Vincenzo Legrenzio Ciampi

Last updated

Vincenzo Legrenzio Ciampi (born Piacenza, 2 April 1719; died Venice, 30 March 1762) was an Italian composer.

Piacenza Comune in Emilia-Romagna, Italy

Piacenza is a city and comune in the Emilia-Romagna region of northern Italy, the capital of the eponymous province. The etymology is long-standing, tracing an origin from the Latin verb placēre, "to please." In French, and occasionally in English, it is called Plaisance. The name means a "pleasant abode", or as James Boswell reported some of the etymologists of his time to have translated it, "comely". This was a name "of good omen."

Composer person who creates music, either by musical notation or oral tradition

A composer is a musician who is an author of music in any form, including vocal music, instrumental music, electronic music, and music which combines multiple forms. A composer may create music in any music genre, including, for example, classical music, musical theatre, blues, folk music, jazz, and popular music. Composers often express their works in a written musical score using musical notation.

Ciampi lived in London from 1748 to 1756. [1] He is best known today for a work that cannot be ascribed to him with certainty: "Tre giorni son che Nina in letto senesta", formerly called Pergolesi's "Nina". [2] [3]

Giovanni Battista Pergolesi composer from Italy

Giovanni Battista Draghi, often referred to as Giovanni Battista Pergolesi, was an Italian composer, violinist and organist. His best-known works include his Stabat Mater and the opera La serva padrona. His compositions include operas and sacred music. He died of tuberculosis at the age of 26.

Related Research Articles

Charles Simon Favart French writer

Charles Simon Favart was a French playwright.

Opéra-Comique opera company in Paris

The Opéra-Comique is a Parisian opera company, which was founded around 1714 by some of the popular theatres of the Parisian fairs. In 1762 the company was merged with, and for a time took the name of its chief rival the Comédie-Italienne at the Hôtel de Bourgogne, and was also called the Théâtre-Italien up to about 1793, when it again became most commonly known as the Opéra-Comique. Today the company's official name is Théâtre national de l'Opéra-Comique, and its theatre, with a capacity of around 1,248 seats, sometimes referred to as the Salle Favart, is located in Place Boïeldieu, in the 2nd arrondissement of Paris, not far from the Palais Garnier, one of the theatres of the Paris Opéra. The musicians and others associated with the Opéra-Comique have made important contributions to operatic history and tradition in France, and to French opera. Its current mission is to reconnect with its history, and discover its unique repertoire, to ensure production and dissemination of operas for the wider public. Mainstays of the repertory at the Opéra-Comique during its history have included the following works which have each been performed more than 1,000 times by the company: Cavalleria Rusticana, Le chalet, La dame blanche, Le domino noir, La fille du régiment, Lakmé, Manon, Mignon, Les noces de Jeannette, Le pré aux clercs, Tosca, La bohème, Werther and Carmen, the last having been performed more than 2,500 times.

Nina may refer to:

<i>LOlimpiade</i> Libretto de Pietro Metastasio

L'Olimpiade is an opera libretto in three acts by Metastasio originally written for an operatic setting by Antonio Caldara of 1733. Metastasio’s plot vaguely draws upon the narrative of "The Trial of the Suitors" provided from Book 6 of The Histories of Herodotus, which had previously been the base for Apostolo Zeno's libretto Gli inganni felici (1695). The story, set in Ancient Greece at the time of the Olympic Games, is about amorous rivalry and characters' taking places to gain the loved one. The story ends with the announcement of two marriages.

Enrico Caruso compact disc discography

The following discography contains information regarding some of the published recordings by Enrico Caruso made from 1902 through 1920 as have been made available in selected compact disc compilations.

Egidio Duni Italian composer

Egidio Romualdo Duni was an Italian composer who studied in Naples and worked in Italy, France and London, writing both Italian and French operas.

<i>Francesca di Foix</i> opera by Gaetano Donizetti

Francesca di Foix is a melodramma giocoso in one act by Gaetano Donizetti with a libretto by Domenico Gilardoni based on one by Jean-Nicolas Bouilly and Emmanuel Mercier-Dupaty for Henri Montan Berton's 3-act opéra-comique Françoise de Foix, inspired by the life of Françoise de Foix.

Gioacchino Cocchi was a Neapolitan composer, principally of opera.

Ciampi may refer to:

The French term comédie mêlée d'ariettes was frequently used during the late ancien régime for certain types of opéra comique.

<i>Le pré aux clercs</i> opera

Le pré aux clercs is an opéra comique in three acts by Ferdinand Hérold with a libretto by François-Antoine-Eugène de Planard based on Prosper Mérimée's Chronique du temps de Charles IX of 1829.

<i>Dido, Queen of Carthage</i> (opera) opera

Dido, Queen of Carthage was an opera in three acts by Stephen Storace. Its English libretto by Prince Hoare was adapted from Metastasio's 1724 libretto, Didone abbandonata, which had been set by many composers. Storace's opera premiered on 23 May 1792 at The King's Theatre in London combined with a performance of his masque, Neptune's Prophecy. The story is based on that of Dido and Aeneas in the fourth book of Virgil's Aeneid. The opera was not a success and was never revived after its original run of performances. The score has been lost.

Antonio Palomba (20 December 1705 - 1769) was an Italian opera librettist, poet, harpsichordist, and music educator. He also worked as a notary. Born in Naples, he became a teacher of the harpsichord at the Teatro della Pace in 1749. Most of his more than 50 opera libretti were comedic works written for composers of the Neapolitan school. He also wrote some works for performance in Florence, Bologna and abroad. He died in Naples in 1769; one of the victims of a fever epidemic in the city. Many of his libretti were set more than once to music, and composers continued to use his libretti up into the 1830s.

Jean-Vital Jammes French opera singer

Jean-Vital Jammes was a French opera singer. During a stage career spanning 40 years, he created many leading baritone roles, including Zurga in Bizet's Les pêcheurs de perles and Ourrias in Gounod's Mireille. Born in Le Passage d'Agen near the town of Agen, he was largely self-taught and made his stage debut in 1841 at the age of 16. After singing in a several provincial theatres, he was engaged by the Théâtre Lyrique in Paris and later by the Opéra-Comique. Following his retirement from the stage, Ismaël lived in Marseille where he died at the age of 68.

<i>Adriano in Siria</i> Libretto by Pietro Metastasio

Adriano in Siria is a libretto by Italian poet Metastasio first performed, with music by Antonio Caldara, in Vienna in 1732, and turned into an opera by at least 60 other composers during the next century. Metastasio based the background of the story on late Classical works by Cassius Dio and Elio Sparziano.

Jules Duprato French composer

Jules Laurent Anacharsis Duprato was a 19th-century French composer.

Auguste Creuzé de Lesser French politician, poet and librettist

Baron Auguste Creuzé de Lesser was a French poet, playwright, librettist and politician.

Henri François Berton called Berton fils was an early 19th-century French composer.

"Tre giorni son che Nina in letto senesta" is an 18th Century song traditionally attributed to Pergolesi, but now more often to Vincenzo Legrenzo Ciampi (1719–1762). The song was one of the "Arie antiche" favourites of 19th Century salons associated with Alessandro Parisotti, and in the 20th Century was recorded by Enrico Caruso, Richard Tucker as well as more recently, attributed to Ciampi, by Alfredo Kraus and Ramon Vargas. The attribution to Pergolesi may have come from the mistaken assumption that the song is based on an aria sung about Nina in Pergolesi's Lo frate 'nnamorato.

Ospedale degli Incurabili, Venice hospital building

The Ospedale degli Incurabili is a large sixteenth-century hospital building on the Fondamenta delle Zattere, in the sestiere of Dorsoduro, in Venice in north-eastern Italy. Today it is occupied by the Accademia di Belle Arti di Venezia. It was built in the second half of the sixteenth century; the church – which no longer exists – may have been designed by Jacopo Sansovino.

References

  1. Robert Ignatius Letellier - Opéra-Comique: A Sourcebook - Page 241 1443821683 2010 Vincenzo. CIAMPI. (1719-1762). Le Caprice amoureux, ou Ninette à la cour Comédie mêlée d'ariettes parodiées de Bertolde à la cour en deux actes. Librettist: Charles-Simon Favart. Music parodied from Vincenzo Ciampi and various other ...
  2. Charles Osborne The Concert Song Companion: A Guide to the Classical Repertoire 1475700490 - 2012 ... Tre giorni che Nina in letto senesta'), once thought to be by Giovanni Battista Pergolesi (1710–1736) but now usually attributed to Vincenzo Ciampi (1719–1762) whose authorship of this melodious and graceful song is, however, by no means certain.
  3. Robert Marshall - Eighteenth-Century Keyboard Music 2004 1135887764 Page 233 "it was not until 1751 that Vincenzo Ciampi (1719?-1762) brought out a set of six sonatas, apparently in response to the interest in keyboard sonatas created by Alberti's works. Ciampi, resident in London from 1748 to 1756, ..."
International Music Score Library Project project for the creation of a virtual library of public domain music scores

The International Music Score Library Project (IMSLP), also known as the Petrucci Music Library after publisher Ottaviano Petrucci, is a subscription-based project for the creation of a virtual library of public-domain music scores. Since its launch on February 16, 2006, over 370,000 scores and 42,000 recordings for over 110,000 works by over 14,000 composers have been uploaded. Based on the wiki principle, the project uses MediaWiki software. Since June 6, 2010, the IMSLP has also included public domain and licensed recordings in its scope, to allow for study by ear.