White Top Folk Festival

Last updated
White Top Folk Festival
Genre Folk, Old-time
DatesAugust
Location(s) Whitetop Mountain
Years active1931-1936, 1938, 1939
Founded by Annabel Morris Buchanan, John Blakemore, John Powell
A view on Whitetop Mountain Whitetop.jpg
A view on Whitetop Mountain

The White Top Folk Festival was a folk festival held on Whitetop Mountain in Grayson County, Virginia from 1931 to 1939. Established by Annabel Morris Buchanan, John Blakemore, and classical musician John Powell, it featured Appalachian folk music. [1] At its height, the festival hosted First Lady Eleanor Roosevelt in 1933. The festival was not held in 1937, and was canceled in 1940 due to flooding. It did not resume again. [2]

Contents

Early years

The idea for the festival came to John Blakemore after a local musician suggested holding a Fourth of July fiddler's contest on Whitetop Mountain. [3] Blakemore mentioned it to his cousin, John Buchanan, who told his wife, Annabel. Annabel Buchanan, a musician and music teacher, had been putting on small music programs around Marion, Virginia, for several years. She discussed the idea with her friend, classical composer John Powell. Blakemore, Buchanan, and Powell began planning for a music festival that included more than the original idea of a fiddler's contest. They decided that they would consider only "old time" music and disallowed "modern songs, tunes, or dances." [3] The first festival was scheduled for August 15, 1931.

The inaugural White Top Folk Festival drew around 3,000 spectators and hosted around three dozen musicians and groups. The musicians competed for monetary prizes, which were especially attractive during the Depression days. [3] The 1932 festival was similar in format but slightly larger and stretched over two days. It included handicraft exhibits, square dances, and a winner's program. Nearly 4,000 people attended to watch over 75 individual and group performers.

Expansion

In 1933, First Lady Eleanor Roosevelt wrote to Buchanan expressing interest in attending the festival. Blakemore, who was politically powerful in the area, had the roads to the festival expanded in anticipation of the crowds Roosevelt's visit would draw. More than 12,000 people attended the festival in 1933.

The festival grew increasingly elaborate and culturally significant, with attendance and attention from academic folklorists, musicologists, and journalists. By 1936, a 10-day White Top Folk Conference was held at Marion College before the festival opening.

Last years

Historical marker detailing the story of the folk festival White Top Folk Festival Historical Marker - panoramio.jpg
Historical marker detailing the story of the folk festival

Problems began surfacing after the second festival. Tension grew between the founders, who had conflicting values and agendas. Blakemore was eager to exploit the commercial opportunities that accompanied the festival's expansion. He proposed opening a folk school that might serve as a tax shelter for the White Top Company, the corporation that owned Whitetop Mountain and of which he was the principal stockholder. Buchanan was furious that Blakemore was using the festival for private enrichment, and she finally left the festival in 1937.

Even as it garnered appreciation from academics and cultural critics, the festival drew criticism for its contradictory treatment of poor festival-goers and black people. Charles Seeger, who attended the 1936 festival, noted that many poverty-stricken spectators had to stand outside the performance pavilion because they could not afford to pay to sit on the shaded benches inside. Powell, an unabashed racist, found the festival an ideal platform to promote what he felt were the culturally and racially superior values of whites. Black people were prohibited from attending or performing at White Top, and exceptions were made only for the servants who accompanied Eleanor Roosevelt during her 1933 visit.

Notes

  1. Rudy Abramson and Jean Haskell, eds, Encyclopedia of Appalachia, Knoxville, TN: U of Tennessee Press, 2006), p. 861
  2. Roadside Virginia Historical Marker in vicinity of White Top Mountain. Image here.
  3. 1 2 3 Whisnant, David E. "The White Top Folk Festival: What We (Have Not) Learned".

Related Research Articles

<span class="mw-page-title-main">Hillbilly</span> Stereotype of some rural Americans

Hillbilly is a term for people who dwell in rural, mountainous areas in the United States, primarily in the Appalachian region. As people migrated out of the region during the Great Depression, the term spread northward and westward with them.

<span class="mw-page-title-main">Bill Monroe</span> American bluegrass musician, songwriter (1911–1996)

William Smith Monroe was an American mandolinist, singer, and songwriter, who created the bluegrass music genre. Because of this, he is often called the "Father of Bluegrass".

<span class="mw-page-title-main">Grayson County, Virginia</span> County in Virginia, United States

Grayson County is a county located in the southwestern part of the Commonwealth of Virginia. As of the 2020 census, the population was 15,333. Its county seat is Independence. Mount Rogers, the state's highest peak at 5,729 feet (1,746 m), is in Grayson County.

<span class="mw-page-title-main">Mountain View, Arkansas</span> City in Arkansas, United States

Mountain View is the largest city in and the county seat of Stone County, Arkansas, United States, located in the Ozarks. The city's economy is largely based on tourism related to its title as the "Folk Music Capital of the World". The city is also known for outdoors recreation opportunities, including Blanchard Springs Caverns, trout fishing on the White River and the Ozark National Forest.

Virginia's musical contribution to American culture has been diverse, and includes Piedmont blues, jazz, folk, brass, hip-hop, and rock and roll bands, as well as the founding origins of country music in the Bristol sessions by Appalachian Virginians.

<span class="mw-page-title-main">Old-time music</span> Genre of folk music

Old-time music is a genre of North American folk music. It developed along with various North American folk dances, such as square dancing, clogging, and buck dancing. It is played on acoustic instruments, generally centering on a combination of fiddle and plucked string instruments, most often the banjo, guitar, and mandolin. Together, they form an ensemble called the string band, which has historically been the most common configuration to play old-time music. The genre is considered a precursor to modern country music.

<span class="mw-page-title-main">Whitetop Mountain</span> Mountain in Virginia, United States

Whitetop Mountain is the second highest independent mountain in the U.S. state of Virginia, after nearby Mount Rogers. It is also the third highest named peak in Virginia, after Mount Rogers and its subsidiary peak, Pine Mountain. It is located at the juncture of Grayson, Smyth, and Washington Counties, and is also within the Mount Rogers National Recreation Area of the Jefferson National Forest. Whitetop was the location of the White Top Folk Festival from 1932 to 1939, with the exception of 1937. Like nearby Mount Rogers, it represents an ecological "island" of flora and fauna commonly found much farther north than Virginia, such as old growth red spruce and other northern softwoods.

<span class="mw-page-title-main">Appalachian music</span> Traditional music of the American Appalachian Mountains region

Appalachian music is the music of the region of Appalachia in the Eastern United States. Traditional Appalachian music is derived from various influences, including the ballads, hymns and fiddle music of the British Isles, the African music and blues of early African Americans, and to a lesser extent the music of Continental Europe.

<span class="mw-page-title-main">Clarence Ashley</span> American folk musician (1895–1967)

Clarence "Tom" Ashley was an American musician and singer, who played the clawhammer banjo and the guitar. He began performing at medicine shows in the Southern Appalachian region as early as 1911, and gained initial fame during the late 1920s as both a solo recording artist and as a member of various string bands. After his "rediscovery" during the folk revival of the 1960s, Ashley spent the last years of his life playing at folk music concerts, including appearances at Carnegie Hall in New York and at the Newport Folk Festival in Rhode Island.

<span class="mw-page-title-main">Jim & Jesse</span> American bluegrass duo

Jim & Jesse were an American bluegrass music duo of brothers, Jim McReynolds and Jesse McReynolds. They were born and raised in Carfax, a community near Coeburn, Virginia, United States.

Jean Bell Thomas was an American photographer and folk festival promoter, who specialized in the music, crafts, and language patterns of the Appalachian region of the United States.

Hobart Smith was an American old-time musician. He was most notable for his appearance with his sister Texas Gladden on a series of Library of Congress recordings in the 1940s and his later appearances at various festivals during the folk music revival of the 1960s. Smith is often remembered for his virtuosic performances on the banjo, and had also mastered various other instruments, including the fiddle, guitar, piano, harmonica, accordion and organ.

"Cumberland Gap" is an Appalachian folk song that likely dates to the latter half of the 19th century and was first recorded in 1924. The song is typically played on banjo or fiddle, and well-known versions of the song include instrumental versions as well as versions with lyrics. A version of the song appeared in the 1934 book, American Ballads and Folk Songs, by folk song collector John Lomax. Woody Guthrie recorded a version of the song at his Folkways sessions in the mid-1940s, and the song saw a resurgence in popularity with the rise of bluegrass and the American folk music revival in the 1950s. In 1957, the British musician Lonnie Donegan had a No. 1 UK hit with a skiffle version of "Cumberland Gap".

<span class="mw-page-title-main">John Powell (musician)</span> American pianist, ethnomusicologist and composer (1882–1963)

John Powell was an American pianist, ethnomusicologist and composer. Along with Annabel Morris Buchanan, he helped found the White Top Folk Festival, which promoted music of the people in the Appalachian Mountains. A firm believer in segregation and white supremacy, Powell also helped found the Anglo-Saxon Clubs of America, which soon had numerous posts in Virginia. He contributed to the drafting and passage of the Racial Integrity Act of 1924, which institutionalized the one-drop rule by classifying as black (colored) anyone with African ancestry.

Bluegrass fiddling is a distinctive style of American fiddle playing which is characterized by bold, bluesy improvisation, off-beat "chopping", and sophisticated use of both double-stops and old-time bowing patterns.

<span class="mw-page-title-main">John Preston Buchanan</span> American politician

John Preston Buchanan was an American politician who served as a member of the Virginia Senate, representing the state's 1st district.

The Music of East Tennessee has a rich history, and played a major role in the development of modern country and bluegrass music. Bristol, known as "the birthplace of country music",, and Johnson City, notable for the Johnson City recording sessions, are both towns in the Tri-Cities region of East Tennessee. The music of East Tennessee is defined by country, gospel, and bluegrass artists, and has roots in Appalachian folk music.

<span class="mw-page-title-main">Danny Knicely</span> American country and bluegrass musician (born 1975)

Daniel Shane Knicely, known as Danny Knicely, is an American country and bluegrass musician. In addition to singing, he plays guitar, fiddle, and mandolin. His album releases include: The Evenin' News, Chop, Shred & Split, Waltz for Aimee, The Melody Lingers, Roots and Branches, and Murders, Drownings and Lost Loves (2006) — which he recorded with Will Lee.

Donald DePoy is an American bluegrass musician, music educator, and music event organizer. He is a fifth-generation bluegrass musician from the Shenandoah Valley and a multi-instrumentalist. He and his wife Martha Hills have performed as the duo Me & Martha since 2005. He is founder of the Shenandoah Music Trail and the first "bluegrass church". He won first place in dulcimer at the 2017 Old Fiddlers' Convention in Galax, Virginia.

<span class="mw-page-title-main">Annabel Morris Buchanan</span> American composer and folklorist

Annabel Morris Buchanan was an American composer and folklorist. The author of the book Folk Hymns of America (1938) as well as myriad journal articles, Buchanan helped found the White Top Folk Festival, which promoted music of the people in the Appalachian Mountains. Buchanan's documenting practices are credited for preserving many folk songs that might have otherwise gone on unrecorded.