An Inspector Calls is a modern morality play written by English dramatist J. B. Priestley, first performed in the Soviet Union in 1945 and at the New Theatre in London the following year. It is one of Priestley's best-known works for the stage and is considered to be one of the classics of mid-20th century English theatre. The play's success and reputation were boosted by a successful revival by English director Stephen Daldry for the National Theatre in 1992 and a tour of the UK in 2011–2012.
Dame Dorothy Tutin, was an English actress of stage, film and television. For her work in the theatre, she won two Olivier Awards and two Evening Standard Awards for Best Actress. She was made a CBE in 1967 and a Dame (DBE) in 2000.
Sir James Matthew Barrie, 1st Baronet, was a Scottish novelist and playwright, best remembered as the creator of Peter Pan. He was born and educated in Scotland and then moved to London, where he wrote several successful novels and plays. There he met the Llewelyn Davies boys, who inspired him to write about a baby boy who has magical adventures in Kensington Gardens, then to write Peter Pan, or The Boy Who Wouldn't Grow Up, a 1904 West End "fairy play" about an ageless boy and an ordinary girl named Wendy who have adventures in the fantasy setting of Neverland.
Maude Ewing Adams Kiskadden, known professionally as Maude Adams, was an American actress and stage designer who achieved her greatest success as the character Peter Pan, first playing the role in the 1905 Broadway production of Peter Pan; or, The Boy Who Wouldn't Grow Up. Adams' personality appealed to a large audience and helped her become the most successful and highest-paid performer of her day, with a yearly income of more than $1 million during her peak.
The Admirable Crichton is a comic stage play written in 1902 by J. M. Barrie.
Charles Frohman was an American theater manager and producer, who discovered and promoted many stars of the American stage. Frohman produced over 700 shows, and among his biggest hits was Peter Pan, both in London and the US.
Edmund Gwenn was an English actor. On film, he is best remembered for his role as Kris Kringle in the Christmas film Miracle on 34th Street (1947), for which he won the Academy Award for Best Supporting Actor and the corresponding Golden Globe Award. He received a second Golden Globe and another Academy Award nomination for the comedy film Mister 880 (1950). He is also remembered for his appearances in four films directed by Alfred Hitchcock.
Dame Agnes Sybil Thorndike, Lady Casson, was an English actress whose stage career lasted from 1904 to 1969.
Richard Waring was an American actor. He is perhaps best remembered for his role in the film Mr. Skeffington (1944).
Clarence Charles William Henry Richard Bennett was an American actor who became a stage and silent screen actor over the early decades of the 20th century. He was the father of actresses Constance Bennett, Barbara Bennett and Joan Bennett with actress Adrienne Morrison, his second wife.
Harold Chapin was an American-born English actor and playwright. He served in the British Army during World War I.
What Every Woman Knows is a 1934 American romantic comedy film directed by Gregory La Cava and starring Helen Hayes, Brian Aherne and Madge Evans. The film was produced and distributed by Metro-Goldwyn-Mayer and is based on the play What Every Woman Knows (1908) by J. M. Barrie. It was filmed by Paramount back in the silent era in 1921 and stars Lois Wilson. An even earlier British silent version was filmed in 1917. Hayes was familiar with the material as she had starred in a 1926 Broadway revival opposite Kenneth MacKenna.
What Every Woman Knows is a 1917 British comedy drama film directed by Fred W. Durrant and starring Hilda Trevelyan, Madge Tree and Maud Yates. It is an adaptation of the 1908 play What Every Woman Knows by J.M. Barrie. American versions were filmed in 1921 and 1934.
What Every Woman Knows is a 1921 American silent comedy-drama film adapted form the play What Every Woman Knows by James Barrie. The play had premiered on Broadway in 1908 and was a hit starring Maude Adams. A British silent film version had been made in 1917 and a later American talkie would be produced in 1934 with Helen Hayes. This silent film version was directed by William C. deMille continuing his forte at adapting literary and/or stage plays to the silent screen. The film stars Lois Wilson and Conrad Nagel. This version is now lost.
Hilda Trevelyan was an English actress. Early in her career she became known for her performance in plays by J. M. Barrie, and is probably best remembered for creating the role of Wendy in Peter Pan.
The Empire Theatre in New York City was a prominent Broadway theatre in the first half of the twentieth century.
Maggie Pepper is a lost 1919 American silent comedy-drama film directed by Chester Withey and starring Ethel Clayton. This film is based on a hit 1911 play by Charles Klein which was a winning success for stage actress Rose Stahl at the Harris Theatre.
Finding Neverland is a musical with music and lyrics by Gary Barlow and Eliot Kennedy and a book by James Graham adapted from the 1998 play The Man Who Was Peter Pan by Allan Knee and its 2004 film version Finding Neverland. An early version of the musical made its world premiere at the Curve Theatre in Leicester in 2012 with a book by Allan Knee, music by Scott Frankel and lyrics by Michael Korie. A reworked version with the current writing team made its world premiere in 2014 at the American Repertory Theater in Cambridge, Massachusetts. Following completion of its Cambridge run, the production transferred to Broadway in March 2015.
Aedín Moloney is an American and Irish TV, Theatre and Film actress and producer. She was born in Dublin, Ireland. She is the founder and producing artistic director of New York's Fallen Angel Theatre Company. She is the daughter of musician Paddy Moloney.
Sydney Valentine Nossiter, known professionally as Sydney Valentine, was an English actor of the Victorian and Edwardian eras. He was President of the Actors' Association and was remembered for negotiating what became the standard contracts for actors in the West End and on tour.
