Was Da Ist | ||||
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Studio album by | ||||
Released | 1995 | |||
Recorded | Summer 1994 | |||
Studio | Artcore Studio, Wuppertal | |||
Genre | Free jazz | |||
Length | 72:11 | |||
Label | FMP 062 | |||
Producer | Jost Gebers | |||
Peter Kowald chronology | ||||
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Was Da Ist is a solo album by German free jazz bassist Peter Kowald which was recorded in Germany in 1994 for the FMP label. [1] [2]
Review scores | |
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Source | Rating |
AllMusic | [3] |
Penguin Guide to Jazz | 👑 [4] |
AllMusic awarded the album 4 stars, and reviewer William York stated: "Kowald is less concerned with developing ideas in a conventional manner than he is on narrowing his sights intently on one specific idea and moving on to the next piece once he's done examining it. His intense concentration keeps the music focused and creates a hypnotic sort of feel in several spots, but it requires equal concentration on the part of the listener... Was Da Ist is a highly personal album that will reward those who can penetrate its somewhat forbidding exterior." [3]
The authors of the Penguin Guide to Jazz Recordings awarded the album a maximum four-star rating, plus a "Crown" signifying a recording that the authors "feel a special admiration or affection for." They commented: "This is music of the very highest order, technically adroit, emotionally and intellectually concentrated, and beautifully recorded... A record to savour and ponder; a record to return to, as often as time allows." [4] [5]
All compositions by Peter Kowald.
Peter Brötzmann was a German jazz saxophonist and clarinetist regarded as a central and pioneering figure in European free jazz. Throughout his career, he released over fifty albums as a bandleader. Amongst his many collaborators were key figures in free jazz, including Derek Bailey, Anthony Braxton and Cecil Taylor, as well as experimental musicians such as Keiji Haino and Charles Hayward. His 1968 Machine Gun became "one of the landmark albums of 20th-century free jazz".
Peter Kowald was a German free jazz and free improvising double bassist and tubist.
For Adolphe Sax is the debut album by free jazz saxophonist Peter Brötzmann. It was initially released on Brötzmann's Brö label in 1967, and was reissued on LP by FMP in 1972. In 2002, it was reissued, with an additional track, on CD by the Atavistic label, and in 2014, the original three tracks were reissued on CD by Cien Fuegos Records.
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Looking The Feel Trio is a live album featuring performances by Cecil Taylor with William Parker and Tony Oxley recorded in Berlin on November 2, 1989, and released on the FMP label.
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Touchin' on Trane is a live album by American jazz saxophonist Charles Gayle, bassist William Parker, and percussionist Rashied Ali, featuring performances inspired by John Coltrane which were recorded in Germany in 1991 for the FMP label.
Pakistani Pomade is an album by German free jazz pianist Alexander von Schlippenbach's Trio, featuring saxophonist Evan Parker and percussionist Paul Lovens, recorded in Germany in 1972 for the FMP label.
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Thoughts is an album by American jazz trumpeter Bill Dixon recorded in 1985 and released on the Italian Soul Note label.
Touch the Earth is an album by a free jazz trio consisting of American trumpeter Wadada Leo Smith, German bassist Peter Kowald and German drummer Günter Sommer, which was recorded live in 1979 and released on the German FMP label. It was reissued on CD in a compilation titled Touch the Earth—Break the Shells, with some tracks from If You Want the Kernels You Have to Break the Shells, another album by the same trio.
If You Want the Kernels You Have to Break the Shells is an album by a free jazz trio consisting of German bassist Peter Kowald, American trumpeter Wadada Leo Smith, and German drummer Günter Sommer, which was recorded live in 1981 and released on the German FMP label. The two tracks from the side A of the album were combined on the CD reissue with Touch the Earth, another album by the same trio.
Three Blokes is a live album by saxophonists Lol Coxhill, Steve Lacy and Evan Parker recorded in Berlin in 1992 and first released on the FMP label in 1994.
Never Too Late But Always Too Early is a two-CD live album by saxophonist Peter Brötzmann, bassist William Parker, and drummer Hamid Drake. It was recorded in April 2001 at Casa del Popolo in Montréal, and was released in 2003 by Eremite Records. The album is dedicated to Peter Kowald.
Open Secrets is a solo bass album by Peter Kowald. It was recorded in January 1988 at the FMP Studio in Berlin, and was released on LP later that year by the FMP label. FMP reissued the album on CD in 2008.
Alarm is a live album by saxophonist Peter Brötzmann. It was recorded on November 12, 1981, at NDR Studio 10 in Hamburg, Germany, during the 164th NDR-Jazzworkshop, and was released in 1983 by FMP/Free Music Production. On the album, Brötzmann is joined by saxophonists Willem Breuker and Frank Wright, trumpeter Toshinori Kondo, trombonists Hannes Bauer and Alan Tomlinson, pianist Alexander von Schlippenbach, bassist Harry Miller, and drummer Louis Moholo. In 2006, the album was reissued on CD by Atavistic Records as part of their Unheard Music Series.
Between Heaven and Earth is an album by trombonist Conrad Bauer, bassist Peter Kowald, and drummer Günter Sommer. It was recorded on November 30 and December 1, 2001, at Radio Studio DRS in Zürich, and was released in 2003 by Intakt Records.
European Echoes is an album by trumpeter Manfred Schoof on which he is joined by members of the Manfred Schoof Orchestra, a large ensemble of free jazz musicians. Consisting of a single half-hour track, it was recorded during June 1969 in Bremen, Germany, and was issued on vinyl later that year by FMP as the label's inaugural release. It appeared in three editions, each of which had its own cover design. In 2002, the album was reissued on CD by Atavistic Records as part of their Unheard Music Series, and in 2013, it was reissued on vinyl by Cien Fuegos, an imprint of Trost Records.