Western swing fiddle

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Westerns swing originated in the 1920s and 1930s; small towns in the US Southwest. Although sometimes subject to the term "Texas swing" it is widely associated with Tulsa, [1] others contend that "Western Swing music finds deep roots in the dust bowl of Oklahoma", [2] and its influences include jazz from the major urban centers of the United States. Its stylistic origins lie in Old Time, Western, blues, folk, swing, Dixieland and jazz. Writing in Rolling Stone , Dan Hicks described it as Texas-bred music grafted to jazz, or as "white country blues with a syncopated beat.". [3]

Contents

Bob Wills is considered by many music authorities one of the fathers of Western swing along with his old Fort Worth friend, Milton Brown. Nevertheless, it is Wills who is called the King of Western Swing. A key factor in its development was the competition that the radio and recordings brought to compete with the more insular and time honored traditions of old time fiddle music. [4] [5] "Hep cat" and sometime Roy Rogers stand-in Spade Cooley used the title of "King of Western Swing" as per a 1945 Warner Brothers film. [6] [7]

Distinctives of the style

One of the characteristics of the genre is that fiddle is the lead instrument, unlike other genres such as Cajun in which the lead instrument varies in different eras. [8] A major characteristic of the style is syncopation and rhythmic drive - it is dance music. [9] It was typically played in bars and in big city Western hotel buildings with large ballrooms; alcohol was served and fights were not unknown. The musicians had to keep the music going until they had fulfilled their contract and could get paid. Twin fiddles and even triple fiddle was another distinctive of Western Swing fiddle. [10]

Repertoire

Many old time fiddle tunes were adapted to Western swing. [6] "Faded Love" is a Western swing song written by Bob Wills, his father John Wills, [11] and his brother, Billy Jack Wills. The melody came from an old fiddle tune Bob learned from his father, John Wills. [12] [13]

San Antonio Rose written by Wills, was his biggest hit, taking him "from hamburgers to steaks!". It sold over a million copies. [14]

Notable Western Swing fiddlers (partial list)

Bus Boyk

Cecil Brower

Cliff Bruner

Johnny Gimble

Billy Hughes (musician)

Merl Lindsay

Rose Maddox

Billy Jack Saucier

Dave Stogner

Bob Wills

Johnnie Lee Wills

Joe Holley

Louis Tierney

Cliff Bruner

Crossover and influence

Westerns swing is influential on country music as demonstrated by, for instance, collaboration of Willie Nelson with Asleep at the Wheel on Austin City Limits in 2009. [15]

Bibliography

Related Research Articles

Bob Wills American Western swing musician, songwriter, and bandleader

James Robert Wills was an American Western swing musician, songwriter, and bandleader. Considered by music authorities as the co-founder of Western swing, he was known widely as the King of Western Swing.

Fiddle String instrument

A fiddle is a bowed string musical instrument, most often a violin. It is a colloquial term for the violin, used by players in all genres, including classical music. Although in many cases violins and fiddles are essentially synonymous, the style of the music played may determine specific construction differences between fiddles and classical violins. For example, fiddles may optionally be set up with a bridge with a flatter arch to reduce the range of bow-arm motion needed for techniques such as the double shuffle, a form of bariolage involving rapid alternation between pairs of adjacent strings. To produce a "brighter" tone, compared to the deeper tones of gut or synthetic core strings, fiddlers often use steel strings. The fiddle is part of many traditional (folk) styles, which are typically aural traditions—taught "by ear" rather than via written music.

Western swing music is a subgenre of American country music that originated in the late 1920s in the West and South among the region's Western string bands. It is dance music, often with an up-tempo beat, which attracted huge crowds to dance halls and clubs in Texas, Oklahoma and California during the 1930s and 1940s until a federal war-time nightclub tax in 1944 contributed to the genre's decline.

Milton Brown Musical artist

Milton Brown was an American band leader and vocalist who co-founded the genre of Western swing. His band was the first to fuse hillbilly hokum, jazz, and pop together into a unique, distinctly American hybrid, thus giving him the nickname, "Father of Western Swing". The birthplace of Brown's upbeat "hot-jazz hillbilly" string band sound was developed at the Crystal Springs Dance Hall in Fort Worth, Texas from 1931 to 1936.

Asleep at the Wheel American band

Asleep at the Wheel is an American Western swing group that was formed in Paw Paw, West Virginia, United States, and is based in Austin, Texas. The band has won nine Grammy Awards since their 1970 inception, released over twenty albums, and has charted more than 21 singles on the Billboard country charts. Their highest-charting single, "The Letter That Johnny Walker Read", peaked at No. 10 in 1975.

Cliff Bruner Musical artist

Clifton Lafayette Bruner was a fiddler and bandleader of the Western Swing era of the 1930s and 1940s. Bruner's music combined elements of traditional string band music, improvisation, blues, folk, and popular melodies of the times.

"Faded Love" is a Western swing song written by Bob Wills, his father John Wills, and his brother, Billy Jack Wills. The tune is considered to be an exemplar of the Western swing fiddle component of American fiddle.

The Quebe Sisters are an Americana band based in Dallas, Texas, who perform a mix of progressive western swing, jazz-influenced swing, country, Texas-style fiddling, and western music. The band consists of sisters Grace, Sophia, and Hulda Quebe, all of whom play the fiddle and sing, with supporting musicians accompanying on guitar, upright bass, or other instruments.

Eldon Shamblin was an American guitarist and arranger, particularly important to the development of Western swing music as one of the first electric guitarists in a popular dance band. He was a member of The Strangers during the 1970s and 1980s.

Johnny Gimble American country musician

John Paul Gimble was an American country musician associated with Western swing. Gimble was considered one of the most important fiddlers in the genre. He was inducted into the Rock and Roll Hall of Fame in 1999 in the early influences category as a member of Bob Wills and His Texas Playboys.

"New San Antonio Rose" was the signature song of Bob Wills and His Texas Playboys. "San Antonio Rose" was an instrumental song written by Bob Wills, who first recorded it with the Playboys on November 28, 1938. Band members added lyrics and it was retitled "New San Antonio Rose". A fresh recording was made on April 16, 1940 with a vocal by Tommy Duncan.

"Take Me Back to Tulsa" is a Western swing standard song. Bob Wills and Tommy Duncan added words and music to the melody of the traditional fiddle tune "Walkin' Georgia Rose" in 1940. The song is one of eight country music performances selected for the Rock and Roll Hall of Fame's "500 Songs That Shaped Rock & Roll".

Calvin Vollrath is a Canadian fiddler and composer and is one of the few European-Canadian fiddle players playing professionally in the Métis style. He lives in St. Paul, Alberta.

Cecil Brower Musical artist

Cecil Lee Brower was a classically trained American jazz violinist who became an architect of Western swing in the 1930s. Perhaps the greatest swing fiddler, he could improvise as well as double shuffle and created his own style which became the benchmark for his contemporaries.

American fiddle

American fiddle-playing began with the early settlers who found that the small viol family instruments were portable and rugged. According to Ron Yule, "John Utie, a 1620 immigrant, settled in the North and is credited as being the first known fiddler on American soil". Early influences were Irish fiddle styles as well as Scottish and the more refined traditions of classical violin playing. Popular tunes included "Soldier's Joy", for which Robert Burns had written lyrics, and other such tunes as "Flowers of Edinburgh" and "Tamlin," which were claimed by both Scottish and Irish lineages.

Old time fiddle

Old time fiddle is a genre of American folk music. "Old time fiddle tunes" derived from European folk dance tunes such as Jig, Reel, Breakdown, Schottische, Waltz, Two Step and Polka. The fiddle may be accompanied by banjo or other instruments but are nevertheless called "fiddle tunes". The genre traces from the colonization of North America by immigrants from England, France, Germany, Ireland, and Scotland. It is separate and distinct from traditions which it has influenced or which may in part have evolved from it, such as bluegrass, country blues, variants of western swing and country rock.

Bluegrass fiddling is a distinctive style of American fiddle playing which is characterized by bold, bluesy improvisation, off-beat "chopping", and sophisticated use of both double-stops and old-time bowing patterns.

Billy Contreras is an American jazz violinist and bluegrass fiddler, multi-instrumentalist, session player and educator.

<i>Tribute to the Music of Bob Wills and the Texas Playboys</i> 1993 studio album by Asleep at the Wheel

Tribute to the Music of Bob Wills and the Texas Playboys is the 12th studio album and first tribute album by American country band Asleep at the Wheel. Recorded at studios in Austin, Texas and Nashville, Tennessee, it was produced by the band's frontman Ray Benson and released on October 25, 1993 by Liberty Records. The collection features recordings of songs made popular by Western swing group Bob Wills and His Texas Playboys, a major influence on Asleep at the Wheel.

References

  1. Bob Wills - Take Me Back To Tulsa: The Original Columbia Recordings Vol. 1 CD Bob Wills
  2. http://www.okfiddlers.com/FiddleCDs/FiddlePractice/PracticePages/Western%20Swing%20Practice%20Soundtracks.htm Oklahoma Trading Post Fiddlers Archived March 26, 2012, at the Wayback Machine
  3. Dan Hicks|Review of Merle Haggard A Tribute to the Best Damn Fiddle Player in the World (Or My Salute to Bob Wills)|https://www.rollingstone.com/music/albumreviews/a-tribute-to-the-best-damn-fiddle-player-in-the-world-or-my-salute-to-bob-wills-19721026
  4. Brink, Western Swing, p. 550: "In many ways, western swing music is a manifestation of the cultural forces that came together where the geographical isolation and harsh living conditions of the frontier met the electronic age. People still living in dugouts and sod houses on the Southern High Plains became a part of popular culture through the radio and the jukebox, mingling their musical talents and tastes with the new sounds introduced to them through the accessibility of phonographs and the airwaves."
  5. Logsdon, "Folk Songs", p. 299: "In the 1920s Bob Wills, a fiddle player son of a cotton farmer in West Texas, started playing ranch-house dances. His desire to play dances eventually developed a dance genre known as western swing. While the music has elements of jazz and blues, it actually evolved from the specific merger of cowboy and farmer folk song and instrumentation."
  6. 1 2 Spade Cooley - 1945 Short Film "King of Western Swing" (That's disputed). radiobob805. August 12, 2009. Archived from the original on March 11, 2021. Retrieved September 29, 2021 via YouTube.
  7. ^ The Soundies Distributing Corporation of America: a history and filmography of their "jukebox" musical films of the 1940s. Terenzio, MacGillivary, Okuda. 1954. page 129. ISBN   0-89950-578-3
  8. ^ Boyd, "Western Swing", p. 208: "... modernization did not diminish the unique and basically rural character of western swing, which remained distinct from mainstream horn jazz because of the prominent place given to fiddles and guitars, both standard and steel. The fiddle was the lead instrument in any western swing band, even those with horns, and every other instrumentalist adjusted to the fiddlers' stylings and preferences for sharp keys. "
  9. Boyd,"...there were also rhythmic differences between western swing bands and horn bands. Western swing was dance music, with the emphasis on a clearly discernible and uncluttered beat pattern. Western swing bands tended to use a highly syncopated rhythmic bass (i.e. \tfrac{2}{4} time signature), moving to the more relaxed swing-four (i.e., \tfrac{4}{4} time signature) only to back certain soloists. This gave western swing bands more rhythmic drive and an overall more aggressive character than most horn bands...
  10. http://www.texasfiddlemusic.com/system.html
  11. San Antonio Rose - The Life and Music of Bob Wills. Charles R. Townsend. 1976. University of Illinois. page 11. ISBN   0-252-00470-1
  12. Wolff, Country Music, p. 112: "It ['Faded Love'] originated with western swing pioneer Bob Wills, who grew up in the 1910s and '20s fiddling in rural Texas with his father, John Wills. They wrote the melody together when Bob was very young; it wasn't until 1950 that the song gained lyrics, courtesy of Bob's younger brother, Billy Jack."
  13. McWhorter, Cowboy Fiddler, p. 61: "And he [Boyd Rogers] played a tune called 'Forsaken Lover.' It's note-for-note the same as 'Faded Love.' Bob took that old tune and slowed it down and put in that long Bob Wills bow, and it became 'Faded Love'."
  14. Fiddling Around the WOrld|Chris Haigh|Website|http://www.fiddlingaround.co.uk/westernswing/index.html
  15. Oh, You Pretty Woman by Willie Nelson and Asleep at the Wheel. Asleep at the Wheel - Official. November 17, 2009. Archived from the original on July 27, 2021. Retrieved September 29, 2021 via YouTube.