Warne Marsh Quintet: Jazz Exchange, Vol. 1 | ||||
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Live album by Warne Marsh Quintet featuring Lee Konitz & Niels-Henning Ørsted Pedersen | ||||
Released | 1976 | |||
Recorded | December 3, 4 & 5, 1975 | |||
Venue | Jazzhus Montmartre, Copenhagen, Denmark | |||
Genre | Jazz | |||
Length | 61:56CD reissue with bonus track | |||
Label | Storyville SLP 1017 | |||
Producer | Arnvid Meyer | |||
Warne Marsh chronology | ||||
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Lee Konitz chronology | ||||
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Warne Marsh Quintet: Jazz Exchange Vol. 1, is a live album by saxophonist Warne Marsh's Quintet featuring Lee Konitz and Niels-Henning Ørsted Pedersen which was recorded at the Jazzhus Montmartre in late 1975 and released on the Dutch Storyville label. [1] [2] [3]
Warne Marion Marsh was an American tenor saxophonist. Born in Los Angeles, his playing first came to prominence in the 1950s as a protégé of pianist Lennie Tristano and earned attention in the 1970s as a member of Supersax.
Lee Konitz is an American composer and alto saxophonist.
Niels-Henning Ørsted Pedersen, often known as NHØP, was a Danish jazz upright bassist known for his technique and musical approach.
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Review scores | |
Source | Rating |
Allmusic |
The Allmusic review stated "The first of three releases that document a European tour undertaken by tenor saxophonist Warne Marsh and altoist Lee Konitz finds the Lennie Tristano alumni in prime form. Marsh and Konitz often thought alike musically, and this set certainly has its exciting moments. ... Highly recommended, as are the two following volumes". [4]
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B♭ (while the Alto is pitched in the key of E♭), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F♯ key have a range from A♭2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists".
The alto saxophone, also referred to as the alto sax, is a member of the saxophone family of woodwind instruments invented by Belgian instrument designer Adolphe Sax in the 1840s, and patented in 1846. It is pitched in E♭, and is smaller than the tenor, but larger than the soprano. The alto sax is the most common saxophone and is commonly used in concert bands, chamber music, solo repertoire, military bands, marching bands, and jazz. The fingerings of the different saxophones are all the same so a saxophone player can play any type of saxophone.
The piano is an acoustic, stringed musical instrument invented in Italy by Bartolomeo Cristofori around the year 1700, in which the strings are struck by hammers. It is played using a keyboard, which is a row of keys that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings.
Subconscious-Lee is a jazz album by Lee Konitz although a few tracks were issued on 78rpm under Lennie Tristano's name. It was recorded in 1949 and 1950, and released on the Prestige label.
Niels-Henning Ørsted Pedersen was a Danish jazz upright bassist known for his technique and musical approach.
In the Tradition Volume 2 is an album by American saxophonist and composer Anthony Braxton recorded in 1974 and released on the Danish SteepleChase label in 1976. The album features Braxton's interpretations of jazz standards and followed the first volume recorded at the same sessions which was released in 1974.
Swiss Nights Vol. 2 is a live album led by saxophonist Dexter Gordon recorded in Zurich in 1975 and released on the Danish SteepleChase label in 1978.
Live at the Half Note is a live album by American jazz saxophonists Lee Konitz and Warne Marsh recorded at the Half Note in 1959 accompanied by Bill Evans, Jimmy Garrison, and Paul Motian and first released on the Verve label in 1994 as a double CD set.
Spirits is an album by American jazz saxophonist Lee Konitz recorded in 1971 and released on the Milestone label.
Jazz à Juan is a live album by American jazz saxophonist Lee Konitz recorded in Antibes in 1974 and released on the Danish SteepleChase label in 1977.
Lee Konitz Meets Warne Marsh Again is a live album by American jazz saxophonists Lee Konitz and Warne Marsh recorded at Ronnie Scott's Jazz Club in 1976 and released on the Pausa label.
Four Keys is an album by pianist Martial Solal with saxophonist Lee Konitz, guitarist John Scofield and bassist Niels-Henning Ørsted Pedersen recorded in West Germany in 1979 and released on the MPS label. The album was also released in the US on Pausa Records.
Ne Plus Ultra, is a live album by saxophonist Warne Marsh recorded in 1969 and originally released on the Revelation label in 1970 before being rereleased on CD the Swiss HatOLOGY label in 2006 with a bonus track.
All Music, is an album by saxophonist Warne Marsh recorded in 1976 and released on the Nessa label.
The Unissued 1975 Copenhagen Studio Recordings, is an album by saxophonist Warne Marsh's Quartet recorded in Denmark in late 1975 but not released on the Storyville label until 1997.
The Unissued Copenhagen Studio Recordings, is an album by saxophonist Warne Marsh's Trio recorded in Denmark in late 1975 but not released on the Storyville label until 1997.
Back Home, is an album by saxophonist Warne Marsh which was recorded in 1986 and released on the Dutch Criss Cross Jazz label.
Warne Marsh Quintet: Jazz Exchange Vol. 2, is a live album by saxophonists Warne Marsh and Lee Konitz which was recorded at the Jazzhus Montmartre in late 1975 and released on the Dutch Storyville label.
Warne Marsh Lee Konitz: Jazz Exchange Vol. 3, is a live album by saxophonists Warne Marsh and Lee Konitz which was recorded at the Jazzhus Montmartre in late 1975 and released on the Dutch Storyville label in 1985.
The Art of Improvising, is a live album by saxophonist Warne Marsh recorded in 1959 and released on the Revelation label in 1974. Each track on The album only features part of the performance containing Marsh's solo although an album featuring twelve complete performances from these shows was released in 1994 under Kontz's name as Live at the Half Note.
Dig-It is an album by saxophonists Lee Konitz and Ted Brown recorded in 1999 and released on the Danish SteepleChase label.
This is the discography for American jazz musician Lee Konitz.