Welcome to all the pleasures, Z. 339, [lower-alpha 1] is a 1683 composition by Henry Purcell, the first of a series he wrote in honour of the patron saint of music, Saint Cecilia. [1] It was commissioned by an organisation called "The Musical Society" for performance in London on 22 November 1683.
Purcell set a text by Christopher Fishburn, a relatively obscure figure who was related to Sir Christopher Wren. [2] [3] It begins
Welcome to all the pleasures that delight
Of ev'ry sense the grateful appetite.
Hail, great assembly of Apollo's race.
Hail to this happy place, this musical assembly
That seems to be the arc of universal harmony.
The music is for vocal soloists, chorus and an ensemble of baroque instruments consisting of four-part strings (1st and 2nd violin, viola, cello) and basso continuo. As well as accompanying the singers, the instruments feature in an overture (called "symphony") and ritornelli. The piece takes about 18 minutes to perform.
The venue of the first performance in 1683 was York Buildings which is regarded as London's first regular concert hall. It was built on land previously occupied by York House. [5]
The piece received its Proms premiere in 1963 when it was conducted by George Malcolm. The soloists were Alfred Deller (countertenor), Wilfred Brown (tenor) and John Shirley-Quirk (baritone). [6]
The work appeared in print in 1684, the year after its first performance. [7] The publisher was John Playford and the work was printed by his nephew John Playford the Younger. John Playford the Elder was at the end of his career and by this stage had handed most of the running of his business near London's Temple Church to his son Henry.
Eulenberg brought out a miniature score in 1964. It was edited by Walter Bergmann, who had played harpsichord on the 1959 recording of the work. [8] [9]
After his father's death, Henry Playford went on to publish a keyboard arrangement of one of the numbers from the work, "Here the deities approve", under the title "A new ground" (a ground bass forms the basis of the piece). It appeared in the compilation "The second part of Musick's handmaid" (1689), and is now catalogued as ZT 682.
Commercial recordings are mainly by British conductors, a notable exception is the Belgian Philippe Herreweghe who conducts the Collegium Vocale Gent in a 2007 version.
Versions include:
Henry Purcell was an English composer of Baroque music.
Alfred George Deller, CBE, was an English singer and one of the main figures in popularising the return of the countertenor voice in Renaissance and Baroque music during the 20th century.
John Blow was an English composer and organist of the Baroque period. Appointed organist of Westminster Abbey in late 1668, his pupils included William Croft, Jeremiah Clarke and Henry Purcell. In 1685 he was named a private musician to James II. His only stage composition, Venus and Adonis, is thought to have influenced Henry Purcell's later opera Dido and Aeneas. In 1687, he became choirmaster at St Paul's Cathedral, where many of his pieces were performed. In 1699 he was appointed to the newly created post of Composer to the Chapel Royal.
Saint Cecilia, also spelled Cecelia, was a Roman virgin martyr and is venerated in Catholic, Orthodox, Anglican, and some Lutheran churches, such as the Church of Sweden. She became the patroness of music and musicians, it being written that, as the musicians played at her wedding, Cecilia "sang in her heart to the Lord". Musical compositions are dedicated to her, and her feast, on 22 November, is the occasion of concerts and musical festivals. She is also known as Cecilia of Rome.
Ode for the Birthday of Queen Anne is a secular cantata composed by George Frideric Handel to a libretto by Ambrose Philips, of which the first line, "Eternal source of light divine", provides an alternative title for the work. It was probably composed during January 1713 for a performance on 6 February 1713, although there is no record of the performance having actually taken place. Other catalogues of Handel's music have referred to the work as HG xlvi A; and HHA i/6.
The year 1695 in music involved some significant events.
The Fairy-Queen is a semi-opera by Henry Purcell; a "Restoration spectacular". The libretto is an anonymous adaptation of William Shakespeare's comedy A Midsummer Night's Dream. First performed in 1692, The Fairy-Queen was composed three years before Purcell's death at the age of 35. Following his death, the score was lost and only rediscovered early in the twentieth century.
Hymn to St Cecilia, Op. 27 is a choral piece by Benjamin Britten (1913–1976), a setting of a poem by W. H. Auden written between 1940 and 1942. Auden's original title was "Three Songs for St. Cecilia's Day", and he later published the poem as "Anthem for St. Cecilia’s Day ".
Hail! Bright Cecilia (Z.328), also known as Ode to St. Cecilia, was composed by Henry Purcell to a text by the Irishman Nicholas Brady in 1692 in honour of the feast day of Saint Cecilia, patron saint of musicians.
Orpheus Britannicus is a collection of songs by Henry Purcell, published posthumously in London in two volumes, the first in 1698 and the second in 1702. In the preface to the first volume Henry Playford, the printer of the volume and the son of the music publisher John Playford, praises Purcell's setting of English texts.
Alexander's Feast is an ode with music by George Frideric Handel set to a libretto by Newburgh Hamilton. Hamilton adapted his libretto from John Dryden's ode Alexander's Feast, or the Power of Music (1697) which had been written to celebrate Saint Cecilia's Day. Jeremiah Clarke set the original ode to music.
Charles Daniels is an English tenor, particularly noted for his performances of baroque music. He is a frequent soloist with The King's Consort, and has made over 25 recordings with the ensemble on the Hyperion label.
Ode for St Cecilia's Day are odes for St Cecilia the patron saint of music and may refer to musical works by:
William Turner was a composer and countertenor of the Baroque era. A contemporary of John Blow and Henry Purcell, he is best remembered for his verse anthems, of which over forty survive. As a singer, he was a Gentleman of the Chapel Royal from 1669 until his death.
April Rosemary Cantelo is an English soprano.
Come Ye Sons of Art, Z.323, also known as Ode for Queen Mary's Birthday, is a musical composition by Henry Purcell. It was written in 1694, and is one of a series of odes in honour of the birthday of Queen Mary II of England. The text of the ode is often attributed to Nahum Tate, who was poet laureate at the time.
"Hear my prayer, O Lord", Z. 15, is an eight-part choral anthem by the English composer Henry Purcell (1659–1695). The anthem is a setting of the first verse of Psalm 102 in the version of the Book of Common Prayer. Purcell composed it c. 1682, at the beginning of his tenure as Organist and Master of the Choristers for Westminster Abbey.
Purcell's Odes to St Cecilia may refer to:
"Thou knowest, Lord, the secrets of our hearts", Z. 58, designates two choral settings composed by Henry Purcell. The text is one of the Anglican funeral sentences from the Book of Common Prayer. Early versions began possibly in 1672 and were revised twice before 1680. Purcell composed his last version, in a different style, for the 1695 Music for the Funeral of Queen Mary, Z. 860.