Vibing Up the Senile Man (Part One) | ||||
---|---|---|---|---|
Studio album by | ||||
Released | 2 March 1979 | |||
Recorded | October–November 1978 | |||
Studio | Pathway Studios, London | |||
Genre | ||||
Length | 38:47 | |||
Label | Deptford Fun City | |||
Producer |
| |||
Alternative TV chronology | ||||
|
Vibing Up the Senile Man (Part One) is the second studio album by English rock band Alternative TV. [1] It was released in March 1979 by record label Deptford Fun City. [2] The band followed a more experimental and avant-garde approach than on The Image Has Cracked (1978). [3]
The album's tracks were all reportedly recorded in a single take. [4]
Regarding its musical style, Alternative TV frontman Mark Perry recalled: "There are free jazz influences; I'd got into the Art Ensemble of Chicago, Sun Ra [...] I'd moved into this house with an amazing music room – pianos, clarinets, you name it – and we'd always be picking up stuff from junk shops." [4]
Review scores | |
---|---|
Source | Rating |
AllMusic | [5] |
The New Rolling Stone Record Guide | [6] |
According to Simon Reynolds in Rip It Up and Start Again: Postpunk 1978-1984 , the album received a "uniformly hostile" response from reviewers upon its release. [4] Trouser Press described the record as being "up the pseudo-avant creek without a paddle". [7]
In his retrospective review of the album, Dean McFarlane of AllMusic noted that "... Mark Perry and friends did to punk exactly what the movement had intended for the establishment", asking, "... who would have expected a follow-up [to The Image Has Cracked] as avant-garde abstraction ...?" He goes on to state that "Vibing Up the Senile Man became closer to free improvisation and avant-garde jazz without a punk anthem in sight ..." and continuing that what it "... represents two decades later is a door opening on multi-faceted post-rock music -- which draws on avant-garde, noise, and jazz and arguably makes more sense in the context of year 2000 as a musical treasure much more than in 1980 ...". [5]
Paul Hegarty, in Noise Music: A History, described the album as "forming the bridge into industrial music". [8]
The record was placed at number 19 on Mojo 's list of readers' choice of 50 "Weirdest Albums". [9]
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Release the Natives" | Mark Perry | 4:02 |
2. | "Serpentine Gallery" | Dennis Burns, Perry | 2:24 |
3. | "Poor Association" | Perry | 1:49 |
4. | "The Radio Story" | Burns, Perry | 7:48 |
5. | "Facing Up to the Facts" | Perry | 4:08 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "The Good Missionary" | Perry | 7:17 |
2. | "Graves of Deluxe Green" | Perry | 2:58 |
3. | "Smile in the Day" | Burns, Perry | 8:21 |
No wave was an avant-garde music genre and visual art scene which emerged in the late 1970s in Downtown New York City. The term was a pun based on the rejection of commercial new wave music. Reacting against punk rock's recycling of rock and roll clichés, no wave musicians instead experimented with noise, dissonance, and atonality, as well as non-rock genres like free jazz, funk, and disco. The scene often reflected an abrasive, confrontational, and nihilistic world view.
Art rock is a subgenre of rock music that generally reflects a challenging or avant-garde approach to rock, or which makes use of modernist, experimental, or unconventional elements. Art rock aspires to elevate rock from entertainment to an artistic statement, opting for a more experimental and conceptual outlook on music. Influences may be drawn from genres such as experimental music, avant-garde music, classical music, and jazz.
Progressive rock is a broad genre of rock music that primarily developed in the United Kingdom, United States, and Germany through the mid 1960s and early 1970s. Initially termed "progressive pop", the style was an emergence of psychedelic bands who abandoned standard pop traditions in favour of instrumentation and compositional techniques more frequently associated with jazz, folk, or classical music. Additional elements contributed to its "progressive" label: lyrics were more poetic, technology was harnessed for new sounds, music approached the condition of "art", and the studio, rather than the stage, became the focus of musical activity, which often involved creating music for listening rather than dancing.
Post-rock is a form of experimental rock characterized by a focus on exploring textures and timbre, as well as non-rock styles, over conventional song structures or riffs. Post-rock artists are often instrumental, typically combining rock instrumentation with electronics. The genre emerged within the indie and underground music scene of the 1980s and early 1990s. However, due to its abandonment of rock conventions, it began to increasingly show little resemblance musically to conventional indie rock at the time, borrowing instead from diverse sources including ambient, electronica, jazz, krautrock, dub, and minimalist classical.
Noise music is a genre of music that is characterised by the expressive use of noise. This type of music tends to challenge the distinction that is made in conventional musical practices between musical and non-musical sound. Noise music includes a wide range of musical styles and sound-based creative practices that feature noise as a primary aspect.
Alternative TV are an English band formed in London in 1977. Author Steve Taylor writes: "Alternative TV pioneered reggae rhythms in punk and then moved on to redefine the musical rules".
The U.S. state of Washington has been home to many popular musicians and several major hotbeds of musical innovation throughout its history. The largest city in the state, Seattle, is known for being the birthplace of grunge as well as a major contributor to the evolution of punk rock, indie music, folk, and hip hop. Nearby Tacoma and Olympia have also been centers of influence on popular music.
Avant-garde music is music that is considered to be at the forefront of innovation in its field, with the term "avant-garde" implying a critique of existing aesthetic conventions, rejection of the status quo in favor of unique or original elements, and the idea of deliberately challenging or alienating audiences. Avant-garde music may be distinguished from experimental music by the way it adopts an extreme position within a certain tradition, whereas experimental music lies outside tradition.
Krautrock is a broad genre of experimental rock that developed in West Germany in the late 1960s and early 1970s. It originated among artists who blended elements of psychedelic rock, avant-garde composition, and electronic music, among other eclectic sources. Common elements included hypnotic rhythms, extended improvisation, musique concrète techniques, and early synthesizers, while the music generally moved away from the rhythm & blues roots and song structure found in traditional Anglo-American rock music. Prominent groups associated with the krautrock label included Neu!, Can, Faust, Tangerine Dream, Kraftwerk, Cluster, Ash Ra Tempel, Popol Vuh, Amon Düül II and Harmonia.
The Legendary Pink Dots are an Anglo-Dutch rock band formed in London in August 1980. In 1984, the band moved to Amsterdam, playing with rotating musicians and having, as core members, singer/songwriter/keyboardist Edward Ka-Spel and keyboardist Phil Knight. In 2022, founding member and synthesist Philip Knight retired from touring, and Randall Frazier joined the band on synths, samples and electronics.
Mark Perry is a British writer and musician, and former fanzine publisher.
"Discipline" is a song by the English electronic group Throbbing Gristle.
Spiral Scratch is an EP and the first release by the English punk rock band Buzzcocks. It was released on 29 January 1977. It is one of the earliest releases by a British punk band. Spiral Scratch and the album Time's Up are the only Buzzcocks studio releases with original singer Howard Devoto, who left shortly after the EP's release to form one of the first post-punk bands, Magazine.
Cloroform is a Norwegian alternative rock band that formed in 1998 in Stavanger. They started out as an acoustic jazz trio, but soon went on to sound more like a rock band. In the later years they have experimented with noise and avant-garde related genres.
Punk jazz is a genre of music that combines elements of jazz, especially improvisation, with the instrumentation and performance style of punk rock. The term was first used to describe James Chance and the Contortions' 1979 album Buy. Punk jazz is closely related to free jazz, no wave, and loft jazz, and has since significantly inspired post-hardcore and alternative hip hop.
Post-punk is a broad genre of music that emerged in 1977 in the wake of punk rock. Post-punk musicians departed from punk's traditional elements and raw simplicity, instead adopting a broader, more experimental approach that encompassed a variety of avant-garde sensibilities and non-rock influences. Inspired by punk's energy and do it yourself ethic but determined to break from rock cliches, artists experimented with styles like funk, electronic music, jazz, and dance music; the production techniques of dub and disco; and ideas from art and politics, including critical theory, modernist art, cinema and literature. These communities produced independent record labels, visual art, multimedia performances and fanzines.
Experimental rock, also called avant-rock, is a subgenre of rock music that pushes the boundaries of common composition and performance technique or which experiments with the basic elements of the genre. Artists aim to liberate and innovate, with some of the genre's distinguishing characteristics being improvisational performances, avant-garde influences, odd instrumentation, opaque lyrics, unorthodox structures and rhythms, and an underlying rejection of commercial aspirations.
The Image Has Cracked is the debut studio album by English band Alternative TV. It was released in May 1978 by record label Deptford Fun City.
Post-progressive is a type of rock music distinguished from vintage progressive rock styles, specifically 1970s prog. Post-progressive draws upon newer developments in popular music and the avant-garde since the mid-1970s. It especially draws from ethnic music and minimalism, elements which were new to rock music. It is different from neo-prog in that the latter pastiches 1970s prog, while "post-progressive" identifies progressive rock music that stems from sources other than prog.
Avant-funk is a music style in which artists combine funk or disco rhythms with an avant-garde or art rock mentality. Its most prominent era occurred in the late 1970s and 1980s among post-punk and no wave acts who embraced black dance music.