Walking a Changing Line

Last updated
Walking a Changing Line
Walking a Changing Line.jpg
Studio album by
Released1988
Genre New age, folk, pop
Label Windham Hill
Producer Mark Hallman, Iain Matthews
Iain Matthews chronology
Shook
(1984)
Walking a Changing Line
(1988)
Nights in Manhattan
(1988)

Walking a Changing Line is an album by the English musician Iain Matthews, released in 1988. [1] [2] All of its songs were written by the American musician Jules Shear. Walking a Changing Line was the first album that included vocals to be released by Windham Hill Records. [3] Matthews supported it with a North American tour. [4] He considered Walking a Changing Line to be a combination of new age, folk, and pop. [5]

Contents

Production

The album was produced by Mark Hallman and Matthews. [6] Matthews's girlfriend had encouraged him to think about highlighting the work of Shear. [7] After reviewing around 120 Shear songs, Matthews made a list of 30 to consider, and then, with Hallman, chose 12 for the CD release. [7] Van Dyke Parks composed the music for "Only a Motion"; Osamu Kitajima (who played a koto), Fred Simon, and Patrick O'Hearn were among the musicians who worked on other tracks. [8] [9] "Alive Alone" is a duet with the American musician Eliza Gilkyson. [10] "On Squirrel Hill" is about a man seeking comfort by returning to a familiar place from his past. [11]

Critical reception

Professional ratings
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [12]
The Encyclopedia of Popular Music Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [13]
The Great Rock Discography 5/10 [14]
MusicHound Rock: The Essential Album Guide Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [15]
The Philadelphia Inquirer Star full.svgStar full.svgStar full.svgStar empty.svg [16]
The Rolling Stone Album Guide Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [17]

The Philadelphia Inquirer called Walking a Changing Line "an undeniably pretty album", but noted that Matthews "doesn't bring as much feeling to the work as its perennially hoarse author." [4] The Toronto Star labeled the album "an instant classic", opining that "Shear's aching, difficult songs... are perfectly suited to Matthews's pure, steady, tenor." [18] The Washington Post said that "all the cuts, even the multitracked a cappella 'On Squirrel Hill', composed for this album, have the wistful Windham Hill house sound [and would be at home] as background music for TV's thirtysomething ." [8]

The Chicago Tribune concluded that "the spare synthesizer-laden arrangements could use some of the tartness the songs have, but Matthews's voice is as sweet as ever and the lyrics brim with thoughtful yearning." [19] The Kansas City Times deemed the album one "of the better New Age offerings", noting that "Matthews has a pleasant, slightly overripe voice". [20] The Birmingham Evening Mail considered Walking a Changing Line "a long-overdue comeback." [21]

AllMusic stated, "Often, dated keyboard sounds and soporific synth preludes do become intrusive, not to mention indulgent, but it's a credit to Matthews's skill as an interpreter and Shear's brilliant songs that things never degenerate into new age mush." [12]

Track listing

No.TitleLength
1."Dream Sequence" 
2."Standing Still" 
3."Except for a Tear" 
4."Following Every Finger" 
5."Alive Alone" 
6."Smell of Home" 
7."On Squirrel Hill" 
8."Shadows Break" 
9."This Fabrication" 
10."Lovers by Rote" 
11."Only a Motion" 
12."Why Fight" 

References

  1. Okamoto, David (9 February 1988). "'New Age' boundaries drifting in mainstream". St. Petersburg Times. p. 3D.
  2. Novak, Ralph (10 October 1988). "Picks & Pans—Song: Walking a Changing Line". People. Vol. 30, no. 15. p. 29.
  3. MacDonald, Patrick (20 May 1988). "Matthews Makes Switch, Again, from Record Exec to Performer". Tempo. The Seattle Times. p. 10.
  4. 1 2 ReDavid, Brigette (4 July 1991). "Iain Matthews Performs at Park". The Philadelphia Inquirer. p. M19.
  5. Wolff, Carlo (14 May 1988). "Matthews's latest LP unites folk, new age, pop music". Akron Beacon Journal. p. B4.
  6. "Ian Matthews Walking a Changing Line". The Absolute Sound. Vol. 13, no. 54–57. 1988. p. 166.
  7. 1 2 DiMartino, Dave (5 March 1988). "Ian Matthews Breaks New Ground at Windham Hill". Billboard. Vol. 100, no. 10. p. 27.
  8. 1 2 Brown, Joe (13 May 1988). "Matthews Makes Gems of Jules'". Entertainment. The Washington Post. p. 24.
  9. Wolff, Carlo (14 April 1988). "Records". Calendar. The Boston Globe. p. 9.
  10. Albert, George (29 April 1998). "Sound". The Sentinel. Carlisle, Pennsylvania: Cash Box. p. D5.
  11. Boehm, Mike (11 May 1992). "Shear, Stekol: Playing for Weeps at the Coach House". Los Angeles Times. p. F2.
  12. 1 2 "Walking a Changing Line Review by Brett Hartenbach". AllMusic. Retrieved 26 April 2025.
  13. Larkin, Colin (1998). The Encyclopedia of Popular Music. Vol. V. Macmillan Publishers. p. 3518.
  14. Strong, Martin C. (2000). The Great Rock Discography. Mojo Books. p. 616.
  15. MusicHound Rock: The Essential Album Guide. Visible Ink Press. 1996. p. 442.
  16. Tucker, Ken (17 March 1988). "Pop". The Philadelphia Inquirer. p. 6E.
  17. The Rolling Stone Album Guide. Random House. 1992. p. 456.
  18. Quill, Greg (25 March 1988). "Walking a Changing Line Ian Matthews". Toronto Star. p. E4.
  19. Heim, Chris (8 July 1988). "New Albums". Friday. Chicago Tribune. p. 70.
  20. Hack, Greg (26 March 1988). "New Age music promises little—and delivers". The Kansas City Times. p. E11.
  21. Cole, Paul (9 May 1988). "Choice Cuts". Birmingham Evening Mail. p. 15.