Volo Volo | ||||
---|---|---|---|---|
Studio album by | ||||
Released | 1992 | |||
Genre | Worldbeat | |||
Label | Columbia | |||
Producer | Alan Winstanley, Clive Langer, Jerry Harrison | |||
Poi Dog Pondering chronology | ||||
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Volo Volo is an album by the American worldbeat band Poi Dog Pondering. [1] [2] It was released in 1992 via Columbia Records. [3] The album title is allegedly Swahili for "revolver". [4] Poi Dog Pondering supported the album with a North American tour. [5]
The album was a commercial disappointment, with only 50,000 copies sold by the fall of 1993. [6] Columbia dropped the band; to regroup, several members of Poi moved from Austin to Chicago. [7]
The band built the songs by creating the rhythms first, before adding other instruments on top of the drum patterns. [8] About half of the album was produced by Alan Winstanley and Clive Langer. [9] Jerry Harrison also worked on Volo Volo. [10] [11]
Review scores | |
---|---|
Source | Rating |
AllMusic | [12] |
Chicago Tribune | [9] |
MusicHound Rock: The Essential Album Guide | [13] |
The Rolling Stone Album Guide | [14] |
The Washington Post wrote that "instead of acoustic rag-tag charm and unpredictability, something [the band's] early recordings had in abundance, Volo Volo offers a more focused and groove-oriented sound." [8] Trouser Press thought that the album "bears an occasional disconcerting resemblance to smart UK popsters like the Smiths, Wedding Present and Waterboys." [15]
The New York Times deemed the band's sound "a kind of world beat-influenced earth music," writing that Volo Volo "celebrates buildings, collarbones, thunder and the joy of shaking one's booty." [16] Spin panned the album, declaring that "this is kinda like a 'Don't Worry Be Happy' stew that's so dull you'll be jonesin' for some raw flesh to bite into." [17] The Philadelphia Inquirer disparaged the "techno-dance seasonings," opining that Poi had hopped on the "EMF/Happy Mondays bandwagon." [18]
AllMusic wrote that "interestingly, Poi Dog Pondering here seems to be attempting a move into a more pop-oriented direction, sounding at times like a bizarre meeting between Santana, the Meters, Wham!, and Simple Minds." [12] MusicHound Rock: The Essential Album Guide praised the "amazingly haunting" violin of Susan Voeltz. [13]
No. | Title | Length |
---|---|---|
1. | "Lackluster" | |
2. | "Collarbone" | |
3. | "Get Me On" | |
4. | "The Hardest Thing" | |
5. | "Ta Bouche Est Tabou" | |
6. | "I've Got My Body" | |
7. | "Jack Ass Ginger" | |
8. | "Be the One" | |
9. | "Tall" | |
10. | "Building" | |
11. | "Te Manu Pukarua" | |
12. | "Blood and Thunder" | |
13. | "Entrance" | |
14. | "Endtrance" |
Poi Dog Pondering is an American musical group which is noted for its cross-pollination of diverse musical genres, including various forms of acoustic and electronic music. Frank Orrall founded the band in Hawaii in 1984, initially as a solo project. In 1985 Orrall formed the first line-up of PDP to perform its first concert at the Honolulu Academy of Arts. The band embarked on a yearlong street performance busking tour across North America. They eventually settled down in Austin, Texas in 1987, where they recorded their first three albums. In 1992, the band relocated to Chicago and they began to incorporate orchestral arrangements and elements of electronic, house music, and soul music into their acoustic rock style. The membership of Poi Dog Pondering has evolved from album to album, with Frank Orrall being a constant player since the inception of the band.
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