Vienna Hofburg Orchestra | |
---|---|
Orchestra | |
Founded | 1971 |
Principal conductor | Giuseppe Montesano |
Website | www |
The Vienna Hofburg Orchestra (in German: Wiener Hofburg Orchester) is an Austrian classical orchestra based in Vienna.
The orchestra was founded by the conductor Gert Hofbauer in 1971 and consists of 52 professional musicians from all large orchestral societies of Vienna and international vocal soloists: Andrea Olah (soprano), Kayo Takemura (soprano), Ella Tyran (soprano), Elena Suvorova (mezzo-soprano), Oskar Hillebrandt (baritone), Georg Lehner (baritone), Peter Edelmann (baritone) (son of the Austrian bass Otto Edelmann) and Bohan Choe (tenor).
The orchestra's defined aim is to "cultivate Viennese waltz and operetta music", [1] thus the orchestra's program is composed of waltz and operetta melodies by Johann Strauss, Franz Lehár and Emmerich Kalman along with opera arias and duets by Wolfgang Amadeus Mozart. [2]
The Vienna Hofburg Orchestra's concert season lasts from May to December. The concerts are performed in the Festival Hall and the Redoutensäle of Vienna's Hofburg Imperial Palace, further the Wiener Konzerthaus and the Wiener Musikverein.
Each year on the evenings of December 31 and January 1 the Vienna Hofburg Orchestra performs traditional Viennese New Year's Eve and New Year's Concerts in the Hofburg's festival halls. [3]
The Vienna New Year's Concert is an annual concert of classical music performed by the Vienna Philharmonic on the morning of New Year's Day in Vienna, Austria. The concert occurs at the Musikverein at 11:15. The orchestra performs the same concert programme on 30 December, 31 December, and 1 January but only the last concert is regularly broadcast on radio and television.
Lorin Varencove Maazel was an American conductor, violinist and composer. He began conducting at the age of eight and by 1953 had decided to pursue a career in music. He had established a reputation in the concert halls of Europe by 1960 but his career in the U.S. progressed far more slowly. He served as music director of The Cleveland Orchestra, Orchestre National de France, Pittsburgh Symphony Orchestra, Bavarian Radio Symphony Orchestra, and the New York Philharmonic, among other posts. Maazel was well regarded in baton technique and had a photographic memory for scores. Described as mercurial and forbidding in rehearsal, he mellowed in old age.
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