting images may be stored for viewing later or displayed in real time.
Byron P. Howard is an American animator, character designer, story artist, film director, producer, and screenwriter. He is best known as the director of the Walt Disney Animation Studios films Bolt (2008), Tangled (2010), Zootopia (2016), and Encanto (2021). He is the first LGBT director to win the Oscar for Best Animated Feature twice for his work on Zootopia and Encanto.
The history of computer animation began as early as the 1940s and 1950s, when people began to experiment with computer graphics – most notably by John Whitney. It was only by the early 1960s when digital computers had become widely established, that new avenues for innovative computer graphics blossomed. Initially, uses were mainly for scientific, engineering and other research purposes, but artistic experimentation began to make its appearance by the mid-1960s – most notably by Dr. Thomas Calvert. By the mid-1970s, many such efforts were beginning to enter into public media. Much computer graphics at this time involved 2-D imagery, though increasingly as computer power improved, efforts to achieve 3-D realism became the emphasis. By the late 1980s, photo-realistic 3-D was beginning to appear in film movies, and by mid-1990s had developed to the point where 3-D animation could be used for entire feature film production.
Computer-generated imagery (CGI) is a specific-technology or application of computer graphics for creating or improving images in art, printed media, simulators, videos and video games. These images are either static or dynamic. CGI both refers to 2D computer graphics and 3D computer graphics with the purpose of designing characters, virtual worlds, or scenes and special effects. The application of CGI for creating/improving animations is called computer animation, or CGI animation.
Muqeem Khan is a Pakistani who started working in the Hollywood visual effects industry in 1996.
Prateek Mathur, also known as Alroy Jovi, is an Indian animator, visual effects supervisor, CGI/VR project manager, and director working primarily in digital mixed media and the entertainment industry, from music videos and documentaries to short films and blockbusters. He is best known as the founder, creator, and author of the Axtelera Ray fantasy series.
Nvidia GTC is a global artificial intelligence (AI) conference for developers that brings together developers, engineers, researchers, inventors, and IT professionals. Topics focus on AI, computer graphics, data science, machine learning and autonomous machines. Each conference begins with a keynote from Nvidia CEO and founder Jensen Huang, followed by a variety of sessions and talks with experts from around the world.
References
- 1 2 3 4 Alessandra C. (24 October 2011). "Con un poker View Conference è da Oscar". La Stampa . Retrieved 2 October 2016.
- 1 2 Jamie D'Alessandro (6 November 2007). "Torino, ecco View Conference I maghi della computer grafica". La Repubblica . Retrieved 2 October 2016.
- ↑ Candido Romano (16 October 2013). "VIEW Conference 2013: a Torino le meraviglie dell'animazione, videogiochi ed effetti speciali". International Business Times . Retrieved 2 October 2016.
- 1 2 Jennifer Wolfe (25 August 2014). "VIEW Conference Announces 2014 Keynote Speakers". AWN . Retrieved 2 October 2016.
- 1 2 3 Terry Flores (4 August 2016). "'Zootopia' Co-Director Byron Howard Among View Conference Keynote Speakers". Variety . Retrieved 2 October 2016.
- ↑ Terry Flores (20 October 2015). "'Apocalypse Now' Editor Walter Murch Added to View Conference Lineup". Variety. Retrieved 2 October 2016.
- ↑ Terry Flores (15 September 2016). "'Trolls' Directors Mike Mitchell, Walt Dohrn Added to VIEW Conference 2016 Lineup". Variety. Retrieved 2 October 2016.