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| "Wand'rin' Star" | |
|---|---|
 | |
| Single by Lee Marvin | |
| B-side |
|
| Released | 1970 |
| Length | 4:30 (album version) 2:59 (radio edit) |
| Label | Paramount |
| Songwriter(s) |
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| Producer(s) | Tom Mack |
"Wand'rin' Star" is a song that was originally written by Alan J. Lerner (lyrics) and Frederick Loewe (music) for the stage musical Paint Your Wagon in 1951.
"Wand'rin' Star" was a number one single in the UK for three weeks [1] and in Ireland for two weeks for Lee Marvin in March 1970. The song also peaked at number 10 in Australia. [2]
When the film of the musical was made in 1969, Lee Marvin took the role of prospector Ben Rumson. Not a natural singer, Marvin nevertheless sang all of his songs in the film, rejecting the idea of miming to another singer's voice. Despite the film being a box office flop, the soundtrack became a success. Orchestrated and arranged by Nelson Riddle, Marvin's version of the song "Wand'rin Star" became a number 1 single in Ireland and the UK, keeping The Beatles at number 2 in the UK with their single "Let It Be". Marvin never released a follow-up single, so he is considered a one-hit wonder.
"I Know Him So Well" is a duet from the concept album and subsequent musical Chess by Tim Rice, Benny Andersson and Björn Ulvaeus. It was originally sung by Elaine Paige and Barbara Dickson. In this duet, two women – Svetlana, the Russian chess champion's estranged wife, and Florence, his mistress – express their bittersweet feelings for him and at seeing their relationships fall apart.
"Classical Gas" is an instrumental musical piece composed and originally performed by American guitarist Mason Williams with instrumental backing by members of the Wrecking Crew. Originally released in 1968 on the album The Mason Williams Phonograph Record, it has been rerecorded and rereleased numerous times since by Williams. One later version served as the title track of a 1987 album by Williams and the band Mannheim Steamroller.
"What's Going On" is a song by the American singer-songwriter Marvin Gaye, released on January 21, 1971, on the Motown subsidiary Tamla. It is the opening track of Gaye's studio album of the same name. Originally inspired by a police brutality incident witnessed by Renaldo "Obie" Benson, the song was composed by Benson, Al Cleveland, and Gaye and produced by Gaye himself. The song marked Gaye's departure from the Motown Sound towards more personal material. Later topping the Hot Soul Singles chart for five weeks and crossing over to number two on the Billboard Hot 100, it would sell over two million copies, becoming Gaye's second-most successful Motown song to date. It was ranked at number 4 in Rolling Stone's 500 Greatest Songs of all Time in 2004 and 2010.
"Sexual Healing" is a song recorded by American singer Marvin Gaye from his seventeenth and final studio album, Midnight Love (1982). It was his first single since his exit from his long-term record label Motown earlier in the year, following the release of the In Our Lifetime (1981) album the previous year. It peaked at No. 3 on the Billboard Hot 100 and is listed at number 198 on Rolling Stone's list of 500 Greatest Songs of All Time. "Sexual Healing" is written and composed in the key of E-flat major and is set in time signature of 4/4 with a tempo of 94 beats per minute.
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"I Can See Clearly Now" is a song written and recorded by American singer-songwriter Johnny Nash. It was the lead single from his twelfth album, I Can See Clearly Now (1972), and achieved success in the United States and the United Kingdom when it was released in 1972, reaching number one on the US Billboard Hot 100 and Cash Box charts. It also reached number one in Canada and South Africa. The song has been covered by many artists throughout the years, including a hit version by Lee Towers that reached no. 19 in the Dutch Top 40 in 1982, and another recorded by Jimmy Cliff for the motion picture soundtrack of Cool Runnings that peaked at no. 18 on the US Billboard Hot 100 in 1993.
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"Before the Next Teardrop Falls" is an American country and pop song written by Vivian Keith and Ben Peters, and most famously recorded by Freddy Fender. His version was a major crossover success in 1975, reaching number 1 on the Billboard pop and country charts.
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