Valerio Adami (born 17 March 1935) is an Italian painter. Educated at the Accademia di Brera in Milan, he has since worked in both London and Paris. His art is influenced by Pop Art.
Adami was born in Bologna. In 1945, at the age of ten, he began to study painting under the instruction of Felice Carena. He was accepted into the Brera Academy (Accademia di Brera) in 1951, and there studied as a draughtsman until 1954 in the studio of Achille Funi. In 1955 he went to Paris, where he met and was influenced by Roberto Matta and Wifredo Lam. His first solo exhibition came in 1959 in Milan.
In his early career, Adami's works were expressionistic, but by the time of his second exhibition in 1964 at Kassel, he had developed a style of painting reminiscent of French cloisonnism, featuring regions of flat color bordered by black lines. Unlike Gauguin, however, Adami's subjects were highly stylized and often presented in fragments, as seen in Telescoping Rooms (1965).
In the 1970s, Adami began to address politics in his art, and incorporated subject matter such as modern European history, literature, philosophy, and mythology. In 1971, he and his brother Gioncarlo created the film Vacances dans le désert. In 1974 he illustrated a Helmut Heissenbuttel poem, Occasional Poem No. 27. Ten Lessons on the Reich with ten original lithographs {Gallerie Maeght}. In 1975, the philosopher Jacques Derrida devoted a long essay, "+R: Into the Bargain", to Adami's work, using an exhibition of Adami's drawings as a pretext to discuss the function of "the letter and the proper name in painting", with reference to "narration, technical reproduction, ideology, the phoneme, the biographeme, and politics". [1]
There were four retrospective exhibits of Adami's work between 1985 and 1998. They were held in Paris, the Centre Julio-Gonzalez de Valence (Spain), Tel Aviv, and Buenos Aires. In 2010, the Boca Raton Museum of Art devoted a special exhibit to Adami's paintings and drawings. [2]
Marino Marini was an Italian sculptor and educator.
Gino Severini was an Italian painter and a leading member of the Futurist movement. For much of his life he divided his time between Paris and Rome. He was associated with neo-classicism and the "return to order" in the decade after the First World War. During his career he worked in a variety of media, including mosaic and fresco. He showed his work at major exhibitions, including the Rome Quadrennial, and won art prizes from major institutions.
Giuseppe Bossi was an Italian painter, arts administrator and writer on art. He ranks among the foremost figures of Neoclassical culture in Lombardy, along with Ugo Foscolo, Giuseppe Parini, Andrea Appiani or Manzoni.
Giovanni Fattori was an Italian artist, one of the leaders of the group known as the Macchiaioli. He was initially a painter of historical themes and military subjects. In his middle years, inspired by the Barbizon school, he became one of the leading Italian plein-airists, painting landscapes, rural scenes, and scenes of military life. After 1884, he devoted much energy to etching.
Enrico Gamba was an Italian painter of genre scenes, period pieces and a few portraits.
Mario Sironi was an Italian Modernist artist who was active as a painter, sculptor, illustrator, and designer. His typically somber paintings are characterized by massive, immobile forms.
Giancarlo Vitali was an Italian painter and engraver.
Antonio Giacomo Caimi was an Italian portrait painter, author, and professor at the Brera Academy.
Giuseppe Pellizza da Volpedo was an Italian Divisionist painter. Pellizza was a pupil of Pio Sanquirico. He used a Divisionist technique in which a painting is created by juxtaposing small dots of paint according to a specific colour theory. Although he exhibited often, his work achieved popularity in death through their reproduction in socialist magazines and the acclaim they received from 20th-century art critics.
Francesco Messina was an Italian sculptor of the 20th century.
Francesco Filippini was an Italian painter from Lombardy. He was much influenced by Tranquillo Cremona.
Bartolomeo Giuliano was an Italian painter; primarily of portraits and genre scenes.
Umberto Coromaldi was an Italian painter and educator, active mainly in his native city of Rome.
Giuseppe Maria Longhi was an Italian painter and engraver, in the Neo-Classical style.
Cherubino Cornienti was an Italian painter, active in a Romantic style mainly in Northern Italy.
Giuseppe Riccardo "Beppe" Devalle was an Italian painter and collagist, acknowledged as one of the most interesting and highly appreciated artists of the last few decades of Italian painting. He always refuted the prevailing trends of the day so as to create and distinguish his own individual style: this may explain why Devalle has often been overlooked and placed as something of an outsider. He has been known as a master of photomontage and defined as a creator of the 'New Epic Italian style'.
Bernardino Luino is an Italian painter and etcher. He is one of the founders of the group La Metacosa and currently teaches at the Accademia di Belle Arti di Brera in Milan.
Virgilio Guidi was an Italian artist and writer.
Rodolfo Aricò was an Italian painter and theatre set designer.
Omar Galliani is an Italian painter and professor at Accademia di Belle Arti di Brera of Milan.