Watt | ||||
---|---|---|---|---|
Studio album by | ||||
Released | December 1970 | |||
Recorded | September 1970 | |||
Studio | Olympic Sound Studios, London | |||
Genre | Blues rock, psychedelic rock | |||
Length | 37:52 | |||
Label | Deram Chrysalis | |||
Producer | Ten Years After | |||
Ten Years After chronology | ||||
|
Watt is the fifth studio album by the English blues rock band Ten Years After, released in 1970. It was recorded in September 1970 except for the last track, a cover of Chuck Berry's "Sweet Little Sixteen", which is a recording from the 1970 Isle of Wight Festival.
Review scores | |
---|---|
Source | Rating |
Allmusic | [1] |
Christgau's Record Guide | C+ [2] |
Allmusic gave Watt a moderately negative review, saying it "had many of the same ingredients as its predecessor, Cricklewood Green, but wasn't nearly as well thought out." They praised the band for performing as energetically as ever, but contended that Alvin Lee's compositions for the album are uniformly uninspired. [1]
All songs written by Alvin Lee, unless otherwise noted.
Chart (1971) | Peak position |
---|---|
Australia (Kent Music Report) [3] | 13 |
United Kingdom (Official Charts Company) | 5 |
United States (Billboard 200) | 21 |
Charles Edward Anderson Berry was an American singer, songwriter and guitarist who pioneered rock and roll. Nicknamed the "Father of Rock and Roll", he refined and developed rhythm and blues into the major elements that made rock and roll distinctive with songs such as "Maybellene" (1955), "Roll Over Beethoven" (1956), "Rock and Roll Music" (1957) and "Johnny B. Goode" (1958). Writing lyrics that focused on teen life and consumerism, and developing a music style that included guitar solos and showmanship, Berry was a major influence on subsequent rock music.
Ten Years After are a British blues rock band, most popular in the late 1960s and early 1970s. Between 1968 and 1973, Ten Years After scored eight Top 40 albums on the UK Albums Chart. In addition, they had twelve albums enter the US Billboard 200.
Blast from Your Past is a compilation album by English rock musician Ringo Starr, released on Apple Records in 1975. It is both Starr's first compilation LP and his final release under his contract with EMI. It was also the last album to be released on the Beatles' Apple label until it was revived in the 1990s.
Music is the third studio album by American singer-songwriter Carole King. The album was released in December 1971.
Hail! Hail! Rock 'n' Roll is an album by Chuck Berry and soundtrack to the film of the same name, which was released in 1987 under record label, MCA. The album was recorded live at The Fox Theatre, St Louis, Missouri and Berry Park, Wentzville, Missouri on October 6 and October 16, 1986. The event was held to celebrate Berry's 60th birthday and it included several special guests. The album does not include the Berry song "School Days," which includes the line the album's title is derived from.
The London Chuck Berry Sessions is the sixteenth studio album by Chuck Berry, and consists of studio recordings and live recordings released by Chess Records in October 1972 as LP record, 8 track cartridge and audio cassette. Side one of the album consists of studio recordings, engineered by Geoff Calver; side two features three live performances recorded by the Pye Mobile Unit, engineered by Alan Perkins, on February 3, 1972, at the Lanchester Arts Festival in Coventry, England. At the end of the live section, the recording includes the sounds of festival management trying in vain to get the audience to leave so that the next performers, Pink Floyd, can take the stage; the crowd begins chanting "We want Chuck!". His backing band were Onnie McIntyre (guitar), Robbie McIntosh (drums), Nic Potter (bass) and Dave Kaffinetti (piano). Both McIntosh and McIntyre would later form The Average White Band.
Chuck Berry Twist is the first compilation album by Chuck Berry, released by Chess Records in February 1962, during Berry's imprisonment. The title was an attempt to capitalize on a new dance craze, the Twist, introduced by Chubby Checker in 1960, even though none of the songs musically conformed to the Twist style. The album was reissued a year later with a new title, More Chuck Berry. An album with that title was released in the UK by Pye International Records in 1964, featuring the same cover but a completely different track listing.
A Space in Time is the sixth studio album by the British blues rock band Ten Years After. It was released in August 1971 by Chrysalis Records in the United Kingdom and Columbia Records in America. A departure in style from their previous albums, A Space in Time is less 'heavy' than previous albums and includes more acoustic guitar, perhaps influenced by the success of Led Zeppelin who were mixing acoustic songs with heavier numbers. It reached number 17 in the Billboard 200.
Live at the Fillmore East 1970, is the fourth live album by Ten Years After recorded in February 1970. This double-disc album features many rock and blues covers, such as Chuck Berry's "Sweet Little Sixteen", and "Roll Over Beethoven" and also Willie Dixon's "Spoonful", which was also covered by Cream on their albums Fresh Cream and Wheels of Fire. Unlike Ten Years After studio album A Space In Time - which was released next year, in 1971 - Live at the Fillmore East does not have as much of a pop sound, but more of a 1950s blues sound.
Cricklewood Green is the fourth studio album by blues rock band Ten Years After, released in 1970.
Ssssh is the third studio album by blues rock band Ten Years After, released in 1969. The album charted #20 on the Billboard 200 and #4 on the UK charts.
Daddy Who?... Daddy Cool is the 1971 debut album by Australian rock band Daddy Cool.
Rock & Roll Music to the World is the seventh studio album by the English blues rock band Ten Years After, released in 1972. It includes several Ten Years After standards, including "Standing at the Station", "Choo Choo Mama", and the title track.
Rockpile is the first solo album by Dave Edmunds, released in 1972. It is principally focused on remakes of late 1950s and early 1960s hits, with a few new songs included. Edmunds plays almost all the instruments except for bass and backing vocals, which are played by John Williams, Edmunds' former bandmate in Love Sculpture. The album included a 1970 British #1 and worldwide Top 10 single, "I Hear You Knocking". A 2001 reissue of the album includes both sides of Edmunds' three pre-album singles as bonus tracks.
Bad to the Bone is the fifth studio album by American blues-rock band George Thorogood and the Destroyers. It was released in 1982 by the label EMI America Records and contains their best known song, "Bad to the Bone". The album also features Rolling Stones side-man Ian Stewart on keyboards. A special edition of the album was released in 2007 to mark the 25th anniversary of the album's original release.
Chuck Berry's Golden Decade is a compilation of music by Chuck Berry, released in three volumes in 1967, 1973, and 1974. Covering the decade from 1955 to 1964, each volume consists of a two-LP set of 24 songs recorded by Berry. The first volume reached number 72 on Billboard's Pop Albums chart. The second volume peaked at number 110. The third volume, which included only two hit singles among its tracks, did not chart.
Positive Vibrations is the eighth studio album by the English blues rock band, Ten Years After, which was released in 1974. Shortly after the release of this album, the band broke up. The album peaked at #81 in the US Billboard 200 chart.
The Session...Recorded in London with Great Artists is a double album by Jerry Lee Lewis released on Mercury Records in 1973. It was recorded in London and features Lewis teaming up with British musicians, including Peter Frampton and Albert Lee.
"Surfin' U.S.A." is a song by the American rock band the Beach Boys credited to Chuck Berry and Brian Wilson. It is a rewritten version of Berry's "Sweet Little Sixteen" set to new lyrics penned by Wilson and an uncredited Mike Love. The song was released as a single on March 4, 1963, backed with "Shut Down". It was then placed as the opening track on their album of the same name.
"Good Old Rock 'n' Roll", also known as "The Dave Clark Play Good Old Rock 'n' Roll", is a medley by British band the Dave Clark Five, released as a single in November 1969. It was a top-ten hit in the UK, peaking at number 7 on the Singles Chart in January 1970.