The Arts and Crafts movement was an international trend in the decorative and fine arts that developed earliest and most fully in the British Isles and subsequently spread across the British Empire and to the rest of Europe and America.
Samuel Siegfried Bing, who usually gave his name as S. Bing, was a German-French art dealer who lived in Paris as an adult, and who helped introduce Japanese art and artworks to the West and was a factor in the development of the Art Nouveau style during the late nineteenth century.
Kirkland Museum of Fine & Decorative Art is an art museum in Denver, Colorado, United States. The museum houses three principal collections and includes the original studio and art school building of artist Vance Kirkland (1904–1981). On 10 March 2018, Kirkland Museum reopened after moving to a new building at 1201 Bannock Street in Denver's Golden Triangle Creative District.
The Roseville Pottery Company was an American art pottery manufacturer in the 19th and 20th centuries. Along with Rookwood Pottery and Weller Pottery, it was one of the three major art potteries located in Ohio around the turn of the 20th century. Though the company originally made simple household pieces, the Arts and Crafts–inspired designs proved popular, and Roseville pieces are now sought after by collectors.
The Overbeck sisters were American women potters and artists of the Arts and Crafts Movement who established Overbeck Pottery in their Cambridge City, Indiana, home in 1911 with the goal of producing original, high-quality, hand-wrought ceramics as their primary source of income. The sisters are best known for their fanciful figurines, their skill in matte glazes, and their stylized designs of plants and animals in the Art Nouveau and Art Deco styles. The women owned and handled all aspects of their artistic enterprise until 1955, when the last of the sisters died and the pottery closed. As a result of their efforts, the Overbecks managed to become economically independent and earned a modest living from the sales of their art.
Ephraim Faience Pottery is an American art pottery company founded in 1996 in Deerfield, Wisconsin, United States by Kevin Hicks and two partners who have since left the company. It is now located in Lake Mills, Wisconsin. The company produces art pottery in the tradition of the Arts and Crafts Movement with matte glazes over sculpted earthenware in editions of no more than 500 pieces. It produces primarily vases, as well as bowls, lidded boxes, candleholders, pitchers and lanterns. In the past, it has also produced tiles and sculpted paperweights. A prototypical Ephraim Faience piece is a vase finished in a matte green background color, and embellished with sculpted decorative representations of plant or animal life. The company also produces pieces in other colors and in non-representational designs. In 2009, the company employed eight artisans.
Raoul Lachenal (1885–1956) was a French potter.
Art pottery is a term for pottery with artistic aspirations, made in relatively small quantities, mostly between about 1870 and 1930. Typically, sets of the usual tableware items are excluded from the term; instead the objects produced are mostly decorative vessels such as vases, jugs, bowls and the like which are sold singly. The term originated in the later 19th century, and is usually used only for pottery produced from that period onwards. It tends to be used for ceramics produced in factory conditions, but in relatively small quantities, using skilled workers, with at the least close supervision by a designer or some sort of artistic director. Studio pottery is a step up, supposed to be produced in even smaller quantities, with the hands-on participation of an artist-potter, who often performs all or most of the production stages. But the use of both terms can be elastic. Ceramic art is often a much wider term, covering all pottery that comes within the scope of art history, but "ceramic artist" is often used for hands-on artist potters in studio pottery.
Louis Adolphe Soutter was a Swiss painter and graphic artist in the Art Brut style, who produced most of his work while under care in a hospice. He also worked as a musician, playing the violin.
The Grueby Faience Company, founded in 1894, was an American ceramics company that produced distinctive American art pottery vases and tiles during America's Arts and Crafts Movement.
Edmond Lachenal was a French potter. He was a key figure in the French art pottery movement, and his works are held in many international public collections.
Rookwood Pottery is an American ceramics company that was founded in 1880 and closed in 1967, before being revived in 2004. It was initially located in the Over-the-Rhine neighborhood in Cincinnati, Ohio, and has now returned there. In its heyday from about 1890 to the 1929 Crash, it was an important manufacturer, mostly of decorative American art pottery made in several fashionable styles and types of pieces.
The Cutler Hall is a Gothic library building on the Colorado College campus in Colorado Springs, Colorado. The building is on the National Register of Historic Places.
Kenton Hills Porcelains were high-fired soft paste porcelain products manufactured by Kenton Hills Porcelains, Inc. Ceramics were produced from 1940 to 1943 in Erlanger, Kentucky, with sales continuing to 1944. All ceramic products were made from native clays. Products include vases, bookends, figurines, lamp bases, and flowerpots.
The HOP Ranch was a historic ranch in El Paso and Pueblo counties in Colorado, located approximately 35 miles (56 km) southeast of Colorado Springs, in the Chico Creek basin just south of present-day Hanover, Colorado. Sometimes referred to as the Holmes Ranch or the Chico Basin Ranch, it was among the first cattle ranches established in Colorado Territory in 1871 during the times of open range before fences became prevalent in the west. It operated for 58 years until it was sold in 1929 to a Drinkard and Emmert company, Horse Creek Land & Cattle Co. of Denver. The HOP Ranch was located in what is currently the northernmost portion of the present-day Chico Basin Ranch.
Clara Chipman Newton was an American artist best known as a painter of porcelain and china.
Anne Louise Gregory Ritter was an American artist and art teacher. Her early works were in oils and watercolor, but when she met Artus Van Briggle, she began working with him on pottery design and glazing. The couple established the Van Briggle Pottery in Colorado Springs, Colorado, in 1901. After her husband's death in 1904, Anne continued to run the pottery and built a new factory in her husband's honor. In 1912 she leased the pottery to Edmund deForest Curtis, returned to teaching and sold the firm in 1922. She moved to Denver in 1923 and returned to painting.
American art pottery refers to aesthetically distinctive hand-made ceramics in earthenware and stoneware from the period 1870-1950s. Ranging from tall vases to tiles, the work features original designs, simplified shapes, and experimental glazes and painting techniques. Stylistically, most of this work is affiliated with the modernizing Arts and Crafts (1880-1910), Art Nouveau (1890–1910), or Art Deco (1920s) movements, and also European art pottery.
The J. B. Owens Pottery Company, informally known as Owens Pottery, was an American art pottery and tile company that flourished for a few years around the turn of the 20th century.
Pueblo pottery are ceramic objects made by the indigenous Pueblo people and their antecedents, the Ancestral Puebloans and Mogollon cultures in the Southwestern United States and Northern Mexico. For centuries, pottery has been central to pueblo life as a feature of ceremonial and utilitarian usage. The clay is locally sourced, most frequently handmade, and fired traditionally in an earthen pit. These items take the form of storage jars, canteens, serving bowls, seed jars, and ladles. Some utility wares were undecorated except from simple corrugations or marks made with a stick or fingernail, however many examples for centuries were painted with abstract or representational motifs. Some pueblos made effigy vessels, fetishes or figurines. During modern times, pueblo pottery was produced specifically as an art form to serve an economic function. This role is not dissimilar to prehistoric times when pottery was traded throughout the Southwest, and in historic times after contact with the Spanish colonialists.
