White Corridors | |
---|---|
Directed by | Pat Jackson |
Based on | novel Yeoman's Hospital by Helen Ashton |
Produced by | Joseph Janni John Croydon |
Starring | Googie Withers |
Cinematography | C. M. Pennington-Richards |
Edited by | Sidney Hayers |
Production company | Vic Films Productions |
Distributed by | General Film Distributors (UK) |
Release date |
|
Running time | 102 minutes |
Country | United Kingdom |
Language | English |
White Corridors is a 1951 British drama film directed by Pat Jackson and starring Googie Withers, Godfrey Tearle, James Donald and Petula Clark. [1] It is based on the 1944 novel Yeoman's Hospital by Helen Ashton.
The film is set in a hospital shortly after the establishment of the National Health Service. [2]
The day-to-day life of the staff and patients at a city hospital. [3] The central story is that of doctors Sophie Dean and Neil Marriner, who are in love, and their fight to save the life of Tommy Briggs, a little boy with blood poisoning.
The film marked Googie Withers's return to acting after 13 months off following the birth of her child. [4] John Mills at one stage was announced to play the male lead. [5]
Bombardier Billy Wells, the man who bangs the gong on the Rank trademark, had a small role. [6]
Pat Jackson claims making the film was "a joy" and says it was shot in five weeks. [7]
White Corridors was the 8th most popular film at the British box office in 1951. [8] [9]
The Monthly Film Bulletin wrote: "The material of White Corridors is not distinguished, and its episodic structure emphasises that the characterisation is mainly one-dimensional; the interweaving of a series of glimpsed characters needed a firmer conception if real depth were to be given to them and thus to the whole background of the hospital which the film sets out to explore. But on a surface level the film is remarkably successful, due to the persuasive talents of its director, Pat Jackson." [10]
The Radio Times Guide to Films gave the film 3/5 stars, writing: "While it may sound like a hokey soap opera, it is actually a well-made British A-feature, realistically played by a large and excellent cast that includes a number of well-known faces." [11]
Leslie Halliwell said: "Competent multi-drama which found a big audience." [12]
In British Sound Films: The Studio Years 1928–1959 David Quinlan rated the film as "very good", writing: "Intelligently handled, episodic medical drama always carries energy at its core." [13]
At the 1951 BAFTAS it was nominated for Best Film and Best British Film. [14] Petula Clark was nominated for Best Supporting Actress.
Georgette Lizette "Googie" Withers, CBE, AO was an English entertainer. She was a dancer and actress, with a lengthy career spanning some nine decades in theatre, film, and television. She was a well-known actress and star of British films during and after the Second World War.
Mae Clarke was an American actress. She is widely remembered for playing Henry Frankenstein's bride Elizabeth, who is chased by Boris Karloff in Frankenstein, and for being on the receiving end of James Cagney's halved grapefruit in The Public Enemy. Both films were released in 1931.
John Neil McCallum, was an Australian theatre and film actor, highly successful in the United Kingdom. He was also a television producer.
Back-Room Boy is a 1942 British comedy mystery film directed by Herbert Mason, produced by Edward Black for Gainsborough Pictures and distributed by General Film Distributors. The cast includes Arthur Askey, Googie Withers, Graham Moffatt and Moore Marriott. It marked the film debut of Vera Frances. The original story was written by J.O.C. Orton, Marriott Edgar and Val Guest. A man from the Met Office is sent to a lighthouse on a remote Scottish island to monitor the weather, where he hopes to escape from women, but soon finds the island overrun by them.
Lady Godiva Rides Again is a 1951 British comedy film starring Pauline Stroud, George Cole and Bernadette O'Farrell, with British stars in supporting roles or making cameo appearances. It concerns a small-town English girl who wins a local beauty contest by appearing as Lady Godiva, then decides to pursue a higher profile in a national beauty pageant and as an actress.
Track the Man Down is a 1955 British black and white "B" crime film directed by R. G. Springsteen, starring Kent Taylor, Petula Clark, and George Rose.
Emergency Call, released in the US as The Hundred Hour Hunt, is a 1952 British drama film directed by Lewis Gilbert and starring Jack Warner, Anthony Steel, Joy Shelton and Sid James. It was distributed by Butcher's Film Service. The film was a noted success compared to its small budget and helped establish Gilbert as a director. It was remade in 1962 as Emergency.
Our Girl Friday is a 1953 British comedy film starring Joan Collins, George Cole, Kenneth More and Robertson Hare. It is about a woman who is shipwrecked with three men on a deserted island.
They Came to a City is a 1944 British black-and-white film directed by Basil Dearden and starring John Clements, Googie Withers, Raymond Huntley, Renee Gadd and A. E. Matthews. It was adapted from the 1943 play of the same title by J. B. Priestley, and is notable for including a cameo appearance by Priestley as himself.
The Loves of Joanna Godden is a 1947 British historical drama film directed by Charles Frend and produced by Michael Balcon. The screenplay was written by H. E. Bates and Angus MacPhail from the novel Joanna Godden (1921) by Sheila Kaye-Smith.
Sailor Beware! is a 1956 British comedy film directed by Gordon Parry and starring Peggy Mount, Shirley Eaton and Ronald Lewis. It was released in the United States by Distributors Corporation of America in 1957 as Panic in the Parlor.
Dancing with Crime is a 1947 British film noir film directed by John Paddy Carstairs, starring Richard Attenborough, Barry K. Barnes and Sheila Sim. A man hunts down the killer of his lifelong friend.
Piccadilly Incident is a 1946 British drama film directed by Herbert Wilcox and starring Anna Neagle, Michael Wilding, Coral Browne, Edward Rigby and Leslie Dwyer.
As Long as They're Happy is a 1955 British musical comedy film directed by J. Lee Thompson and starring Jack Buchanan, Susan Stephen and Diana Dors. It is based on the 1953 play of the same name by Vernon Sylvaine. It was shot in Eastmancolor at Pinewood Studios near London with sets designed by the art director Michael Stringer.
Just My Luck is a 1957 British sports comedy film directed by John Paddy Carstairs and starring Norman Wisdom, Margaret Rutherford, Jill Dixon and Leslie Phillips.
A Stitch in Time is a 1963 comedy film directed by Robert Asher and starring Norman Wisom, Edward Chapman, Jeanette Sterke and Jerry Desmonde. It was produced by Hugh Stewart and Earl St. John. The film is set in a children's hospital and features an early role for Johnny Briggs.
I Believe in You is a 1952 British drama film directed by Michael Relph and Basil Dearden, starring Celia Johnson and Cecil Parker and is based on the book Court Circular by Sewell Stokes. Inspired by the recently successful The Blue Lamp (1950), Relph and Dearden used a semi-documentary approach in telling the story of the lives of probation officers and their charges.
Mr. Denning Drives North is a 1951 British mystery film directed by Anthony Kimmins and starring John Mills, Phyllis Calvert and Sam Wanamaker. Alec Coppel wrote the script, adapted from his own 1950 novel of the same title. An aircraft manufacturer accidentally kills his daughter's boyfriend and tries to dispose of the body.
The Gang's All Here is a 1939 British black-and-white comedy-mystery, directed by Thornton Freeland and starring Jack Buchanan and Googie Withers. It was produced by Associated British Picture Corporation and released in the U.S. in 1943 as The Amazing Mr. Forrest.
The Feminine Touch is a 1956 colour British drama film directed by Pat Jackson and starring George Baker, Belinda Lee and Delphi Lawrence. It was the last feature film to be filmed in three-strip Technicolor.