Varsha Nair (born 1957) is a Ugandan Indian painter. Her work explores the concepts of displacement, home and belonging. [1] [2] Nair lives in Vadodara, India.
Nair was born in Kampala, Uganda. [3] She was trained in Maharaja Sayajirao University of Baroda and moved to Bangkok in 1995 after relocating from India to England and back.
She is one of the co-founders of Womanifesto, a feminist art collective and a biennial program that was active in Thailand between 1997 and 2008, which has created an international artist-led exchange platform in Thailand. [4]
Her work has been exhibited in numerous art institutions, including Tate Modern [5] [6] (London), Haus der Kulturen der Welt [7] (Berlin), Fondazione Sandretto Re Rebaudengo [8] (Turin), Art in General (New York), Sarajevo Centre of Contemporary Art (Sarajevo), Experimenta Media Arts (Melbourne), LaSalle-SIA College of the Arts, Devi Art Foundation (New Delhi), and The Guild Art Gallery (Mumbai). [1] She has published her articles in several arts publications, such as n.paradoxa , Southeast of Now: Directions in Contemporary and Modern Art in Asia, ArtAsiaPacific , and Ctrl+P Journal of Contemporary Art.
In 2006, Nair staged a series of live interventions titled Encounter(s), performed at the Turbine hall in Tate Modern. [5] She collaborated with Tejal Shah (of Mumbai) to develop these interventions, in which the artists wore white embroidered straitjackets, connected to each other by the absurdly long sleeves, and lay claim to the vast architectural Turbine Hall. [5] This work was also performed in numerous other locations, including the National Review of Live Art festival in Glasgow and the Palazzo Carignano in Turin, Italy. [9]
Her work, Undercurrent Yangon from 2014 was performed at the People's Park in Yangon, Myanmar. [9] Vasha Nair also participated in the 2nd Beyond Pressure International Festival of Performance Art in Yangon in 2009. [10]
Mira Nair is an Indian-American filmmaker based in New York City. Her production company, Mirabai Films, specializes in films for international audiences on Indian society, whether in the economic, social or cultural spheres. Among her best known films are Mississippi Masala, The Namesake, the Golden Lion–winning Monsoon Wedding, and Salaam Bombay!, which received nominations for the Academy Award for Best Foreign Language Film and the BAFTA Award for Best Film Not in the English Language.
Mona Hatoum is a British-Palestinian multimedia and installation artist who lives in London.
Sooni Taraporevala is an Indian screenwriter, photographer, and filmmaker who is the screenwriter of Mississippi Masala, The Namesake and Oscar-nominated Salaam Bombay!, all directed by Mira Nair. She also adapted Rohinton Mistry's novel Such A Long Journey and wrote the films Dr. Babasaheb Ambedkar, her directorial debut Little Zizou, and Yeh Ballet, a Netflix original film that she wrote and directed.
Womanifesto an international art exchange program based in Thailand. It is a biannual artist-initiated event focusing on the work of women artists from around the world. Womanifesto has gained international recognition and developed steadily since the first event in 1995. Through various activities, including art exhibitions, workshops and seminars, Womanifesto develops networks among participating artists and encourages interaction within urban and rural communities. The initiative offers a way to rethink feminist, nation-centric, and region-centric narratives of art history.
Philippe Parreno is a French contemporary artist, living and working in Paris. His works include films, installations, performances, drawings, and text.
Sunanda Nair is an Indian dancer trained in Mohiniattam. She did her master's degree in this dance form from Nalanda Nritya Kala Mahavidyalaya affiliated to the University of Mumbai. She has completed her PhD from University of Mumbai for her thesis "Intrinsic Lyrical Feminism in Mohiniattam". She was born in Mumbai, India.
Doris Salcedo is a Colombian-born visual artist and sculptor. Her work is influenced by her experiences of life in Colombia and is generally composed of commonplace items such as wooden furniture, clothing, concrete, grass, and rose petals. Salcedo's work gives form to pain, trauma, and loss, while creating space for individual and collective mourning. These themes stem from her own personal history. Members of her own family were among the many people who have disappeared in politically troubled Colombia. Much of her work deals with the fact that, while the death of a loved one can be mourned, their disappearance leaves an unbearable emptiness. Salcedo lives and works in Bogotá, Colombia.
Zarina Bhimji is a Ugandan Indian photographer, based in London. She was nominated for the Turner Prize in 2007, exhibited at Documenta 11 in 2002, and is represented in the public collections of Tate, the Museum of Contemporary Art in Chicago and Moderna Museet in Stockholm.
Tania Bruguera is an artist and activist who focuses on installation and performance art. She lives in Cambridge where she works as head of media and performance at Harvard University. Bruguera has participated in numerous international exhibitions. her work is in the permanent collections of many institutions, including the Museum of Modern Art and Bronx Museum of the Arts and the Museo Nacional de Bellas Artes de La Habana.
Reena Saini Kallat is an Indian visual artist. She currently lives and works in Mumbai.
Geeta Kapur is a noted Indian art critic, art historian and curator based in New Delhi. She was one of the pioneers of critical art writing in India, and who, as Indian Express noted, has "dominated the field of Indian contemporary art theory for three decades now". Her writings include artists' monographs, exhibition catalogues, books, and sets of widely anthologized essays on art, film, and cultural theory.
Htein Lin is a Burmese painter, performance artist, and activist.
Šejla Kamerić is a Bosnian visual artist.
Cui Xiuwen was a Chinese artist who made oil paintings, as well as video and photo works. Cui was a well-known contemporary artist in China. Her works have been collected by museums such as Tate Modern and the Brooklyn Museum.
Nalini Malani is an Indian artist, among the country's first generation of video artists.
Art of Myanmar refers to visual art created in Myanmar (Burma). Ancient Burmese art was influenced by India and China, and was often religious in nature, ranging from Hindu sculptures in the Thaton Kingdom to Theravada Buddhist images in the Sri Ksetra Kingdom. The Bagan period saw significant developments in many art forms from wall paintings and sculptures to stucco and wood carving. After a dearth of surviving art between the 14th and 16th century, artists created paintings and sculptures that reflect the Burmese culture. Burmese artists have been subjected to government interference and censorship, hindering the development of art in Myanmar. Burmese art reflects the central Buddhist elements including the mudra, Jataka tales, the pagoda, and Bodhisattva.
Mrinalini Mukherjee was an Indian sculptor. Known for her distinctly contemporary style and use of dyed and woven hemp fibre, an unconventional material for sculpting, she had a career lasting over four decades from the 1970s to the 2000s. Mukherjee's body of work is a part of public collections at, among others, the Museum of Modern Art, Oxford; the National Gallery of Modern Art, New Delhi; Tate Modern, London; The Metropolitan Museum of Art, New York; and the Stedelijk Museum, Amsterdam. The artist's personal archive is digitised and freely accessible on Asia Art Archive's website.
Manimala Chitrakar is a patua artist from West Bengal.
Phyu Mon is a Burmese writer, photographer, performance artist, and painter who is a renowned artist and one of the very few women in the profession. She is also known for being very much gender-aware.
Wah Nu is a contemporary artist from Myanmar.
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