Chips Mackinolty is an Australian artist. He was involved in the campaigns against the war in Vietnam by producing posters, and was a key figure in the radical poster movement. In 1990 he co-founded, with Peter Cook and Therese Ritchie, Green Ant Research Arts and Publishing. He also worked in public service roles and as a journalist.
Street art is visual art created in public locations for public visibility. It has been associated with the terms "independent art", "post-graffiti", "neo-graffiti" and guerrilla art.
Civilian is the pseudonym of Tom Civil a street artist, operating out of Melbourne, Australia, who has been profiled as a "leading player" of "the city's vibrant stencil art scene".
James Dodd is a South Australian artist, arts educator and street artist who used the pseudonym Dlux for his street art when he operated out of Melbourne.
Phibs is the pseudonym of Tim De Haan, a notable graffiti artist operating out of Sydney, Australia.
Vexta is an Australian stencil artist and street artist from Melbourne, Victoria.
Since the 1980s, the area surrounding the Sydney inner west suburb of Newtown, Australia, including the suburbs of Newtown, Enmore, Erskineville, Camperdown and St Peters, has been known for its wide range of prominent graffiti and street art on walls. The public visual art in the Newtown area consists of a variety of styles and methods of execution, including large-scale painted murals, hand-painted political slogans, hand-painted figurative designs, spray painted semi-abstract designs "tags"), and other stylistic developments such as stencil art and street poster art, "Yarn bombing", and sculptural items cast from plaster and other materials.
Melbourne, the capital of Victoria and the second largest city in Australia, has gained international acclaim for its diverse range of street art and associated subcultures. Throughout the 1970s and 1980s, much of the city's disaffected youth were influenced by the graffiti of New York City, which subsequently became popular in Melbourne's inner suburbs, and along suburban railway and tram lines.
Blek le Rat is a French graffiti artist. He was one of the first graffiti artists in Paris, and has been described as the "Father of stencil graffiti".
Bronwyn Bancroft is an Aboriginal Australian artist, administrator, book illustrator, and among the first three Australian fashion designers to show their work in Paris. She was born in Tenterfield, New South Wales, and trained in Canberra and Sydney.
The Australian Queer Archives (AQuA) is a community-based non-profit organisation committed to the collection, preservation and celebration of material reflecting the lives and experiences of lesbian, gay, bisexual, transgender and intersex LGBTI Australians. It is located in Melbourne. The Archives was established as an initiative of the 4th National Homosexual Conference, Sydney, August 1978, drawing on the previous work of founding President Graham Carbery. Since its establishment the collection has grown to over 200,000 items, constituting the largest and most significant collection of material relating to LGBT Australians and the largest collection of LGBT material in Australia, and the most prominent research centre for gay, lesbian, bisexual, trans and intersex history in Australia.
Luke Cornish is an Australian stencil artist, also known as E.L.K. In 2012 Cornish became the first stencil artist to become a finalist in the Archibald Prize. He was also awarded the Holding Redlich People's Choice Award at the Archibald Prize Salon des Refusés in 2017, the Churchill Fellowship in 2013 and was a finalist in the Sulman prize in the same year. In 2011, he was a finalist in the Metro Art Prize, won the Australian Stencil Art prize in 2010, and in 2008 he won the most popular stencil at Melbourne Stencil Festival. In 2012, Cornish's short film, 'Me- We', which documented the process and construction of his portrait of Father Bob Maguire for entry into the 2012 Archibald Prize, was shortlisted in the Tropfest Awards Film Festival. Other notable achievements include being selected for 2012's Project 5 charity auction, a large involvement in 2011's Outpost Project. Cornish has exhibited his work in capital and regional cities in Australia, and in major international cultural centres, including Paris, London, Rome, Los Angeles and Amsterdam.
Street art in Adelaide is a growing aspect of the wider public arts scene found in the Adelaide central business district. Adelaide street art includes the full gamut of contemporary street art mediums, including stenciling, murals, paste-ups, sticker art and yarn bombing.
Alison Alder is an artist working predominantly within screen-printing media, technology-based works and "constructed environments" to explore social issues in Australia, including Indigenous Australian communities, and other organisations. She co-founded the Megalo International Silkscreen Collective with a collective of activists including Colin Little, the founder of Earthworks Poster Collective, in 1980.
Marie Elizabeth Rita McMahon is an Australian artist, known for her paintings, prints, posters, drawings, and design work. Born in Melbourne, she has worked in various communities of Australian Aboriginal people and as of 2020 works in Sydney. Her work has focused on social, political, and environmental issues. Her posters about Aboriginal rights and Aboriginal life appear in major gallery collections in Australia.
Australian poster collectives were artist collectives established in the late 1960s, 70s and 80s in the capital cities of Australia, largely led by women and focused on various forms of political activism.
Alice Hinton-Bateup is an Australian artist and print-maker. In the 1980s she was active in Garage Graphix Community Art Group, a print workshop in Mt. Druitt, Sydney, which included a number of Aboriginal artists. They produced posters that became important in the struggle for Aboriginal rights in Australia.
Garage Graphix was an Australian community group of women artists, active between 1981 and 1998. It included an Aboriginal Arts Program, which was led by Aboriginal arts workers, and it was the first of its kind in Australia; it employed Alice Hinton-Bateup and undertook commissions and design work for Aboriginal organisations around Sydney.
