The Ealing comedies is an informal name for a series of comedy films produced by the London-based Ealing Studios during a ten-year period from 1947 to 1957. Often considered to reflect Britain's post-war spirit, the most celebrated films in the sequence include Kind Hearts and Coronets (1949), Whisky Galore! (1949), The Lavender Hill Mob (1951), The Man in the White Suit (1951) and The Ladykillers (1955). Hue and Cry (1947) is generally considered to be the earliest of the cycle, and Barnacle Bill (1957) the last, although some sources list Davy (1958) as the final Ealing comedy.
Sir Michael Elias Balcon was an English film producer known for his leadership of Ealing Studios in West London from 1938 to 1955. Under his direction, the studio became one of the most important British film studios of the day. In an industry short of Hollywood-style moguls, Balcon emerged as a key figure, and an obdurately British one too, in his benevolent, somewhat headmasterly approach to the running of a creative organization. He is known for his leadership, and his guidance of young Alfred Hitchcock.
Delphi Lawrence was an English actress. She was educated at Halidon House School in Slough, Berkshire, whilst living in Colnbrook.
Belinda Lee was an English actress.
Carry On Nurse is a 1959 British comedy film, the second in the series of 31 Carry On films (1958–1992). Of the regular team, it featured Joan Sims, Kenneth Williams, Kenneth Connor and Charles Hawtrey, with Hattie Jacques and Leslie Phillips. The film was written by Norman Hudis based on the play Ring for Catty by Patrick Cargill and Jack Beale. It was the top-grossing film of 1959 in the United Kingdom and, with an audience of 10.4 million, had the highest cinema viewing of any of the "Carry On" films. Perhaps surprisingly, it was also highly successful in the United States, where it was reported that it played at some cinemas for three years.
The Shiralee is a 1957 British film in the Australian Western genre. It was made by Ealing Studios, starring Peter Finch, directed by Leslie Norman and based on the 1955 novel by D'Arcy Niland. Although all exterior scenes were filmed in Sydney, Scone and Binnaway, New South Wales and Australian actors Charles Tingwell, Bill Kerr and Ed Devereaux played in supporting roles, the film is really a British film made in Australia, rather than an Australian film.
Yield to the Night is a 1956 British crime drama film directed by J. Lee Thompson and starring Diana Dors. The film is based on the 1954 novel of the same name by Joan Henry. The storyline bears a superficial and coincidental resemblance to the Ruth Ellis case, which had occurred the previous year but subsequent to the release of Henry's novel. The film received much positive critical attention, particularly for the unexpectedly skilled acting of Dors, who had previously been cast solely as a British version of the typical "blonde bombshell". The movie was nominated for the Palme d'Or at the 1956 Cannes Film Festival.
Charles Herbert Frend was an English film director and editor, best known for his films produced at Ealing Studios. He began directing in the early 1940s and is known for such films as Scott of the Antarctic (1948) and The Cruel Sea (1953).
The Weak and the Wicked is a 1954 British drama film directed by J. Lee Thompson based on the autobiographical novel Who Lie in Gaol by his wife, Joan Henry, starring Glynis Johns and Diana Dors.
Saraband for Dead Lovers is a 1948 British historical drama film directed by Basil Dearden and starring Stewart Granger and Joan Greenwood. It is based on the 1935 novel by Helen Simpson. Set in seventeenth-century Hanover, it depicts the doomed romance between Philip Christoph von Königsmarck and Sophia Dorothea of Celle, the wife of the Elector of Hanover. The saraband mentioned in the title is a type of Spanish dance.
Doctor in Clover is a British comedy film released in 1966, starring Leslie Phillips. The film is based on the novel of the same title by Richard Gordon. It is the sixth of the seven films in the Doctor series.
Who Done It? is a 1956 British slapstick black and white comedy crime film directed by Basil Dearden and starring Benny Hill, Belinda Lee, David Kossoff, Garry Marsh, and George Margo. One of the last Ealing comedies, it was Benny Hill's film debut.
The Man in the Sky is a 1957 thriller drama film starring Jack Hawkins and produced by Ealing Films, Michael Balcon's new company, set up after Rank had sold Ealing Studios in Ealing Green, West London, to the BBC in 1955. Balcon, who had run the company on behalf of Rank since 1944, left Rank in 1956 and set up the new company, striking a distribution and production deal with MGM. This was the first Ealing production to be made at MGM-British Studios in Borehamwood, North London.
Dangerous Exile is a 1957 British historical drama film directed by Brian Desmond Hurst and starring Louis Jourdan, Belinda Lee, Anne Heywood and Richard O'Sullivan. It concerns the fate of Louis XVII, who died in 1795 as a boy, yet was popularly believed to have escaped from his French revolutionary captors.
Eyewitness is a 1956 British thriller film directed by Muriel Box and starring Donald Sinden, Muriel Pavlow, Belinda Lee, Michael Craig, Nigel Stock and Richard Wattis. It was made by the Rank Organisation.
The Siege of Pinchgut is a 1959 British thriller filmed on location in Sydney, Australia, and directed by Harry Watt. It was the last film produced by Ealing Studios, and was entered into the 9th Berlin International Film Festival where it was nominated for the Golden Bear Award.
The Lamp Still Burns is a 1943 British drama film directed by Maurice Elvey and starring Rosamund John, Stewart Granger and Godfrey Tearle. Its plot concerns a woman architect who changes careers to become a nurse.
The Feminine Touch may refer to:
Christense Sorensen (1885–1958) was an Australian hospital matron and army nurse. She served during the First World War and later became a civilian matron. She held positions in the Australian Army Nursing Service, Brisbane General Hospital, and Rosemount Repatriation Hospital. Upon her retirement she had treated more than a million patients.
Henryetta Edwards was a British actress on the London stage, and in films and television, mostly in the 1940s and 1950s.
