Volo Volo de Boston

Last updated
Volo Volo de Boston
Volo Volo de Boston.jpg
Fequiere Lucien
Background information
Origin Boston, Massachusetts, U.S.
Genres Compas direct, mini-jazz
Years active1969–present
MembersFequiere Lucien
  • Hans Felix
  • François St Preux
  • Joseph Shiller
  • Jean Webert Saint-Vil
  • Mario Registre.
Website volovolodeboston.com

Volo Volo de Boston (or simply Volo Volo) is a Haitian compas band based in Boston, Massachusetts. [1] [2] [3] [4]

Contents

History

The band was first formed in 1969 under the name Haiti Combo. It was later changed to Volo Volo de Boston in 1972 with Eric Breneus as the vocalist approximately two years before the arrival of Ti Manno, Moise Desir, and Ricot Mazarin. [5] In 1978, Chris Bazile and Fequiere Lucien joined the group as singers. [6]

The group became an international success instantly after the release of their first album entitled Caressé, [7] [8] which earned them the title "Lover's Band" during the 70–90s while touring through Haiti, France and the French West Indies (Martinique, Guadeloupe and French Guiana), Panama, Canada and across the United States where they were well received. Volo Volo de Boston received many awards [5]

Band members

current members

former members

Discography

Source: [7]

Related Research Articles

The music of Haiti combines a wide range of influences drawn from the many people who have settled on this Caribbean island. It reflects French, African rhythms, Spanish elements and others who have inhabited the island of Hispaniola and minor native Taino influences. Styles of music unique to the nation of Haiti include music derived from rara parading music, twoubadou ballads, mini-jazz rock bands, rasin movement, hip hop Creòle, the wildly popular compas, and méringue as its basic rhythm. Haiti did not have recorded music until 1937 when Jazz Guignard was recorded non-commercially. One of the most current popular Haitian artists is Wyclef Jean. His music is somewhat hip hop mixed with worldbeat. Haitian music is influenced mostly by European colonial ties and African migration. In the case of European colonization, musical influence has derived primarily from the French.

The music of Martinique has a heritage which is intertwined with that of its sister island, Guadeloupe. Despite their small size, the islands have created a large popular music industry, which gained in international renown after the success of zouk music in the later 20th century. Zouk's popularity was particularly intense in France, where the genre became an important symbol of identity for Martinique and Guadeloupe. Zouk's origins are in the folk music of Martinique and Guadeloupe, especially Martinican chouval bwa, and Guadeloupan gwo ka. There's also notable influence of the pan-Caribbean calypso tradition and Haitian kompa.

The music of Guadeloupe encompasses a large popular music industry, which gained in international renown after the success of zouk music in the later 20th century. Zouk's popularity was particularly intense in France, where the genre became an important symbol of identity for Guadeloupe and Martinique. Zouk's origins are in the folk music of Guadeloupe and Martinique, especially Guadeloupan gwo ka and Martinican chouval bwa, and the pan-Caribbean calypso tradition.

<span class="mw-page-title-main">Tryo</span>

Tryo is a French-language 'unplugged' ska acoustic band, popular in Europe and Quebec, with three French guitarists, a percussionist, and a producer: Guizmo, Christophe Mali, Manu Eveno, Daniel "Danielito" Bravo and Bibou.

Kassav' is a French Caribbean band formed in Guadeloupe in 1979. The core members of the band are Jacob Desvarieux, Jocelyne Béroard, Jean-Philippe Marthély, Patrick St. Eloi, Jean-Claude Naimro, Claude Vamur, and Georges Décimus. Kassav' have issued over 20 albums, with a further 12 solo albums by band members.

Compas, also known as compas direct, is a modern méringue dance music genre of Haiti. The genre was popularized by Nemours Jean-Baptiste following the creation of Ensemble Aux Callebasses in 1955, which became Ensemble Nemours Jean-Baptiste in 1957. The frequent tours of the many Haitian bands have cemented the style in all the Caribbean. Therefore, compas is the main music of several countries such as Dominica and the French Antilles. Whether it is called zouk, where French Antilles artists of Martinique and Guadeloupe have taken it, or compas in places where Haitian artists have toured, this méringue style is influential in part of the Caribbean, Portugal, Cape Verde, France, part of Canada, South and North America.

The coladeira is a music genre from the Cape Verde islands in the central Atlantic Ocean.

Mini-jazz is a reduced méringue-compas band format of the mid-1960s characterized by the rock band formula of two guitars, one bass, and drum-conga-cowbell; some use an alto sax or a full horn section, while others use a keyboard, accordion or lead guitar.

Méringue, also called méringue lente or méringue de salon, is a dance music and national symbol in Haiti. It is a string-based style played on the lute, guitar, horn section, piano, and other string instruments unlike the accordion-based merengue, and is generally sung in Haitian Creole and French, as well as in English and Spanish.

<span class="mw-page-title-main">Manno Charlemagne</span>

Joseph Emmanuel "Manno" Charlemagne was a Haitian political folk singer, songwriter and acoustic guitarist, political activist and politician. He recorded his political chansons in both French and in Creole. He lived abroad in exile twice, both during the 1980s and again during the years 1991–1994, when the country was ruled by a military junta led by Raoul Cédras.

<span class="mw-page-title-main">Coral Reefer Band</span>

The Coral Reefer Band is the touring and recording band of American singer-songwriter Jimmy Buffett. The band's name alludes to both coral reefs and "reefer".

<i>Morning Dance</i> 1979 studio album by Spyro Gyra

Morning Dance is the second album by the jazz fusion group Spyro Gyra. The album was released in March 9, 1979 and was certified gold by the RIAA on September 19, 1979, and was certified platinum on June 1, 1987.

<i>Compas</i> (album) 1997 studio album by Gipsy Kings

Compas is the ninth studio album by rumba band Gipsy Kings. It was released in 1997 in Europe and the US, using a different song order. The European version has one completely new track, "Sueño de Noche", as well as a remixed version of "Ami Wa Wa ".

Ohio Players is an American funk band, most popular in the 1970s. They are best known for their songs "Fire" and "Love Rollercoaster", and for their erotic album covers that featured nude or nearly nude women. Many of the women were models featured in Playboy.

<i>Bossa Nova Bacchanal</i> 1963 studio album by Charlie Rouse

Bossa Nova Bacchanal is an album by American saxophonist Charlie Rouse recorded in 1962 and released in 1963 on the Blue Note label. It was the only album Rouse recorded as a leader for Blue Note. The CD reissue includes a bonus track recorded in 1965.

Ti Manno was a Haitian singer, guitar player, keyboard player, and percussionist.

<span class="mw-page-title-main">Tabou Combo</span> Haitian Band

Tabou Combo is a Haitian compas band that was founded in 1968 in Pétion-Ville, a suburb of Port-au-Prince. The orchestra has performed throughout the world. Tabou Combo was the first Haitian band to perform in Japan, Ivory Coast, Senegal among others, and were named the "Official Panamanian Band" in Panama due to their popularity, while also becoming the first Caribbean band to have a number one single in the French Hit Parade. They dynamically sung their songs in both English, French, Spanish and in Haitian Creole. Tabou Combo refer to themselves as the "ambassadors of konpa."

Tahona, alternatively spelled tajona due to its pronunciation or taona, is a secular style of Afro-Cuban music developed in the 19th century in Santiago de Cuba after the arrival of Haitian slaves following the Haitian Revolution. It is named after the ensembles and the drums played by them. It is considered one of the oldest styles within the rumba complex, and its performance became rare by the 20th century.

<span class="mw-page-title-main">Akademi Kreyòl Ayisyen</span>

The Akademi Kreyòl Ayisyen, known in French as the Académie du Créole Haïtien and in English as the Haitian Creole Academy, is the language regulator of Haitian Creole. It is composed of up to 55 scholars under the leadership of Pierre-André Pierre.

Kreyol La is a Haitian compas band. The group has performed throughout the world, most notably in the Caribbean, Canada, France and the United States through various concerts, carnivals, and festivals.

References

  1. Jackson, Regine O., ed. (27 June 2011). Geographies of the Haitian Diaspora. Routledge. p. 152. ISBN   9781136807886 . Retrieved 22 June 2017.
  2. Leymarie, Isabelle, ed. (9 December 1998). Músicas del Caribe (con CD). Ediciones Akal. p. 119. ISBN   9788446008941 . Retrieved 22 June 2017.(in Spanish)
  3. Averill, Gage, ed. (8 June 1997). A Day for the Hunter, a Day for the Prey: Popular Music and Power in Haiti . University of Chicago Press. p.  129. ISBN   9780226032924 . Retrieved 22 June 2017.
  4. Milherou, Dominique, ed. (26 September 2014). "We Love Haïti !". Travel Style. Retrieved 22 June 2017.(in French)
  5. 1 2 "Biography". Archived from the original on 2016-08-12. Retrieved 2016-06-24.
  6. Press, ed. (1 February 2017). "Chris Bazile, chanteur du Volo Volo de Boston". Le National. Retrieved 22 June 2017.(in French)
  7. 1 2 Corbett, Bob, ed. (3 February 1999). "Partial List Of Haitian Recordings From Gage Averill". Webster.edu. Retrieved 22 June 2017.
  8. Mirtil, Emmanuel (ed.). "Musiques d'Haïti Musiques Haïtiennes Une Anthologie Comme J'en Rêvais ... Volo Volo - Le groupe Volo Volo de Boston" . Retrieved 22 June 2017.(in French)