Formation | 1975 |
---|---|
Dissolved | 1988 |
Purpose | Provide professional support and opportunities for women in the arts [1] |
Location |
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The Washington Women's Art Center (WWAC) was a nonprofit feminist art collective in Washington, D.C. [2] It existed for over a decade, from 1975 to 1988.
WWAC was founded in 1975 to support women in the arts. [3] Inspired by ideas presented at the 1972 Conference of Women in the Visual Arts at the Corcoran Gallery of Art, Katharine Butler, Barbara Frank, Janis Goodman, Sarah Hyde, and Ann Leffler Slayton and Josephine Withers founded WWAC. [4] It was originally located at 1821 Q Street NW. [3] For a time WACC was located at the Lansburgh Cultural Center at 420 7th Street NW. [5] In 1986 WWAC relocated to 6925 Willow Street, NW in the Takoma neighborhood. [6] The same year the organization was renamed The New Art Center. The organization closed its doors in 1988. [3]
The organization produced a newsletter entitled Womansphere. WWAC hosted collaboratively run workshops and exhibitions. Fees for membership and these events was the main source of funding for the organization. [7]
In 1979, Nancy Cusick, as director of WWAC, was on the coordinating committee for the United Nations' International Festival of Women Artists held in Copenhagen as part of the World Conference on Women, 1980. In 1985 Cusick and WWAC participated in the Focus International held in Nairobi as part of the World Conference on Women, 1985. [8] [4]
The Washington Printmakers Gallery originated with a group of artists meeting at WWAC. The gallery’s first show was in May 1985. [9] [10]
In 2018 the American University Museum held a retrospective exhibition of WWAC entitled Latitude: The Washington Women's Arts Center 1975-1987. [11] Also in 2018, as a companion to the Latitude exhibition, Lucy Blankstein and Ellouise Schoettler interviewed over a dozen WWAC alumni. [12]
Materials from the Washington Women's Art Center are archived at the National Museum of Women in the Arts. [3]
The National Museum of Women in the Arts (NMWA), located in Washington, D.C., is "the first museum in the world solely dedicated" to championing women through the arts. NMWA was incorporated in 1981 by Wallace and Wilhelmina Holladay. Since opening in 1987, the museum has acquired a collection of more than 6,000 works by more than 1,000 artists, ranging from the 16th century to today. The collection includes works by Mary Cassatt, Alma Woodsey Thomas, Élisabeth Louise Vigée-LeBrun, and Amy Sherald. NMWA also holds the only painting by Frida Kahlo in Washington, D.C., Self-Portrait Dedicated to Leon Trotsky.
Jacques Hnizdovsky, (1915–1985) was a Ukrainian-American painter, printmaker, graphic designer, illustrator and sculptor.
Keith Anthony Morrison, Commander of Distinction (C.D.), born May 20, 1942), is a Jamaican-born painter, printmaker, educator, critic, curator and administrator.
The Cyrus and Myrtle Katzen Arts Center is home to all of the visual and performing arts programs at American University and the American University Museum It is located at Ward Circle, the intersection of Nebraska Avenue and Massachusetts Avenues in Washington, D.C. This 130,000-square-foot (12,000 m2) space, designed to foster interdisciplinary collaboration in the arts, provides instructional, exhibition, and performance space for all the arts disciplines. Its 30,000-square-foot (3,000 m2) art museum exhibits contemporary art from the nation's capital region and the world. The museum gallery is the Washington region's largest university facility for art exhibition.
Susan Charna Rothenberg was an American contemporary painter, printmaker, sculptor, and draughtswoman. She became known as an artist through her iconic images of the horse, which synthesized the opposing forces of abstraction and representation.
The American University Museum is located within the Katzen Arts Center at the American University in Washington, DC.
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Roger Lee Steele. Raised in Wichita Falls, Texas, Steele was an American-born graphic artist/printmaker living in South Carolina best known for his lithography, an artistic process also known as relief printing. He was a printmaker specializing in the color-blend or split fountain technique, often incorporating traditional chine-collé gold leaf techniques in his work. His abstract color graphics are frequently suggestive of an artistic link between mid-late Japanese motifs and the modern world.
Mindy Weisel is an American abstract visual artist and author.
Carol Brown Goldberg is an American artist working in a variety of media. While primarily a painter creating heavily detailed work as large as 10 feet by 10 feet, she is also known for sculpture, film, and drawing. Her work has ranged from narrative genre paintings to multi-layered abstractions to realistic portraits to intricate gardens and jungles.
Ann Stewart Anderson was an American artist from Louisville, Kentucky whose paintings "focused on the rituals of being a woman." Anderson is known for her part in creating the collective work, the "Hot Flash Fan," a fabric art work about menopause funded by the National Endowment for the Arts. She was the executive director of the Kentucky Foundation for Women. Anderson died on March 4, 2019, one day after his 84th birthday.
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The Washington Printmakers Gallery is an artist cooperative focused on printmaking located in the Georgetown neighborhood of Washington, D.C.
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Ann Zahn (1931–2020) was an American printmaker and book artist. She is known for her prints as well as her involvement in the printmaking movement in the Washington, D.C. area.