Production
The episode was written and directed by series developer John Wells. It was Wells' 21st writing credit, and ninth directing credit. [1]
| "We Few, We Lucky Few, We Band of Gallaghers!" | |
|---|---|
| Shameless episode | |
| Episode no. | Season 10 Episode 1 |
| Directed by | John Wells |
| Written by | John Wells |
| Produced by |
|
| Cinematography by | Anthony Hardwick |
| Editing by | Russell Denove |
| Original release date | November 10, 2019 |
| Running time | 55 minutes |
| Guest appearances | |
| |
"We Few, We Lucky Few, We Band of Gallaghers!" is the first episode of the tenth season of the American television comedy drama Shameless , an adaptation of the British series of the same name. It is the 111st overall episode of the series and was written and directed by series developer John Wells. It originally aired on Showtime on November 10, 2019.
The series is set on the South Side of Chicago, Illinois, and depicts the poor, dysfunctional family of Frank Gallagher, a neglectful single father of six: Fiona, Phillip, Ian, Debbie, Carl, and Liam. He spends his days drunk, high, or in search of money, while his children need to learn to take care of themselves. In the episode, the family adjusts to their new life without Fiona.
According to Nielsen Media Research, the episode was seen by an estimated 0.76 million household viewers and gained a 0.21 ratings share among adults aged 18–49. The episode received generally mixed reviews, with critics casting doubt over the series' prospects without Fiona.
Six months have passed since Fiona left the house. Debbie (Emma Kenney) has become the head of the house, a pregnant Tami (Kate Miner) has moved in, Liam (Christian Isaiah) has returned to live under certain conditions, and Frank (William H. Macy) continues living while recovering from his injury. Debbie establishes limits on the money spent, but is later revealed that she has bought expensive clothing, which she returns before the return deadline passes.
Carl (Ethan Cutkosky) graduates from the military academy, after having been sent to the brig for attacking other soldiers for bullying a fellow cadet. While he graduates, his superior tells him he will never be welcomed in the Army. Kelly (Jess Gabor) cheers him up by having sex with her multiple times, as she is leaving for a Navy position the following day. Frank goes to his doctor for a prescription of oxycodone, but the doctor is certain his condition improved and only gives him advil. He tries to rob an old woman and flees, running into Mikey (Luis Guzmán), who is pretending to be legless to get money. They bond, and Mikey helps Frank in stealing couches from an expensive hotel.
Kevin (Steve Howey) struggles in keeping up with basketball games, and Veronica (Shanola Hampton) remarks that it might be due to his age. He wants to buy expensive sneakers, believing that it might be the reason, but Veronica forbids him from taking money from the family's fund. To get the money, Kevin works again as a dancer at a gay club. While he gets money, he does not move as smoothly as he once did. Tami is shocked when she suddenly goes into labor, and Lip (Jeremy Allen White) takes her to the hospital. The doctors are forced to perform an emergency Caesarean section on Tami. The baby is successfully delivered, but Tami faints, and is taken to an emergency room when her pulse drops.
Liam embraces his African-American heritage, but is often bullied by people in the street. Kevin earns enough money to buy the sneakers, but discovers that he still plays badly, finally realizing that he might be old. The family reunites at the hospital, with Lip holding his child, a boy.
The episode was written and directed by series developer John Wells. It was Wells' 21st writing credit, and ninth directing credit. [1]
In its original American broadcast, "We Few, We Lucky Few, We Band of Gallaghers!" was seen by an estimated 0.76 million household viewers with a 0.21 in the 18–49 demographics. This means that 0.21 percent of all households with televisions watched the episode. [2] This was a 44 percent decrease in viewership from the previous episode, which was seen by an estimated 1.35 million household viewers with a 0.45 in the 18–49 demographics. [3]
"We Few, We Lucky Few, We Band of Gallaghers!" received mixed reviews from critics. Myles McNutt of The A.V. Club gave the episode a "C–" grade and wrote, "“We Few, We Lucky Few, We Band of Gallaghers” is more perplexing than offensive, inert in ways that fuel the concerns about how the show intends to survive in Emmy Rossum's absence. While the show's erratic storytelling created complications for Fiona's storylines like it did everyone else's, Fiona had a clear narrative arc, something that the show has struggled to generate for other characters." [4]
Daniel Kurland of Den of Geek gave the episode a 2.5 star rating out of 5 and wrote "“We Few, We Lucky Few, We Band of Gallaghers!” faces a tough task, but is able to handle the pressure. However, due to how half a year has gone by, a lot of this premiere feels like it's playing catch up to reorient the viewer. It's a rather disjointed episode that doesn't really offer enough of any character's storylines." [5] Kimberly Ricci of Uproxx wrote "let's stop and think about when we first met Carl, nearly a decade ago. He was the character melting action figures in the microwave and felt like carefully controlled chaos personified. Now he's a snooze, but if that's my biggest disappointment with this season of Shameless, then the show's getting things done. The U.K. version of this series ran for eleven seasons, and I see no reason why the U.S. edition can't go there (and maybe beyond) as well." [6]
Meaghan Darwish of TV Insider wrote "even without some of their key players, this group proves what viewers have known all along — they're there for each other when it matters." [7] Paul Dailly of TV Fanatic gave the episode a 2.75 star rating out of 5, and wrote, "it's clear that Shameless is a shell of its former self. Most of the storylines have been done before, and some of the characters have become excruciating to watch." [8]
"Hope Springs Paternal" is the eighth episode of the fourth season of the American television comedy drama Shameless, an adaptation of the British series of the same name. It is the 44th overall episode of the series and was written by producer Sheila Callaghan and directed by Mimi Leder. It originally aired on Showtime on March 9, 2014.
"Refugees" is the fifth episode of the sixth season of the American television comedy drama Shameless, an adaptation of the British series of the same name. It is the 65th overall episode of the series and was written by co-executive producer Etan Frankel and directed by Wendey Stanzler. It originally aired on Showtime on February 7, 2016.
"We Become What We... Frank!" is the first episode of the eighth season of the American television comedy drama Shameless, an adaptation of the British series of the same name. It is the 85th overall episode of the series and was written by series developer John Wells and directed by supervising producer Iain B. MacDonald. It originally aired on Showtime on November 5, 2017.
"Lost" is the thirteenth episode of the ninth season of the American television comedy drama Shameless, an adaptation of the British series of the same name. It is the 109th overall episode of the series and was written by series developer John Wells, and directed by co-executive producer Iain B. MacDonald. It originally aired on Showtime on March 3, 2019.
"Found" is the fourteenth episode and season finale of the ninth season of the American television comedy drama Shameless, an adaptation of the British series of the same name. It is the 110th overall episode of the series and was written and directed by series developer John Wells. It originally aired on Showtime on March 10, 2019.
"You'll Know the Bottom When You Hit It" is the twelfth episode of the ninth season of the American television comedy drama Shameless, an adaptation of the British series of the same name. It is the 108th overall episode of the series and was written by co-executive producer Joe Lawson, and directed by Shari Springer Berman and Robert Pulcini. It originally aired on Showtime on February 24, 2019.
"Los Diablos!" is the tenth episode of the ninth season of the American television comedy drama Shameless, an adaptation of the British series of the same name. It is the 106th overall episode of the series and was written by executive producer Nancy M. Pimental, and directed by Roberto Sneider. It originally aired on Showtime on February 10, 2019.
"The Apple Doesn't Fall Far from the Alibi" is the eighth episode of the ninth season of the American television comedy drama Shameless, an adaptation of the British series of the same name. It is the 104th overall episode of the series and was written by co-executive producer Joe Lawson, and directed by Zetna Fuentes. It originally aired on Showtime on January 20, 2019.
"Down Like the Titanic" is the seventh episode of the ninth season of the American television comedy drama Shameless, an adaptation of the British series of the same name. It is the 103rd overall episode of the series and was written by producer Molly Smith Metzler, and directed by Silver Tree. It originally aired on Showtime on October 21, 2018.
"Do Right, Vote White!" is the fourth episode of the ninth season of the American television comedy drama Shameless, an adaptation of the British series of the same name. It is the 100th overall episode of the series and was written by series developer John Wells, and directed by Mark Mylod. It originally aired on Showtime on September 30, 2018.
"Weirdo Gallagher Vortex" is the third episode of the ninth season of the American television comedy drama Shameless, an adaptation of the British series of the same name. It is the 99th overall episode of the series and was written by co-executive producer Joe Lawson, and directed by Kat Coiro. It originally aired on Showtime on September 23, 2018.
"Which America?" is the third episode of the tenth season of the American television comedy drama Shameless, an adaptation of the British series of the same name. It is the 113rd overall episode of the series and was written by supervising producer Molly Smith Metzler, and directed by executive producer Silver Tree. It originally aired on Showtime on November 24, 2019.
"Sleep Well My Prince for Tomorrow You Shall Be King" is the second episode of the tenth season of the American television comedy drama Shameless, an adaptation of the British series of the same name. It is the 112nd overall episode of the series and was written by executive producer Nancy M. Pimental, and directed by Jennifer Arnold. It originally aired on Showtime on November 17, 2019.
"I Am a Storm" is the fourth episode of the seventh season of the American television comedy drama Shameless, an adaptation of the British series of the same name. It is the 76th overall episode of the series and was written by executive producer Sheila Callaghan and directed by main cast member Emmy Rossum. It originally aired on Showtime on October 23, 2016.
"Survival of the Fittest" is the twelfth episode and season finale of the third season of the American television comedy drama Shameless, an adaptation of the British series of the same name. It is the 36th overall episode of the series and was written by producer Etan Frankel and co-executive producer Nancy M. Pimental, and directed by executive producer Mark Mylod. It originally aired on Showtime on April 7, 2013.
"Going Once, Going Twice" is the fourth episode of the sixth season of the American television comedy drama Shameless, an adaptation of the British series of the same name. It is the 64th overall episode of the series and was written by executive producer Davey Holmes and directed by executive producer Christopher Chulack. It originally aired on Showtime on January 31, 2016.
"Own Your Shit" is the fifth episode of the seventh season of the American television comedy drama Shameless, an adaptation of the British series of the same name. It is the 77th overall episode of the series and was written by Dominique Morisseau and directed by executive producer Christopher Chulack. It originally aired on Showtime on October 30, 2016.
"Requiem for a Slut" is the twelfth episode and season finale of the seventh season of the American television comedy drama Shameless, an adaptation of the British series of the same name. It is the 84th overall episode of the series and was written and directed by series developer John Wells. It originally aired on Showtime on December 18, 2016.
"A Gallagher Pedicure" is the eleventh episode of the eighth season of the American television comedy drama Shameless, an adaptation of the British series of the same name. It is the 95th overall episode of the series and was written by co-executive producer Mark Steilen, and directed by supervising producer Iain B. MacDonald. It originally aired on Showtime on January 21, 2018.
"BOOOOOOOOOOOONE!" is the ninth episode of the ninth season of the American television comedy drama Shameless, an adaptation of the British series of the same name. It is the 105th overall episode of the series and was written by producer Philip Buiser, and directed by Loren Yaconelli. It originally aired on Showtime on January 27, 2019.